NATURE'S CONSORT s/t LP/1969 Connecticut US/Rare Free Jazz/Nat Hentoff/Otic Rec.

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NATURE'S CONSORT 's/t' LP (Belgium, Aguirre Records, Catalogue #ZORN84) Brand new/unplayed copy of limited year 2024 Aguirre Records label LP edition of VERY RARE and highly lauded Connecticut, US Free Jazz album (recorded in an outdoor concert at Silvermine College of Art, New Canaan, Connecticut, 10/12/1969) by Nature's Consort (originally released on the Otic Records label in 1969.) (NOTE: ALL RECORDS ARE PACKED AND SHIPPED IN PROFESSIONAL, SUPERIOR QUALITY RECTANGULAR SHAPED, CORNER PROTECTING CORRUGATED CARDBOARD RECORD MAILERS WITH FILLER PADS. SATISFACTION GUARANTEED!)

(NOTE: BRAND NEW/FACTORY SEALED ITEM!)

(NOTE: LIMITED VINYL EDITION!)

Obscure and outstanding free jazz album reissued for the first time since its original release in 1969. Old-style gatefold LP, with liner notes by Ed Hazell. In the late 1960s, young jazz musician Bobby Naughton, a keyboardist and vibraphonist, faced significant challenges as he sought to record his first album. With major record labels and jazz clubs catering only to big names, Naughton and other creative musicians of his generation found themselves sidelined by the mainstream music industry. They turned to self-reliance and self-production, becoming part of a movement of independent musicians. Naughton's debut album, Nature's Consort, was a DIY effort in every sense -- recorded on home equipment and featuring a hand-printed woodblock cover. The album was distributed independently at concerts and by mail, receiving little attention initially, but over the years it gained a reputation as a rare, sought-after artifact of the period. Though recorded during an outdoor concert in Connecticut, Nature's Consort reflected the "loft jazz" scene in New York City. This avant-garde jazz movement centered around musicians who lived and played in loft spaces in lower Manhattan. Naughton commuted from his home in Southbury, Connecticut, to play with his bandmates Mark Whitecage, Mario Pavone, and Laurence Cook in New York's lofts. These musicians regularly performed at venues like Studio We, a key gathering spot for free-form jazz, where musicians could experiment and develop their sound, often with no audience present. Naughton's journey into jazz was a winding one. Originally from Boston, he played rockabilly and blues-rock before transitioning into free jazz. Inspired by avant-garde artists like Carla Bley and Paul Bley, Naughton sought to explore new forms of music that went beyond traditional jazz structures. His bandmates, Mark Whitecage and Mario Pavone, were both deeply affected by the death of John Coltrane in 1967, which prompted them to quit their day jobs, attend Coltrane's funeral, and move to New York to pursue jazz full-time. Nature's Consort was a collective project, with band members sharing equally in any profits. However, Naughton was the driving force behind the group's creative direction. He composed much of the original material and selected pieces by Ornette Coleman and Carla Bley for the band's repertoire. Jazz critic Nat Hentoff praised the album for its "high-risk improvisation" and the musicians' ability to anticipate each other's moves. Though Nature's Consort received little press at the time, it has since been recognized as a significant early document of the loft jazz era, representing Naughton's disciplined, improvisational approach to music.

"If this is the future of reissuing these legendary free jazz records, then fantastic! It feels like we’ve truly come a long way: the vinyl is flat and silent, the sound as good as it could be—no ECM-polish needed here. “High-risk improvisation” like this is best served raw, like tartare. The sleeve is thick cardboard, gatefold, top quality, old school Impulse!-style. Hats off to the folks at Aguirre!" - SamtheJazzMan

- Obscure and outstanding free jazz album reissued for the first time since its original release in 1969. Old-style gatefold LP, with liner notes by Ed Hazell.
- Jazz musician Bobby Naughton, a keyboardist and vibraphonist, turned to self-production for his debut album, Nature's Consort, which was a DIY effort in every sense -- recorded on home equipment and featuring a hand-printed woodblock cover.
- Though recorded during an outdoor concert in Connecticut, Nature's Consort reflected the "loft jazz" scene in New York City.
- Jazz critic Nat Hentoff praised the album for its "high-risk improvisation" and the musicians' ability to anticipate each other's moves.

Tracks on this LP are as follows:

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Shipping totals will be consolidated for multiple orders/winning bids.

Record shipped in professional, superior rectangular shaped, corner-protecting corrugated cardboard record mailer with filler pads. Satisfaction guaranteed!

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