NEIL YOUNG - ROXY - TONIGHT'S THE NIGHT LIVE 2x LP Vinyl like new NM

	A$		41
	$		27

UP FOR SALE 
2 x Vinyl, LP Vinyl, LP, Single Sided, Etched Neil Young – Roxy (Tonight's The Night Live) condition is like new. vinyl and gatefold sleeve
- Gatefold cover - Issued with two printed inner sleeves with photos, credits and with some information about the recording
Mastered from original analog tapes Manufactured in the EU Recorded at The Roxy - West Hollywood, CA, Sept 20-22, 1973.

Label: Reprise Records – 9362-49079-7, Reprise Records – 566051-1 Series: Neil Young Archives Performance Series – 05 Format: 2 x Vinyl, LP Vinyl, LP, Single Sided, Etched All Media, Album Country: Europe Released: Apr 24, 2018 Genre: Rock Style: Blues Rock, Folk Rock
A1 Intro 0:51 A2 Tonight's The Night 6:48 A3 Roll Out The Barrel 0:52 A4 Mellow My Mind 3:11 A5 World On A String 2:43 A6 Band Intro 1:23 B1 Speakin' Out 6:37 B2 Candy Bar Rap 0:31 B3 Albuquerque 3:51 B4 Perry Como Rap 0:17 B5 New Mama 2:29 B6 David Geffen Rap 0:35 B7 Roll Another Number (For The Road) 4:40 B8 Candy Bar 2 Rap 0:28 C1 Tired Eyes 7:02 C2 Tonight's The Night - Part II 6:38 C3 Walk On 3:38 C4 Outro 0:31 Live archive release from the rock icon. Roxy - Tonight's The Night Live is one of the most sought-after recordings from his vast archives. This was the first public performance of many of the songs that would make up Young's seminal album Tonight's The Night, which would not be released until June 1975. The album's final track "Walk On" would not appear until the release of On The Beach, in July 1974. Young would be the first artist to christen the stage at what would become one of the world's great clubs, The Roxy Theater on the riotous Sunset Strip, right next door to the already infamous Rainbow Bar & Grille. The shows took place on September 20-22, 1973. Produced by Young and the late David Briggs, these resultant recordings were mixed by John Nowland with updated post-production and mastering by John Hanlon - along with Chris Bellman - at Bernie Grundman Mastering using the original analog master tape source. Close your eyes and you'll be right there in that dark, smoky, 500 capacity room in West, L.A. on a hot summer night in 1973. Tonight's The Night would go on to be named one of Rolling Stone's 500 Greatest Albums Of All Time, and universally praised for it's dark honesty and unapologetic raw delivery. The very same can be said for Roxy - Tonight's The Night Live.
Media Condition: Near Mint (NM or M-) A nearly perfect record. The record should show no obvious signs of wear. Sleeve Condition: Near Mint (NM or M-) like new condition
SEE PICTURES as they form part of the description 
'All individually listed records (non-lot and not sealed) are shipped with vinyl out of jacket, 
with both vinyl & jacket in clear poly protective cover 
Guaranteed as described and winner is obligated for shipping cost
HAPPY TO COMINE POSTAGE IF YOU PURCHASE  MORE THAN ONE ITEM

RECORD GRADING  Here are the standard grades for record albums, from best to worst.
MINT (M)
These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. There is no set percentage of the Near Mint value these can bring; it is best negotiated between buyer and seller.
NEAR MINT (NM OR M-)
A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect.
NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.)
NM covers are free of creases, ring wear and seam splits of any kind.
NOTE: These are high standards, and they are not on a sliding scale. A record or sleeve from the 1950s must meet the same standards as one from the 1990s or 2000s to be Near Mint! It’s estimated that no more than 2 to 4 percent of all records remaining from the 1950s and 1960s are truly Near Mint. 
This is why they fetch such high prices, even for more common items.
Don’t assume your records are Near Mint. They must meet these standards to qualify!
VERY GOOD PLUS (VG+) or EXCELLENT (E)
A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++ or E+).
VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable.
VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint.
Very Good (VG)
Many of the imperfections found on a VG+ record are more obvious on a VG record. That said, VG records — which usually sell for no more than 25 percent of a NM record — are among the biggest bargains in record collecting, because most of the “big money” goes for more perfect copies. For many listeners, a VG record or sleeve will be worth the money.
VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise.