Nuggets: Original Artyfacts From The First Psychedelic Era 1965-1968 2LP US 1976
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$ 30 Sold For
Aug 26, 2021 Sold Date
Feb 6, 2021 Start Date
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Note About Shipping To The U.S.
We are located in Canada, but have registered ourselves on eBay.com instead of eBay.ca because it gives us significantly better global exposure.  The problem with this is that eBay wants us to charge shipping appropriate to US, where media mail and other options make for fairly reasonable delivery costs. We tried it for a while but ended up losing money on shipping or having to cancel the orders because we couldn't afford to ship for those rates. To manage this we have set the US shipping to run a calculator based on an American location (we chose Plattsburgh as fairly close) and charging according to UPS pricing.  This avoids the cancellation issue, but can appear to the buyer to be a prohibitive shipping cost and misrepresents the shipping as being only expedited. If you give us your postal code we will see if we can offer a more reasonable option, but generally we can get a single LP by air to most places in the continental US for $11, a double $16, a few bucks less for ground. If you pay for the item and the shipping was less than you paid we will refund you the difference
Thanks for shopping Sir Helmitt,
Jeff Green, e-sales



Nuggets

Original Artyfacts From The First Psychedelic Era 1965-1968 2LP


Label:Sire SASH 3716-2  Format:2 × Vinyl, LP, Compilation, Reissue, Santa Maria Press 
Country:US  Released:1976  Genre:Rock  Style:Garage Rock, Psychedelic Rock


AllMusic:  If one had to point to a single initial salvo that launched the garage rock revival movement in the 1970s and ‘80s, it would have to be the release of Nuggets: Original Artyfacts from the First Psychedelic Era 1965-1968 in 1972. Elektra Records had approached rock critic Lenny Kaye (not yet the guitarist with the Patti Smith Group) with the notion of compiling an album of great, overlooked rock tunes, but what Kaye came up with was something significantly different -- an overview of the great, wild era when American bands, goaded by the British Invasion, began honing in on a tougher and more eclectic rock & roll sound, and kids were reawakened to the possibilities of two guitars, bass, and drums. Coming up with a simple definition of this period and its sound proved daunting -- the word "garage" appears nowhere in the liner notes to Nuggets, and his notion of "the first psychedelic era" quickly fell by the wayside -- but the frequent bursts of fuzztone, Farfisa organ, and vocal sneering in the 27 tunes Kaye selected codified a musical approach that flourished in the mid-'60s, and at a time when rock was becoming more self-consciously serious and arty, the primal power and sheer sense of fun audible in this music seemed like a minor revelation that became a clarion call to musicians, fans, and music scribes around the world. Nuggets proved to be of seismic importance in the years after its release, but just as importantly, it's a blast to listen to; Kaye's sequencing gives the album the joyous flow of a great afternoon of AM radio, and the album blends hits both big ("Pushin' Too Hard" by the Seeds, "Psychotic Reaction" by Count Five) and small ("You're Gonna Miss Me" by the 13th Floor Elevators, "Hey Joe" by the Leaves) with high-quality obscurities ("Don't Look Back" by the Remains, "It's A-Happening" by the Magic Mushrooms) and early efforts by future stars (Leslie West in the Vagrants, Todd Rundgren in Nazz, Ted Nugent in the Amboy Dukes). And while many of the garage compilations that would follow would focus relentlessly on the obscure and the noisy, Kaye's set not only demonstrates that some of this stuff actually made the charts, but that there was as much great pop as snotty proto-punk pouring out of America's rec rooms back in the day. And Kaye's liner notes were nearly as important as the music in defining the importance of this music and its era. Very few "oldies" compilations have had an influence approaching that of Nuggets, and even fewer are as rewarding to listen to; if you care about rock music in the '60s, you need to own this album. 


Tracklist

A1 –The Electric Prunes I Had Too Much To Dream (Last Night)

Written-By – Tucker, Mantz

2:55

A2 –The Standells Dirty Water

Written-By – Ed Cobb

2:47

A3 –The Strangeloves Night Time

Written-By – Feldman, Goldstein, Gottehrer

3:05

A4 –The Knickerbockers Lies

Written-By – S. Charles, B. Randall

2:41

A5 –The Vagrants Respect

Written-By – Otis Redding

2:13

A6 –Mouse A Public Execution

Written-By – Knox Henderson, Ronny Weiss

2:43

A7 –The Blues Project No Time Like The Right Time

Written-By – Kooper

2:49

B1 –The Shadows Of Knight Oh Yeah

Written-By – McDaniel

2:44

B2 –The Seeds Pushin' Too Hard

Written-By – Saxon

3:03

B3 –The Barbarians Moulty

Written-By – B. Baer, D. Morris, E. Greenberg, R. Schwartz

2:29

B4 –The Remains Don't Look Back

Written-By – B. Vera

2:35

B5 –The Magicians Invitation To Cry

Written-By – A. Gordon, J. Woods

2:55

B6 –The Castaways Liar, Liar

Written-By – James Donna

1:52

B7 –The Thirteenth Floor Elevators You're Gonna Miss Me

Written-By – Rocky Ericson

2:24

C1 –Count Five Psychotic Reaction

Written-By – Atkinson, Bryne, Michalski, Ellner, Chaney

2:56

C2 –The Leaves Hey Joe

Written-By – Chester Powers

2:47

C3 –Michael And The Messengers Just Like Romeo And Juliet

Written By – B. Hamilton - F. Gorman

2:06

C4 –The Cryan Shames Sugar And Spice

Written-By – Fred Nightingale

2:26

C5 –The Amboy Dukes Baby Please Don't Go

Written-By – Joe Williams

5:32

C6 –The Blues Magoos Tobacco Road

Written-By – J. D. Loudermilk

4:39

D1 –Chocolate Watch Band Let's Talk About Girls

Written-By – M. Freiser

2:41

D2 –The Mojo Men Sit Down I Think I Love You

Written-By – Stephen Stills

2:16

D3 –The Third Rail Run Run Run

Written-By – A. Resnick, J. Levine, K. Resnick

2:00

D4 –Sagittarius My World Fell Down

Written-By – G. Stephens, J. Carter

3:45

D5 –Nazz Open My Eyes

Written-By – Todd Rundgren

2:48

D6 –The Premiers Farmer John

Written-By – Terry, Harris

3:46

D7 –The Magic Mushrooms It's-A-Happening

Written-By – Sonny Casella

2:40


Phonographic Copyright (p) – Sire Records, Inc.

Phonographic Copyright (p) – Elektra Records

Copyright (c) – Elektra Records

Marketed By – ABC Records, Inc.

Mastered At – Sterling Sound

Designed At – Kelley/Mouse Studios

Pressed By – Columbia Records Pressing Plant, Santa Maria


Art Direction – Fred Marcellino

Compilation Producer, Programmed By, Sleeve Notes [Annotated By] – Lenny Kaye

Concept By – Jac Holzman

Photography By [Record Sleeve Photo] – Roberta Bayley

Supervised By [Reissue Supervision] – John Gillespie, Seymour Stein


Columbia Records Pressing Plant, Santa Maria press denoted by "S" etches in runouts.


Gatefold sleeve, picture inner sleeves.

Originally released in 1972 as Elektra 7E-2006, with different artwork.

1976 Sire Records 1972 Electra Records on cover back (misspelled Elektra)

Cover art: Kelley Mouse Studios

Track credits as in sleeve notes

Printed in U.S.A.

Barcode and Other Identifiers

Matrix / Runout (Variant 1, Record 1 Side A etched / stamped, variant 1): S SASH-3716-2-A-1A SX A STERLING

Matrix / Runout (Variant 1, Record 1 Side B etched / stamped, variant 1): S SASH-3716-2-B-1B SX STERLING 15

Matrix / Runout (Variant 1, Record 2 Side C etched / stamped, variant 1): S SASH-3716-2-C-1B STERLING

Matrix / Runout (Variant 1, Record 2 Side D etched / stamped, variant 1): S SASH-3716-2-D-1B STERLING

Matrix / Runout (Variant 2, Record 1 Side A etched / stamped, variant 2 ): 1S SASH-3716-2-A-1B STERLING A8

Matrix / Runout (Variant 2, Record 1 Side B etched / stamped, variant 2): 1S SASH-3716-2-B-1B STERLING A5

Matrix / Runout (Variant 2, Record 2 Side C etched / stamped, variant 2): 1S SASH-3716-2-C-1C STERLING C3

Matrix / Runout (Variant 2, Record 2 Side D etched / stamped, variant 2): 1S SASH-3716-2-D-1C STERLING C2

Matrix / Runout (Variant 3, Record 1 Side A etched / stamped, variant 1): SASH-3716-2-A-1B STERLING C2 1S SX

Matrix / Runout (Variant 3, Record 1 Side B etched / stamped, variant 1): SASH-3716-2-B-1A STERLING A1 1S

Matrix / Runout (Variant 3, Record 2 Side C etched / stamped, variant 1): SASH-3716-2-C-1C STERLING B3 S

Matrix / Runout (Variant 3, Record 2 Side D etched / stamped, variant 1): SASH-3716-2-D-1C STERLING C3 1S

Matrix / Runout (Label, A-side): SASH-3716/2-A

Matrix / Runout (Label, B-side): SASH-3716/2-B

Matrix / Runout (Label, C-side): SASH-3716/2-C

Matrix / Runout (Label, D-side): SASH-3716/2-D


CONDITION:  NEAR MINT VINYL X 2x2/printed inner sleeves (seam tears)/gatefold hard card picture sleeve (VG)






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