NO USE FOR A NAME - 7" EP Debut 1989 Original KBD Punk NOFX RANCID GREEN DAY MDC
  $   56

 


$ 56 Sold For
Feb 14, 2020 Sold Date
Feb 7, 2020 Start Date
$   10 Start price
15   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

Vinyl Condition: NM barely ever played 
Cover Condition: VG++ No tears, ring wear or holes. Corners are square. There's some fading on the left edge of the cover, front and back, inside and out (see photos).
Rare 1st pressing of this EP that contains 4 punk songs from San Jose, CA on Woodpecker Records.
No Use for a Name (sometimes abbreviated NUFAN or No Use) were a punk rock band from San Jose, California, United States formed in 1986 by Chris Dodge (guitar), Steve Papoutsis (bass guitar) and Rory Koff (drums). The band's sound evolved considerably through its career, starting off as a Bay Area-influenced punk band, moving on to a much heavier metallic-tinted sound to finally taking on a much lighter brand of melodic punk as the years passed. The band's career ended in 2012 following Tony Sly's death on July 31 of that year.
No Use For a Name was formed in 1986 by longtime friends Dodge, Papoutsis and Koff. The early rehearsals of the band had taken place at a warehouse in Sunnyvale owned by Koff's father, where they also came up with the name for the band. During this era, the band was fronted by Papoutsis' friend John Meyer. Initially a four piece, it later expanded to a six piece, adding as a co-vocalist Ramon Gras and a second guitarist Doug Judd. The band experienced many line up changes during this period. In 1987, Dodge left to play in another Bay Area punk band, Stikky, while in summer of that year, both Meyer and Judd left the band with Tony Sly replacing Judd on guitar. This line-up first appeared on Maximum RocknRoll's 1987 Turn it Around compilation, with the song "Gang Way". In 1988, Gras fell out with the rest of the band and left before an important show at Gilman and a live appearance on the KFJC radio show. In a tight spot, the band asked the former guitarist Dodge, who before the formation of No Use had sung in other local bands, to rejoin as vocalist, which he agreed. This line-up of the band recorded two EPs; No Use For a Name on Woodpecker Records and Let 'em Out on on Slap A Ham Records. In 1989, Dodge left again which allowed Sly to take over vocals and songwriting.

I use lots of packing material, record shipping boxes with 2 cardboard inserts for the top and bottom for added protection. I ship the record outside of the album cover to prevent seam splits and put them both inside a poly record sleeve. 
If auction sells for $50 or more I require insurance. You can also request insurance if you'd like. I will combine shipping, $1 per record on top of original shipping cost. Wait for me to send invoice if insurance or combined shipping is needed 
All records are from my private collection, carefully stored for 30+ years, never left outside of their record sleeves unless it was on the turntable with the dustcover closed. Most of my records were only listened to once or twice, enough for me to record them to cassette tape so I could listen to them in the car at the time.
Please follow my other auctions, as I will be listing a lot of classic punk rock LPs and EPs in the near future.

MINT (M): Perfect! This record looks like it has just left the manufacturer, with NO flaws what so ever. It looks as though it had never been handled. No scuffs or scratches, blotches or stains. No stickers address labels, writing on the covers or labels. No tears or seam splits. No wear to the cover or record period! Age of the record has nothing to do with it.

NEAR MINT or NM, M-: this record appears virtually flawless A very minor scuff and very little else can appear on the vinyl. It should play without any noise over the flaw. The flaw is very hard to see. The cover looks as close to perfect with only minor signs of wear and or age. Minor impressions to the cover (due to the outer edge of the vinyl resting inside) may be acceptable, however the artwork is be as close to perfect as can be.

EXCELLENT or EX or VG++ : minor scuffs which are only slightly visible. There may be more than a few scuffs and NO Scratches COVER: Artwork is still as close to perfect as can be. Some impression to the cover (minor outer ring wear) but no ink wear! Some slight creases to the corners, but not wrinkled and obtrusive to the eye. The corners can show white, meaning slight wear. No seam splits or writing on the cover or taped repairs can make this grade.

VERY GOOD PLUS or VG+: record shows wear, surface scuffs. The vinyl still has a great luster, but the flaws will be noticeable to the naked eye. If the flaws don't cause any surface noise, the vinyl can still make the VG+ grade. COVERS: A virtually clean cover, but may have small writing on it.The artwork looks clean with slightly more aging. The back of the cover usually gives away the age of the cover. Flat white paper will be somewhat yellow yet no stains or mildew from water damage. Some minor wear to the seams or spine, but no tears or holes popping through. The corners will be slightly dog eared yet no crackly bends, defacing the artwork. In essence, a VG+ cover should have no more than 3 flaws mentioned.

VERY GOOD or VG: this record is a record that is good enough. They are not really going to look very good, but it will STILL play very good. there will almost always be some surface noise when they are played. The Dynamics should still be excellent, overpowering the surface noise. A VG record will appear well have been played but still have some luster. VG covers will look worn, used. There may be some seam splitting. There will be some ring wear, where the ink has begun to wear off. Giving the cover a look of snow falling. If the artwork looks snowy all over, it is less than VG condition. There may be some writing on the cover (still, no Large letters in magic marker). It will look aged and more yellowish due to contamination's in the air (sometimes looking like cigarette smoke). Still it should be decent.

GOOD or G: A good record will look very well played, dull, grayish and possibly abused. However a Good record should still play. It will have distracting surface noise. Such as crackle that is continuous or some hiss. Will also have some loss of dynamics caused from grooves being worn. It should play without any skips or any obtrusively loud pops or repeated clicks, caused by deep scratches. Good means that it will play with some form of decency, so one can still enjoy the music even though you can still hear noise caused from the wear. A Good cover will have just about everything wrong with it. It will have seam splits (possibly taped repaired, but only with scotch tape. No duct tape or masking tape repairs. These are big turn offs. May have magic marker writing on the cover but still if they are in huge letters, it is a big turn off.In essence, the cover will looked virtually trashed, but some artwork will still be noticed. If the artwork is worn, it is POOR and the cover is worthless.


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