NEW/MINT/SEALED HOUSE OF THE DEVIL OST DEATH WALTZ SUBSCRIBER 12 LP PICTURE DISC
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Description
Artist
JEFF GRACE
Title
THE HOUSE OF THE DEVIL
Format
12" vinyl LP
Date of Release
September 27, 2014
Country of Manufacture
UK
Label
Death Waltz Recording Company
The Art of Soundtracks Catalog DW026DL Condition New, mint, original factory sealed condition
Info
MEGA RARE subscriber only picture disc edition limited to 300 copies worldwide!
Death Waltz Recording Company are proud to present Jeff Grace’s score to THE HOUSE OF THE DEVIL, Ti West’s acclaimed shocker that homages and celebrates films from one of the true golden ages of horror cinema. Coming from the same kind of place as THE OMEN and ROSEMARY’S BABY, the film has a certain period aesthetic that is reflected in its brooding and slow-burning score. Whilst it starts with an electric guitar and synth piece that immediately sets the mood and the time, Grace’s score doesn’t immediately hit you over the head, instead building itself up over time and increasing intensity while always being absolutely unsettling.
The score begins in a minimalistic way, with delicate piano providing an eerie and foreboding presence. There are flashes of beauty amongst the sinister, with a solo violin providing a brief but exceptional moment of escape, but even that feels uncomfortable. Things start to heat up soon after, with the introduction of frantic strings to jolt you before Grace opens up with massive synths and insectoid violins in a glorious moment of musical confrontation, and from there on you’re in for a terrifying treat, with a final act that cements the score as a modern classic. This is a house you’ll want to return to again and again.
180g pic disc vinyl, housed in a heavyweight tip-on, case-bound gatefold sleeve printed on beautiful textured Galtex Prima card containing an exclusive full colour booklet with liner notes by composer Jeff Grace, Director Ti West, star A.J. Bowen and artist Tom Hodge. Includes OBI strip.
Tracklist
A
01 House Of The Devil Opening Theme
02 Opening Titles
03 Family Photos
04 The View Upstairs
05 Original Inhabitants
06 Meeting Mr. Ulman
07 Keep The Change
08 Footsteps
09 Mother
B
01 Chalice
02 On The Run
03 Lights Out
04 He's Calling You
05 The House Of The Devil
06 Mrs. Ulman
A1 Composed by Mike Armstrong
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Bio
The House of the Devil is a 2009 horror film written, directed, and edited by Ti West, starring Jocelin Donahue, Tom Noonan, and Mary Woronov. It combines elements of both the slasher film and haunted house sub-genres while using the "satanic panic" of the 1980s as a central plot element. The film pays homage to horror films of the 1970s and 1980s, recreating the style of films of that era using filming techniques and similar technology to what was used then.
The film's opening text claims that it is based upon true events, a technique used in some horror films, such as The Amityville Horror and The Texas Chain Saw Massacre.
After her landlady (Dee Wallace) gives her an extension on the deposit for her new apartment, college student Samantha Hughes (Jocelin Donahue) takes on a babysitting job for Mr. Ulman (Tom Noonan) and his wife (Mary Woronov). Ulman asks to meet her but stands her up, later apologizing and offering to pay double the original salary. Samantha accepts and gets a ride to the remote mansion from her best friend, Megan (Greta Gerwig), who expresses her distrust. At the house, Mr. Ulman pulls her aside and reveals that he does not have any children; the babysitting job is to attend to his ailing mother. Samantha balks but finally agrees, if he will pay her $400, a significant increase in her pay. Megan immediately leaves, citing Ulman's lies and peculiar behavior, but she promises to pick up Samantha later. Samantha stays, after accepting the money. On the way home, Megan stops in her car to smoke a cigarette. When her car lighter will not work, a stranger (A.J. Bowen) suddenly appears out of nowhere, startling her, and lights her cigarette for her. When Megan reveals that she is not the babysitter hired by the Ulmans, she is abruptly shot and murdered by the stranger.
