NEIL YOUNG ? TIME FADES AWAY ? orig EX 1973 Reprise MONO promo-only WLP + poster

$

165

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Rare original promotional-only mono mixof his first live album (which has never appeared anywhere else), specifically mixed to offer radio stations a choice (most opted for stereo). The poster looks untouched. One of the most remarkable live albums ever recorded, it was almost unprecedented for an artist to release a live concert recording of previously unreleased material at the time. Long out of print on vinyl, still unavailable on CD and widely pirated, the album is considered to be the holy grail of all Young albums. "Love In Mind" dates from 30 January 1971 (the same show that provided "The Needle And The Damage Done" for Harvest), but everything else was taped during a 62-date tour in early 1973 that featured a solo acoustic set followed by an electric set with The Stray Gators. The tour came on the heels of the huge success of Harvest, but audiences did not react positively to the (as-yet unheard) new songs; neither were they fond of the Gators' raucous and heavily electrified live sound. Having been introduced to tequilla by bassist Tim Drummond, Young grew increasingly aloof and mentally unstable as the tour progressed, lambasting band members' performances following concerts, scheduling soundchecks that were often cancelled on short notice, and storming off in drunken insensateness. Such behavior frustrated drummer Kenny Buttrey (who had initially refused to tour unless he received $100,000 in compensation, a salary extended to the rest of the band following protests from pianist Jack Nitzsche) who left the tour two-thirds of the way through; he was immediately replaced by former Turtles/CSNY drummer Johnny Barbata, who plays on the whole album. Other band members performed erratically; Nitzsche would often spew obscenities into his switched-off vocal microphone, while pedal steel/dobro player Ben Keith was so inebriated at one soundcheck that he couldn't remember the key of "Don't Be Denied." Following the loss of a pickup on his signature Old Black (a heavily modified Les Paul), Young switched to a Flying V in homage to Lonnie Mack, but it wouldn't stay in tune and lacked Old Black's timbral mutability.Alcohol abuse and strained singing would lead Young to develop a throat infection in the final days of the tour, so he called in David Crosby and Graham Nash to supplement the harmonies and add extra guitar. Clashes continued, with Nitzsche complaining that he couldn't hear himself since Crosby's 12-string electric overpowered everything. Surprisingly, the results are nothing short of amazing. Recorded to 16-track tape, it was mixed directly to laquer using the Quad-8 CompuMix, the first digitally-controlled mixing system. It has never been reissued on LP or CD due to Young's dissatisfaction with the whole experience, and will not appear on Archives II since tracks featuring Buttrey will be used instead. Thankfully copies of the cancelled-at-the-last-minute HDCD float around out there, as it seems unlikely it will ever be available again in any format during Young's lifetime. And that is a loss to us all, as this album is absolutely essential.



Artist: NEIL YOUNG

Title: TIME FADES AWAY

Year: 1973

Label: Reprise

Catalog Number: M 2151

Mono/Stereo/Quadro: mono

Country: USA

Dead Wax Numbers: MS 2151 11632-RE-2A1 A2  / MS 2151 11633-RE-2B2 A1  (hand-etched)

Weight: 112 grams

Cover Format: textured standard with black lining inside

Cover Condition: VG+ (sharp, crisp, vivid & tight, no shelf/ring wear, there is substantial edge wear but no splits, 2 creases near corners, quite nice overall)

Vinyl Condition:

EX (perfect gloss,some light hairlines, a few needle marks & light hairline scuffs but nothing affects play, really couldn't be much nicer)

Label Condition: perfect

We clean every record on a VPI HW-17F using Audio Intelligent Vinyl Solutions multi-step process (every disc goes into a brand-new poly-lined inner sleeve).

Everything is strictly graded using the classic Goldmine Standards that we have been applying since 1983: 

M (rarely ever used unless still sealed)/ NM / EX / VG+ / VG / VG- / G+ / G (please see bottom of auction for specific grading information).

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Each (non-sealed) record is removed from its cover before shipping, and both are inserted into a new 3 mm sleeve before they are secured, with bubble wrap if necessary, in the highest-quality cruciform LP mailer.  No time or effort is spared to insure that your disc, cover and inner sleeve / inserts all arrive in exactly the same condition as they were listed.

