NEW ORDER " SUBSTANCE " FACTORY 1987 2 x LP GLOSSY SLEEVE & INNERS FACT 200 -EX
  £   24
  $   32

 


£ 24 Sold For
Jul 1, 2018 Sold Date
Jun 24, 2018 Start Date
£   10 Start price
10   Number Of Bids
  Great Britain Country Of Seller
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Description

ARTIST - NEW ORDER

Substance (also known as Substance 1987) is a compilation album by English alternative dance band New Order. It was released in August 1987 by Factory Records. The album compiles all of the band's singles at that point in their 12-inch versions, along with their respective B-side tracks. The then-newly released non-album single "True Faith" is also featured, along with its B-side "1963".

Substance was released on vinyl, double CD, double cassette and Digital Audio Tape. It sold over one million copies and became New Order's most popular and critically acclaimed album.

TITLE -  " SUBSTANCE "

RECORD LABEL - FACTORY

RECORD No. - FACT 200

YEAR -  1987 - 2 x LP 

VINYL - EX

SLEEVE - GLOSSY SLEEVE &

INNERS  - EX/EX/EX

The cost of shipping reflects the weight for a double album.

TRACK LISTING.......From Discogs.....

A1 Ceremony Producer – Martin HannettWritten-By – Joy Division A2 Everything's Gone Green Producer – Martin Hannett A3 Temptation Engineer – Michael Johnson B1 Blue Monday B2 Confusion Engineer – Michael JohnsonWritten-By – Arthur Baker B3 Thieves Like Us Written-By – Arthur Baker C1 The Perfect Kiss Producer – Michael Johnson C2 Subculture Remix – John Robie C3 Shellshock Written-By – John Robie D1 State Of The Nation D2 Bizarre Love Triangle Remix – Shep Pettibone D3 True Faith Written-By, Producer – Stephen Hague

Companies, etc.

  • Published By – Fractured Music
  • Published By – Zomba Music Publishing Ltd.
  • Published By – Be Music (2)
  • Published By – Warner Bros. Music Ltd.
  • Published By – Shakin' Baker Music
  • Published By – Indulgent Music
  • Published By – Cut Music
  • Published By – MCA Music Ltd.
  • Phonographic Copyright (p) – Factory Communications Ltd.
  • Mastered At – The Town House

Credits

  • Design [Sleeve] – Peter Saville Associates, Trevor Key
  • Plated By – Max*
  • Producer – New Order (tracks: A3 to D3)
  • Written-By – New Order (tracks: A2 to D3)

Notes

Two variations of the sleeve exist. 
First issue had embossed letters this is the later plain printed edition. 

A1 published by Fractured Music/Zomba Music Ltd. 
A2 to B1, C1, C2, D1, D2 published by Bemusic/Warner Brothers Music Ltd 
B2, B3 published by Shakin' Baker Music/Bemusic/Warner Brothers Music Ltd 
C3 published by Bemusic/Warner Brothers Music Ltd/Indulgent Music. 
D3 published by Bemusic/Warner Brothers Music Ltd/Cut Music/MCA Music Ltd. 

? 1987 Factory Communications Limited 

Mastered at The Townhouse, London.
  • Matrix / Runout (Runout Side A - Variation 2): FACT-200-AI (number crossed out)* C MAX "GOODBYE DAVY PILS" 27.I2.78 - 5.6.87 TOWNHOUSE DMM
  • Matrix / Runout (Runout Side B - Variation 2): FACT-200-BI (number crossed out)* C MAX "THE PLEASURE AND THE PAIN.... TOWN HOUSE DMM
  • Matrix / Runout (Runout Side C - Variation 2): FACT-200-C * C MAX ... OF AN EXTENDED CHILDHOOD" TOWN HOUSE DMM
  • Matrix / Runout (Runout Side D - Variation 2): FACT-200-DI (number crossed out)* C MAX "STEVEN WON'T GO TO STOCKPORT" TOWN HOUSE DMM

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There may be some paper scuffs or faint hairlines.For a full condition report,please just ask.

 GRADING: All records are graded using the standard UK Record Collector Grading system as follows:

  • MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
  • EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.
  • VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
  • GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.
  • FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.
  • POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
  • BAD: The record is unplayable or might even be broken, and is only of use as a collection filler.


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