Manic Street Preachers - Everything Must Go LP UK 1st Press 1996 Alt Indie
£
27
$
36
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Description
BobTheMusicMan – Vinyl, Music, & Other Media Auctions
Classic 1996 Manics album, 1st UK press and in amazing condition.
Discogs information:
Manic Street Preachers ?– Everything Must Go
Label: Epic ?– 483930 1, Epic ?– 01-483930-20 Format: Vinyl, LP, AlbumCountry: UK Released: 20 May 1996 Genre: Rock Style: Alternative Rock, Brit Pop, Indie Rock
TracklistHide Credits
A01 Elvis Impersonator: Blackpool Pier Lyrics By – Nicky Wire, Richey James*Music By – James Dean Bradfield, Sean MooreProducer – Mike HedgesRecorded By, Mixed By – Ian Grimble 3:28 A02 A Design For Life Lyrics By – Nicky WireMixed By [Assistant] – Guy MasseyMusic By – James Dean Bradfield, Sean MooreProducer – Mike HedgesRecorded By, Mixed By – Ian Grimble 4:17 A03 Kevin Carter Lyrics By – Richey James*Music By – James Dean Bradfield, Nicky Wire, Sean MooreProducer – Mike HedgesRecorded By, Mixed By – Ian Grimble 3:25 A04 Enola/Alone Lyrics By – Nicky WireMusic By – James Dean Bradfield, Sean MooreProducer – Mike HedgesRecorded By, Mixed By – Ian Grimble 4:08 A05 Everything Must Go Lyrics By – Nicky WireMusic By – James Dean Bradfield, Sean MooreProducer – Mike HedgesRecorded By, Mixed By – Ian Grimble 3:41 A06 Small Black Flowers That Grow In The Sky Lyrics By – Richey James*Music By – James Dean Bradfield, Nicky Wire, Sean MooreProducer – Mike HedgesRecorded By, Mixed By – Ian Grimble 3:03 B07 The Girl Who Wanted To Be God Engineer – Spike Drake*Lyrics By – Nicky Wire, Richey James*Mixed By – Ian GrimbleMixed By [Assistant] – Guy MasseyMusic By – James Dean Bradfield, Sean MooreProducer [Additional] – Mike HedgesProducer [Original Production] – Stephen Hague 3:25 B08 Removables Lyrics By – Richey James*Music By – James Dean Bradfield, Nicky Wire, Sean MooreProducer – Mike HedgesRecorded By, Mixed By – Ian Grimble 3:31 B09 Australia Lyrics By – Nicky WireMixed By – Dave EringaMusic By – James Dean Bradfield, Sean MooreProducer – Mike HedgesRecorded By – Ian Grimble 4:03 B10 Interiors (Song For Willem De Kooning) Lyrics By – Nicky WireMixed By [Assistant] – Guy MasseyMusic By – James Dean Bradfield, Sean MooreProducer – Mike HedgesRecorded By, Mixed By – Ian Grimble 4:17 B11 Further Away Lyrics By – Nicky WireMixed By [Assistant] – Guy MasseyMusic By – James Dean Bradfield, Sean MooreProducer – Mike HedgesRecorded By, Mixed By – Ian Grimble 3:38 B12 No Surface All Feeling Lyrics By – Nicky WireMusic By – James Dean Bradfield, Sean MooreProducer, Mixed By – Dave Eringa 4:13Companies, etc.
- Copyright (c) – Sony Music Entertainment (UK) Ltd.
- Phonographic Copyright (p) – Sony Music Entertainment (UK) Ltd.
- Distributed By – Sony Music
- Recorded At – Chateau De La Rouge Motte
- Recorded At – Big Noise Recorders
- Recorded At – Real World Studios
- Mixed At – Chateau De La Rouge Motte
- Mixed At – Abbey Road Studios
- Mixed At – Battery Studios, London
- Mixed At – Swanyard Studios
- Published By – Sony Music Publishing
Credits
- Arranged By [Strings] – Martin Greene
- Bass Guitar [Bass], Backing Vocals – Nicky Wire
- Design, Art Direction [Direction] – Mark Farrow Design*
- Drums, Percussion, Trumpet [Solo], Backing Vocals – Sean Moore
- Electric Guitar, Acoustic Guitar, Lead Vocals, Piano, Backing Vocals – James Dean Bradfield
- Harp – Julie Aliss
- Keyboards – John Green
- Management – Martin Hall (5)
- Mastered By [Cut] – Chris Blair
- Organ [Hammond] – John Green
- Percussion – Martin Ditcham
- Photography By – Rankin (3)
- Viola – Chris Pitsillides, Claire Orsler
- Violin – Anne Stephenson, Gini Ball, Sally Herbert
Notes
The record comes with a printed inner sleeve of album lyrics, artwork and album credits.All tracks recorded at Chateau De La Rouge Motte, France except No Surface All Feeling recorded at Big Noise Recorders, Cardiff. The Girl That Wanted To Be God recorded at Real World Studios, Wiltshire.
All tracks mixed at Chateau De La Rouge Motte except A Design For Life, The Girl Who Wanted To Be God, