Neil Diamond - The Jazz Singer 1981 MFSL Ltd Ed. 1/2 Speed Mastered Audiophile
A$
80
$
53
A$ 80
Sold For
Sep 1, 2022
Sold Date
Nov 11, 2021
Start Date
1
Number Of Bids
Australia
Country Of Seller
eBay
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Description
Neil Diamond – The Jazz Singer (Original Songs From The Motion Picture)
Original 1981 MFSL Limited Edition Half Speed Mastered Audiophile issue.Specially plated and pressed on high definition super vinyl by Victor Company of Japan, LTD.
Half speed production and mastering by Original Mastering Works Special static free dust free inner sleeve - Special heavy duty protective packaging
Mastered with the Ortofon Cutting System
Pressed in Japan.
In astounding condition throughout
The gatefold sleeve is Near Mint.
The entire contents is complete, and all is like new. The vinyl record is Mint. Like new, unsealed.
Label: Mobile Fidelity Sound Lab – MFSL 1-071 Series: Original Master Recording – Format: Vinyl, LP, Album, Limited Edition, Half-Speed Mastered
Country: US Released: 1981 Genre: Rock, Stage & Screen Style: Soundtrack, Pop Rock
Tracklist Hide Credits
A1 America 4:21 A2 Adon Olom Written-By – Traditional 0:30 A3 You Baby 2:54 A4 Love On The Rocks 3:39 A5 Amazed And Confused 2:50 A6 On The Robert E. Lee 2:03 A7 Summerlove 3:17 B1 Hello Again 4:02 B2 Acapulco 2:47 B3 Hey Louise 2:58 B4 Songs Of Life 3:31 B5 Jerusalem 3:04 B6a Kol Nidre Written-By – TraditionalB6b My Name Is Yussel (Theme) 1:38 B7 America (Reprise) 2:21
Companies, etc.
- Manufactured By – MFSL, Inc.
- Distributed By – MFSL, Inc.
- Licensed From – Capitol Records, Inc.
- Published By – Stonebridge Music
- Published By – EMA-Suisse
- Recorded At – Arch Angel Studios
- Recorded At – Record Plant Mobile, Los Angeles
- Recorded At – Cherokee Studios
- Recorded At – Sunset Sound
- Recorded At – Dawnbreaker Studios
- Mastered At – Original Masteringworks
- Pressed By – Victor Company Of Japan, Ltd.
Credits
- Acoustic Guitar, Electric Guitar – Richard Bennett
- Adapted By – Neil Diamond (tracks: A2, B6a), Uri Frenkel* (tracks: A2, B6a)
- Arranged By [Orchestra], Conductor – Alan Lindgren (tracks: A1, A4, A5, B1, B3, B4), Tom Hensley (tracks: A5, A7, B5)
- Arranged By [Vocal] – Bob Gaudio, Linda Press
- Art Direction, Design – David Kirschner
- Backing Vocals – Donny Gerard*, Doug Rhone, H.L. Voelker, Linda Press, Luther Waters, Marilyn O'Brien, Oren Waters
- Bass – Reinie Press
- Choir – Boyd H. Schlaefer, Dale D. Morich, David Teisher, James Gregory Wilburn, Jeremy C. Lipton, Mark H. Stevens, Timothy Alan Bullara, Yoav Steven Paskowitz
- Concertmaster – Assa Drori, James Getzoff, Sid Sharp*
- Contractor – John Rosenberg (5)
- Drums, Music Director – Dennis St. John
- Engineer [Assistant] – Bill Benton, Brad Gilderman, David Bianco, Jack Crymes, Larry Rebhun*, Mark Eshelman, Rick Ruggieri
- Engineer [Chief Recording] – Andy Bloch
- Engineer [Mixing] – Ron Hitchcock
- Guitar – Doug Rhone
- Mastered By – SR2*
- Music By – Alan Lindgren (tracks: B1), Doug Rhone (tracks: B2), Richard Bennett (tracks: A5)
- Orchestra [Additional Film Music Direction] – Leonard Rosenman
- Orchestra [Additional Film Music] – National Philharmonic Orchestra, The London Symphony Orchestra
- Percussion – King Errisson, Vince Charles
- Photography By – Larry Barbier
- Piano, Keyboards – Tom Hensley
- Producer – Bob Gaudio
- Product Manager [Assistant] – Rita Zak
- Production Manager [Co-ordinator] – Alison Zanetos, Beatrice E. Marks*
- Stage Manager [Production] – Barry Cardinael, Jerry Murphey, Patrick Stansfield, Sam Cole, Terry Merchant, Tom Mooney
- Synthesizer, Piano – Alan Lindgren
- Technician [Smpte Equipment Canyon Recorders] – Ed Lever
- Vocals – Linda Press
- Words By, Music By – Gilbert Bécaud (tracks: A4, A6, A7, B3, B4), Neil Diamond
Notes
Specially plated and pressed on high definition super vinyl by Victor Company of Japan, LTD.Gatefold.
