NEW ORDER "POWER,CORRUPTION & LIES" 1983 DIE-CUT-FACTUS 12-UNPLAYED OOP LP

$

35

THIS RECORD COMES FROM THE TIME I WAS THE MUSIC & PROMOTIONS COORDINATOR FOR A MAJOR NATIONAL RADIO NETWORK BASED IN THE L.A. AREA. WHEN I STARTED WORKING THERE THEY WERE IN THE PROCESS OF GETTING RID OF THEIR RECORDS FOR CD'S. I ALSO HAVE SOME THAT WERE GIFTED TO ME BY AN EMPLOYEE OF THE NETWORK THAT WAS RELOCATING BACK EAST AND DIDNT WANT TO KEEP HAULING THEIR RECORDS ALL OVER THE COUNTRY. ALSO A FEW MAY BE THRIFT STORE FINDS. I AM CURRENTLY DOWNSIZING.THIS LP IS OPENED BUT UNPLAYED. VISUALLY GRADED.

THE PHOTO'S MAY BE A LITTLE BLURRY (SORRY ABOUT THAT), BUT THE PHOTO'S ARE OF THE ACTUAL ITEM YOU ARE BIDDING ON. THANKS FOR LOOKING. THIS ITEM IS PLAY GRADED ALSO.

ARTIST- NEW ORDER

TITLE- “POWER,CORRUPTION & LIES”

TRACK LISTING- SEE BELOW

YEAR OF RELEASE- 1983

LABEL- FACTORY RECORDS

CAT.#- FACTUS 12

RECORD CONDITION- VISUAL & PLAY GRADED. THE RECORD IS SUPER CLEAN. PLAYS GREAT! NM.

JACKET CONDITION- VG+ CONDITION . LIGHT RING WEAR IN THE UPPER HALF OF THE FRONT,

MORE INFO- THIS ALBUM IS CURRENTLY OUT OF PRINT. COMES WITH THE ORIGINAL INNER SLEEVE. DIE CUT COVER.NICE COPY OF THIS.

MORE INFO ON THE ARTIST & RELEASE-

New Order are an English rock band formed in 1980, currently comprising Bernard Sumner, Stephen Morris, Gillian Gilbert, Phil Cunningham and Tom Chapman. The band was formed in 1980 by Sumner, Morris, and Peter Hook, who were the remaining members of post-punk group Joy Division following the suicide of vocalist Ian Curtis. They added Gilbert (keyboards and guitars) later that year.

By combining post-punk with an increasing influence from electronic and dance music, New Order became one of the most critically acclaimed and influential bands of the 1980s. Though the band's early years were shadowed by the legacy of Joy Division, their experience of the early 1980s New York City club scene saw them incorporate elements of dance rhythms and instrumentation into their work. The band's 1983 hit "Blue Monday", the best-selling 12-inch single of all time, is one example of how their sound became increasingly uptempo and electronic.

New Order were the flagship band for Manchester-based independent record label Factory Records. Their unlabelled album sleeves and "non-image" (the band rarely gave interviews and were known for performing short concert sets with no encores) reflected the label's aesthetic of doing whatever the relevant parties wanted to do, including an aversion to including singles as album tracks until 1984. Throughout their career, the band's records were art-directed by designer Peter Saville.

The group disbanded in 1993 to work on individual projects, and reunited in 1998. In 2001, Cunningham (guitars, keyboards and synthesisers) replaced Gilbert, who took a sabbatical from the band because of family commitments. In 2007, Hook left the band over personal conflicts. After Hook's departure, Sumner, Cunningham, and Morris worked on Bad Lieutenant and the band reunited in 2011 without Hook, with Gilbert returning and Chapman replacing Hook on bass. The band members have been involved in several solo projects, such as Sumner's Electronic and Bad Lieutenant; Hook's Monaco and Revenge and Gilbert and Morris' The Other Two.

In September 2015, the band released their tenth studio album, Music Complete.

