NINE INCH NAILS Broken / Fixed w bonus 45 UK PRESSING

$

158

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AND

CONDITION:
Records:.....VG+++/NM ..Looks unplayed
Broken is in it's original inner sleeve,

Covers:.....VG+++/NM..Very nice [see photo of both covers together]
also included is an 'in store promo flyer' for Broken [see scan]

BROKEN TRACK LIST
halo five

1. Pinion
2. Wish
3. Last
4. Happiness in slavery
5. Gave up
6. Physical (You're So)
7. Suck

   ABOUT .....
   Nine Inch Nails "Broken" @ Wikipedia

   BROKEN
   (1992)The fruit of Reznor's disillusionment with his record label and culmination of the band's harsh, aggressive live sound, Broken was released in 1992 and took the form of an EP of six songs plus two bonus tracks; it went platinum in the US by the year's end.[12] In the liner notes, Reznor credits his band from the 1991 tour as an influence on the guitar-based sound of Broken, a sound that he described as "a blast of destruction".[6] The song "Wish", which was featured in a video directed by Peter 'Sleazy' Christopherson of Coil, won a Grammy award in the 1992 Best Metal Performance category.[16] A music video for "Happiness in Slavery," which was almost universally banned for its graphic nature, depicts performance artist Bob Flanagan lying naked on a machine that subsequently pleasures, tortures and then kills him. The band's live recording of the same song at Woodstock '94 won another Grammy award for Best Metal Performance in 1995.[17] A video for "Pinion" aired twice on MTV before being banned for objectionable content, although images from it did become a fixture in the opening title sequence of the MTV show Alternative Nation. Christopherson and Reznor collaborated on a longform music video (informally called The Broken Movie), incorporating more gruesome footage linking these three clips, but it has never been officially released. Videos for "Help Me I Am In Hell", "Gave Up" (filmed in Beverly Hills, California at Le Pig studios, site of the Charles Manson murders, where Reznor recorded The Downward Spiral) and a 1995 live performance of "Wish" were made separately. Broken was followed by the remix EP Fixed in late 1992. Rather than tour for either EP, Reznor retreated to the studio and began work on a full-length follow-up.

   FIXED TRACK LIST
   Side A...
   halo six

   1. Gave Up" (remixed by Coil, Danny Hyde)
   2. Wish" (remixed by J. G. Thirlwell)
   3. Happiness in Slavery" (remixed by Trent Reznor, Chris Vrenna, P.K.)
   Side B
   1. Throw This Away" (remixed by Reznor, Vrenna, Butch Vig)
   2. Fist Muck" (remixed by Thirlwell)
   3. Screaming Slave" (remixed by Reznor, Vrenna, Bill Kennedy, Sean Beavan, Martin Brumbach, Bob Flanagan)

   ABOUT .....
   Nine Inch Nails "Fixed" @ Wikipedia

   FIXED
   (also known as Halo 6) is an EP by Nine Inch Nails released in 1992. Fixed is the sixth official Nine Inch Nails release and is the companion remix disc to Broken.

   Guest remixers include Butch Vig, J. G. Thirlwell of Foetus, Peter Christopherson of Coil, and members of the live band at the time, which included Chris Vrenna and James Woolley.

   The official release had one contribution by Butch Vig, which was the end portion of "Throw This Away". Vig had originally remixed the song "Last," but it was cut from the final version of the EP. Trent said that Vig basically did what he always does with any song: he made it rock[citation needed]. However, Vig has stated in interviews that his remix of "Last" was not included simply because "Trent didn't like it"[citation needed]. Therefore only part of Vig's mix appears at the end of "Throw this Away". The original mix appeared on the internet as an 8-bit mono 11khz file, NIN_LAST.AIFF, available by ftp from CYBERDEN.COM in 1993. It disappeared from the site quite some time ago, but can still be found on p2p networks.

   This remix EP employs some rather unorthodox mixing techniques to give the listener an intentional sense of confusion on initial (and sometimes subsequent) listenings. On the opening "Gave Up" remix, the song picks up with a frantic rhythmic jumbling of Trent's vocals directly referencing the lyrics ("smashing myself to pieces"). This would seem to involve basically chopping up each syllable of the chorus vocals running forward and reverse (normally as PCM files) and use a sampler to re-sequence them together in manic fashion. Like many avant garde industrial music acts before, this release helped pioneer the notion of the remix as an artform, far removed from just commercial "milking" of an existing product. Remix artist John Balance (of Coil) expressed his dislike of choruses in the song and decided to take it in another direction.

   
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