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NIRVANA

Prior to Nirvana, alternative music was consigned to specialty sections of record stores, and major labels considered it to be, at the very most, a tax write-off. After the band's second album, 1991's Nevermind, nothing was ever quite the same, for better and for worse. Nirvana popularized punk, post-punk, and indie rock, unintentionally bringing them into the American mainstream like no other band to date.

"UNPLUGGED IN NEW YORK"

tracklisting

Side 1: ABOUT A GIRL - COME AS YOU ARE - JESUS DOESN'T WANT ME FOR A SUNBEAM

THE MAN WHO SOLD THE WORLD - PENNYROYAL TEA - DUMB - POLLY

Side 2: ON A PLAIN - SOMETHING IN THE WAY - PLATEAU - OH ME

LAKE OF FIRE - ALL APOLOGIES - WHERE DID YOU SLEEP LAST NIGHT

1994    LP   GEFFEN RECORDS   GEF 24727

MADE IN GERMANY    ORIGINAL PRESSING

SINGLE COVER + INNER SLEEVE + WHITE VINYL

NOTES: Inner sleeve with b&w photos and credits info.

MTV info-sticker on front sleeve.     Curt Kirkwood and Cris Kirkwood appear courtesy of London Records.

Barcode and Other Identifiers

Barcode: 7 2064-24727-1 2

Label Code: LC 7266

Other (Price Code): F: BM 270

LABEL: GEFFEN - BLACK LABEL w/LOGO on TOP - SILVER TEXT

Catalog on cover: GEF 24727

Catalog on sticker: GEF 24727/GED 24727

Catalog on labels: GEF-24727

Matrix / Runout (Side A, Etched): GEF 24727 A  SST

Matrix / Runout (Side B, Etched): GEF 24727 B  SST

On labels: rim text reads "∙Marketed by BMG Ariola........Fabriqué en Allemagne∙"

BIEM/GEMA     LC 7266

Produced by Nirvana and Scott Litt

Mixed by Andy Wallace

℗ 1994 Geffen Records, Inc. an MCA Company

On Back Cover: Tracklist

Produced by Nirvana and Scott Litt

℗&© 1994 Geffen Records, Inc., an MCA Company.

Distributed by BMG A Bertelsmann Music Group Company

All trademarks and logos are protected    Printed in Germany

RECORD EX but (please, read above description)

SLEEVE VG+ but (please, see pictures and read above description)

If In Utero is a suicide note, MTV Unplugged in New York is a message from beyond the grave, a summation of Kurt Cobain's talents and pain so fascinating, it's hard to listen to repeatedly. Is it the choice of material or the spare surroundings that make it so effective? Well, it's certainly a combination of both, how the version of the Vaselines' "Jesus Doesn't Want Me for a Sunbeam" or the three covers of Meat Puppets II songs mean as much as "All Apologies" or "Something in the Way." This, in many senses, isn't just an abnormal Nirvana record, capturing them in their sincerest desire to be R.E.M. circa Automatic for the People, it's the Nirvana record that nobody, especially Kurt, wanted revealed. It's a nakedly emotional record, unintentionally so, as the subtext means more than the main themes of how Nirvana wanted to prove its worth and diversity, showcasing the depth of their songwriting. As it turns out, it accomplishes its goals rather too well; this is a band, and songwriter, on the verge of discovering a new sound and style. Then, there's the subtexts, as Kurt's hurt and suicidal impulses bubble to the surface even as he's trying to suppress them. Few records are as unblinkingly bare and naked as this, especially albums recorded by their peers. No other band could have offered covers of David Bowie's "The Man Who Sold the World" and the folk standard "Where Did You Sleep Last Night" on the same record, turning in chilling performances of both -- performances that reveal as much as their original songs...(AllMusic)