Power, Corruption & Lies, released in May 1983, was a synthesiser-based outing and a dramatic change in sound from Joy Division and the preceding album, although the band had been hinting at the increased use of technology during the music-making process for a number of years then, including their work as Joy Division. Starting from what earlier singles had hinted, this was where the band had found their footing, mixing early techno music with their earlier guitar-based sound and showing the strong influence of acts like Kraftwerk and Giorgio Moroder. Even further in this direction was the electronically sequenced, four-on-the-floor single "Blue Monday". Inspired by Klein & MBO's "Dirty Talk" and Sylvester's disco classic, "You Make Me Feel (Mighty Real)", "Blue Monday" became the best-selling independent 12" single of all time in the UK; however, (much to the chagrin of the buying public) it was not on the track list of Power, Corruption & Lies. This resulted in a sticker being applied to unsold copies of Power, Corruption & Lies album saying, "DOES NOT CONTAIN BLUE MONDAY". (It was included on the cassette format in some countries, such as Australia and New Zealand and on the original North American CD release of the album, alongside its B-side, "The Beach".) "Blue Monday" is now included on the 2008 collector's edition of Power, Corruption & Lies.

The 1983 single "Confusion" firmly established the group as a dance music force, inspiring many musicians in subsequent years. In 1984 they followed the largely synthesised single "Thieves Like Us" with the heavy guitar-drum-bass rumble of "Murder", a not-too-distant cousin of "Ecstasy" from the Power, Corruption & Lies album.

Power, Corruption & Lies is the second studio album by the English rock band New Order, released in May 1983 on Factory Records. The album features more electronic-based tracks than their previous album Movement, with heavier use of synthesizers. It was included in the top 100 albums of the 1980s lists in both Rolling Stone and Pitchfork Media.

Artwork

Peter Saville's design for the album had a colour-based code to represent the band's name and the title of the album, but they were not actually written on the original UK sleeve itself (they were present on some non-UK versions), although the catalogue number "FACT 75" does appear on the top-right corner. The decoder for the code was featured prominently on the back cover of the album and can also be used for the "Blue Monday" and "Confusion" singles and for Section 25's album From the Hip.

The cover is a reproduction of the painting "A Basket of Roses" by French artist Henri Fantin-Latour, which is part of the National Gallery's permanent collection in London. Saville had originally planned to use a Renaissance portrait of a dark prince to tie in with the Machiavellian theme of the title, but couldn't find a suitable portrait. At the gallery Saville picked up a postcard with Fantin-Latour's painting, and his girlfriend mockingly asked him if he was going to use it for the cover. Saville then realised it was a great idea.[Saville suggested that the flowers "suggested the means by which power, corruption and lies infiltrate our lives. They're seductive." The cover was also intended to create a collision between the overly romantic and classic image which made a stark contrast to the typography based on the modular, colour-coded alphabet. Saville and Tony Wilson, the head of the label, also said that the owner of the painting (The National Heritage Trust) first refused Factory Records access to it. Wilson then called up the gallery director to ask who actually owned the painting and was given the answer that the Trust belonged to the people of Britain, at some point. Wilson then replied, "I believe the people want it." The director then replied, "If you put it like that, Mr Wilson, I'm sure we can make an exception in this case."

The cover was among the ten chosen by the Royal Mail for a set of "Classic Album Cover" postage stamps issued in January 2010.

Influential fashion designer Raf Simons used the album's cover art on one of his most coveted pieces from the Autumn/Winter 2003 "Closer" collection, ultimately producing four fishtail paras in varying colours with various pieces of New Order/Joy Division artwork spread around the pieces.

The street-fashion label Supreme included the album's floral motif as part of their Spring-Summer 2013 collection.

Track listing

All tracks written by New Order, except where indicated.

Side one

No.

Title

Length

1.

"Age of Consent"

5:16

2.

"We All Stand"

5:14

3.

"The Village"

4:37

4.

"5 8 6"

7:31

Side two

No.

Title

Length

5.

"Your Silent Face"

6:00

6.

"Ultraviolence"

4:52

7.

"Ecstasy"

4:25

8.

"Leave Me Alone"

4:40

I DO COMBINE SHIPPING. THE SHIPPING PRICE INCLUDES THE COST OF THE LP MAILER.

INTERNATIONAL BIDDERS TAKE NOTE !!! SHIPPING RATES JUST WENT UP A LITTLE ON JUNE 1, 2015..JUST A HEADS UP.

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