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We will always work with you no matter what the circumstance.  We make ourselves readily available to all of our customers, and look forward to any and all questions or concerns you may have.  We have satisfied many thousands of online customers alone over the years, we hope to add you to the list.

We visually grade all records using the classic Goldmine Standard, to which we have added EX (as have many others), but we do not use any other variant from the classic scale.  No NM- or EX+ (which are both EX), EX- VG+++ or Near Excellent (which are all VG+), or any such other nebulous grades here!  We feel that nearly every collector will be more than pleased with anything listed EX or above in our auctions; they will all be top-shelf, archive quality items which will play M- throughout.  A VG+ record will truly satisfy all but the most critical curator.  On the very rare occasion we actually grade an opened LP as straight MINT, we can guarantee you’ll never find a nicer copy anywhere!

We will play-grade any LP if there is any reason to do so; any questionable mark, scuff or noteworthy artifact of any kind will be sampled to determine its true significance (which may obviously impact the grade ).  We will also gladly play-grade anything upon request; if you are curious about the actual pressing characteristics or any have other questions about its actual performance please feel free to ask.

MINT :  Absolutely perfect.

This record looks like it has just left the plant, with no flaws whatsoever.  It appears unhandled and unplayed, with no marks of any sort.  Usually only sealed or (sometimes) unplayed LPs will warrant this grade.

The cover does not appear to have had a record inside it; there is no wear or distraction of any kind.

 NM : Virtually flawless, top copy.

The record is virtually identical to the moment it was opened, but may have a few faint paper, packaging or pressing scuffs which will produce no sound whatsoever and are very hard to see without critical inspection.  It was very carefully handled and played, likely only once or twice.

The cover is as close to perfect as can be expected given its age.  There may be minor impressions due to the outer edge of the vinyl (no ring wear), the lightest possible corner bumps, or a few tiny laminate creases (mainly on imports), but no wear or whitening of any kind whatsoever.

EX : A beautiful specimen, which will please most critical collectors and not need to be upgraded.

The record has no scratches or significant blemishes, and will play NM throughout.  It retains 100% of the gloss, sheen and luster, but may have a handful of faint superficial scuffs, hairlines or light spindle marks which will not produce any sound whatsoever.

The cover is nearly perfect.  There may be the absolute faintest suggestion of ring wear or possibly a light touch of dulling on the corners (nothing wrinkled or obtrusive in any way), but no notable seam or spine wear, writing or sign of tape anywhere.

 VG+ : Plays perfectly nearly all of the time, with only a few minor distractions.

The record still retains nearly all of the gloss, sheen and luster, but there may be a handful of inaudible superficial marks or scuffs, a mild scattering of light hairlines (which would only be faintly audible between tracks or in some very quiet passages), or a few stray marks which may mildly sound for a few revolutions. Each flaw is very minor, barely noticeable to the naked eye, and will not detract from the enjoyment in any way.

The cover is still very clean and crisp, but may look slightly more aged and have a few minor flaws such as small unobtrusive writing, minor wear to the seams and spine (no splits), slightly worn corners, very light ring wear or minor creasing.  No flaw is at all distracting in and of itself.

 VG : A nice play copy, which will perform without much significant distraction.

The record appears well played, but still has the majority of the luster.  It will not have been abused, though there will be some audible sound defects which will not overpower the dynamics of the music, such as mild surface noise in the quietest sections, a handful of stray isolated pops and clicks (which are brief and occasional), or possibly some very mild groove wear; still no skips, repeats, or anything deep or seriously pronounced.  It will play through quite nicely most of the time, with very minimal distraction.

The cover looks somewhat used and shows some mild wear.  There may be some minor seam splitting, ring wear (which still doesn’t overwhelm the cover), discreet writing (not large magic marker), or mild yellowing due to air contaminants. It is still nice, just a few notable flaws away from VG+.

We will never sell anything less than VG, so the rest of the scale is unnecessary.  We absolutely detest groove wear, so we will almost never list anything lacking the overwhelming majority of the luster, sheen and gloss.  Anything of significance will always be noted. 

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