After ordering a pizza, Samantha dances around the house whilst listening to her Walkman, accidentally breaking a vase in the process. Whilst cleaning up the mess, she discovers a cupboard filled with old family photographs, and draws a rash conclusion that Ulman has possibly murdered the original mansion owners and stolen their car. In a panic she dials 911 but eventually manages to calm herself down. The pizza is finally delivered by the stranger who had killed Megan. Drugs in the pizza cause Samantha to pass out just she discovers activity behind a door leading to the third floor. When she comes to, she finds that she has been bound and gagged in the center of a Pentagram. As a lunar eclipse darkens the night sky, Mr and Mrs Ulman, along with the stranger, who is actually their son Victor, begin a bizarre ritual. Mother (Danielle Noe) is revealed to be a grotesque, witch-like figure. As part of the ritual she slices her arm and pours the blood into a goat skull. She uses the blood to draw runes on Samantha's stomach and forehead, and forces Samantha to drink her blood from the skull. Samantha manages to escape halfway through the ritual, killing Mrs. Ulman and Victor, but horrific images begin appearing in her mind. Mr. Ulman chases her out of the house and through a nearby cemetery. There, he tells her she was chosen. Samantha threatens him with the gun used to kill Megan, but Ulman passively accepts his fate, claiming to be a messenger and gloating that she's too late. Instead of shooting him, she shoots herself in the head, to Ulman's horror. The scene cuts to a broadcast about the strange lunar eclipse the night before, which has confounded scientists due to its abrupt ending, as Samantha is revealed to be in a hospital bed, in bandages. A nurse walks in and pats the unconscious Samantha on the stomach, reassuring her that "You will be just fine. Both of you."
Cast
Jocelin Donahue as Samantha Hughes
Tom Noonan as Mr. Ulman
Mary Woronov as Mrs. Ulman
Greta Gerwig as Megan
A. J. Bowen as Victor Ulman
Dee Wallace as Landlady
Lena Dunham as 911 Operator
The film was shot in Connecticut. Taking place in the 1980s, the film was made with 16mm film, giving it a retro stylistic look that matched the decade. Similarly, some aspects of the culture of the 1980s (i.e. feathered hair, Samantha's 1980 Sony Walkman, The Fixx's 1983 song "One Thing Leads to Another", The Greg Kihn Band's 1981 song "The Breakup Song (They Don't Write 'Em)", and the Volvo 240 sedan) are seen in the film as signifiers of the decade. The cinematography of the film also reflects the methods used by directors of the time. For instance, West often has the camera zoom in on characters (rather than dolly in as is now common in film), a technique that was often used in horror films of the 1970s and continued to be used into the 1980s. Other stylistic signifiers include opening credits (which became less common in films in the decades after the 1980s) in yellow font accompanied by freeze-frames and the closing credits being played over a still image of the final scene.
The United States premiere was at the 2009 Tribeca Film Festival in New York City on April 25. It was made available through video on demand on October 1, 2009. The film was given a limited theatrical release in the United States on October 30, 2009. The DVD and Blu-ray of the film were released on February 2, 2010. A promotional copy of the film was released on VHS in a clamshell box like the ones that many early VHS films of the 1980s came in.
The soundtrack for The House of the Devil was released in November 2009 as a Double Feature with the score of I Can See You, both by composer Jeff Grace.
The film has been met with mostly positive reviews, scoring 86% on Rotten Tomatoes based on 83 reviews; the site's reviews' consensus is "Though its underlying themes are familiar, House of the Devil effectively sheds the loud and gory cliches of contemporary horror to deliver a tense, slowly building throwback to the fright flicks of decades past." It has also received an overall score of 73 on Metacritic based on 12 reviews, indicating "Generally favorable reviews." Roger Ebert gave it 3 out of 4 stars, complimenting it as being "an introduction for some audience members to the Hitchcockian definition of suspense." Kevin Sommerfield from Slasher Studios gave the film four out of four stars commenting that the film is "not just a nostalgia piece for director Ti West, one of the best horror directors working today, this is how horror movies SHOULD be made". Oliver Smith of 7films said "as the great horror films of past days, such as The Omen or Rosemary’s Baby, The House of the Devil is a slow-burning horror film".