Half speed production and mastering by Original Mastering Works™
Special static free dust free inner sleeve - Special heavy duty protective packaging
Mastered with the Ortofon Cutting System
℗ 1980 Neil Diamond. © 1980 Neil Diamond.
All Rights Reserved.
Pressed in Japan.
A few words about condition.
Grade &
score out of 100
GRADING
Mint is a Rigid Band - The next Four Grades are all Narrow Bands, that slightly widen as the condition gradually deteriorates - Good is still Good, but there is a rapid widening of the Grade Bands, as the condition deteriorates over the last Four grades.
MINT
100
The record itself is in brand new condition with no surface marks or deterioration in sound quality.
The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition.
Only graded on records that are sealed or clearly unplayed.
NEAR MINT
97 to 99
EXCELLENT
90 to 96
The record shows virtually no signs of having been played, there is no lessening in sound quality.
The cover and packaging might have the slightest of tiny defects.
The record shows some slight signs of having been played, but there is very little, (if any) lessening in sound quality.
The cover and packaging might have very slight wear.
VERY GOOD PLUS
80 to 89
VERY GOOD
69 to 79
The record shows signs of having been played, but there is very little lessening in sound quality.
The cover and packaging might have slight wear, light creasing.
The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch.
Normal wear and tear on the cover or extra items, without any major defects.
This is an above average used record, that has been well looked after.
GOOD
56 to 68
The record has been played so much that the sound quality has deteriorated, but the record will still play through, and it will not be a completely unpleasant listening experience, even at the bottom of this grade (56).
The cover and contents may suffer from folding, scuffing of edges, spine splits, discolouration, etc.
FAIR
41 to 55
The record is still playable but has not been cared for properly and displays considerable surface noise; it may even stick, skip or jump.. This is starting to be an unpleasant listening experience at the top of the grade (55) and will not be a pleasant listening experience at all by the end of it (41).
The cover and contents will be torn, stained and/or defaced.
POOR
25 to 40
The record will not play properly due to scratches, bad surface noise, etc.
The cover and contents will be badly damaged or partly missing.
BAD
0 - 24
The record is unplayable or might even be broken, and is only of use as a collection-filler.
The Sleeve is non existent (0) or what is left, is only just recognisable.
A few words about postage.
Within Australia, the best value for multiple purchases is a 5KG satchel, where as many as 15 to 20 LPs can be posted for $22.00 registered post. (well packed in a box, inside the satchel)
My Policies on postage are simple.
The user pays.
I package well.
Any item that you purchase without choosing the option of "Signed for" or "Registered" Post, is at your risk.
I do accept that "signed for" can be expensive, especially internationally, but whether you take the option of this insurance, is entirely up to you.
I do not wish to withdraw the option of standard postage for the cheaper records, but it must be at your risk.
price rating