NILS FRAHM - SOLO VINYL LP NEU
€
45
$
53
€ 45
Sold For
Dec 22, 2018
Sold Date
May 30, 2015
Start Date
1
Number Of Bids
Germany
Country Of Seller
eBay
Sold at
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Description
Über uns/about us:
Wir sind seit 15 Jahren bei Ebay Händler im Bereich Musik und Film / Ebay seller since 15 Years
Vorteile/advantages:
-weltweiter Versand / worldwide shipping
-sichere Verpackung / secure packaging
-professionelle Abwicklung / professional handling
-faire Preise / fair prices
-umgehende Antwort auf Fragen / immediate answer to questions
Versand/shipping:
wir versenden per Deutsche Briefpost oder DHL Paket / Shipping by regular mail or DHL
Bilder/pictures:
Produktbeschreibung/describtion:
Hier folgende Vinyl LP / Here following Vinyl LP:NILS FRAHM - SOLO VINYL LP NEU
Erscheinungsdatum / Release date: 03.04.2015
Hinweis: Versand erfolgt ab o.g. Datum / Shipping from releasedate
Tracklist:
1. Ode
2. Some
3. Circling
4. Merry
5. Chant
6. Wall
7. Immerse!
8. Four Hands
Genre:
Pop englischsprachig
Pop international + Electronica + Neoklassik + 2010-2019
Beschreibung / Description:
Nils Frahm reveals new Solo album and the Klavins 450 piano project on the world's first Piano Day! Berlin-based composer Nils Frahm has fast become know as a prolific performer and recording artist with the piano at the core. Piano Day is an official body created by Nils and his closest friends, and will house various exciting, piano-related projects. The first project revealed by the Piano Day team is the building of what will be world's tallest piano: the Klavins 450. As the life-long dream of David Klavins, it even exceeds the currently largest upright piano there is, the Klavins M370. Situated in Germany, Tübingen, 1.8 tons in weight, 3.7 meters high, its longest strings are about 10 feet in length. And it was on this piano that Nils recorded eight improvised piano motifs in one sitting, which form his new Solo album. The 8 pieces featured on this album were selected out of hours of improvising, happy hours as I recollect. The joy of playing and listening to the sound of the instrument made me play slower and slower, softer and softer, as almost every new note was destroying the immense beauty and sustain of the previous note. I was preparing the instrument with parts of my felt collection, carefully tuning mic positions with the help of my dear friend and recording gear wizard Matthias Hahn and simply playing whatever came to my mind. In conversations about this I am still struggling for words in order to praise David s instrument. Words simply don t do it justice, so listen for yourself. - Nils Frahm
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