The film won a few awards shortly after its release. It won the 2009 Birmingham Sidewalk Moving Picture Festival award for Best Feature Film. At the 2009 Screamfest it won festival trophies for Best Actress (Jocelin Donahue) and Best Score (Jeff Grace).
Jeff Grace is an award-winning composer who has scored films with appearances at the Toronto, Sundance, Venice, Cannes, TriBeCa, New York, and Los Angeles film festivals. Recent scores for Jeff include Kelly Reichardt’s NIGHT MOVES (starring Jesse Eisenberg, Dakota Fanning, Peter Sarsgaard), Tze Chun's COLD COMES THE NIGHT (starring Bryan Cranston, Alive Eve, Logan Marshall-Green), Jim Mickle's WE ARE WHAT WE ARE (starring Ambyr Childers, Julia Garner, Bill Page). Jeff's past scores include Kelly Reichardt’s MEEK’S CUTOFF, Jim Mickle’s STAKE LAND, and Ti West’s THE HOUSE OF THE DEVIL and THE INNKEEPERS. His music has been performed by Flux Quartet, BBC Philharmonic, Lucia Micarelli, Kenny Barron, American Opera Projects, and members of the Metropolitan Opera and New York Philharmonic Orchestras.
Active as a composer for concert and stage, Jeff was selected for American Opera Projects’ Composers and the Voice Series where he was awarded the Tobias Picker Chair, entailing a mentorship with the celebrated composer. Jeff is also active as an orchestrator and arranger with credits including Angelo Badalamenti, Lady Gaga, Lucia Micarelli (HBO’s Treme), and numerous films.
From 2001-2004 Jeff worked as an assistant to Academy Award® winning composer Howard Shore on such projects as Peter Jackson’s The Lord of the Rings Trilogy and Martin Scorsese’s The Gangs of New York. In the years prior, Jeff worked as an assistant to legendary jazz composer/producer/arranger Gil Goldstein working on projects for artists such as Pat Metheny and Roy Hargrove. 1998 marked the beginning of Jeff’s film and music career working as a composer and producer at the New York music house Ruggieri Music where he also worked with composer Robert Ruggieri on his scores for A Hymn For Alvin Ailey (ballet and film) and Double Exposure (ballet) for The Alvin Ailey American Dance Theatre.
Founded by Record Store Day UK coordinator and music industry veteran Spencer Hickman in 2011, Death Waltz Recording Company is a boutique soundtrack label releasing vinyl, CD & digital.
Working closely alongside legendary composers and directors such as John Carpenter, Richard Kelly, Alan Howarth and Fabio Frizzi to deliver brand new definitive audio re-masters and sleeve notes, Death Waltz also commissions artwork from acclaimed artists including Dinos Chapman, Jay Shaw, Graham Humphreys & Candice Tripp to create exclusive artwork for each project. With its careful attention to detail, it has quickly established itself as the premier soundtrack label in cult films.
Each release is pressed on 180g coloured vinyl and comes with posters and prints of the artwork, housed in heavyweight tip-on (casebound) jackets. The webshop sells exclusive variant colours of its vinyl and standard issue releases are available in record stores the world over courtesy of distributors Republic Of Music & Light In The Attic.
Having been featured in magazines such as Spin, Mojo, Dazed & Confused, Vice & Wire magazine, its wide reach belies the preconceived notion that soundtrack labels are just for a niche audience, and with more titles being added all the time to its already impressive catalogue it has become the go-to company for composers and filmmakers alike who want their work released in the highest quality packages available.
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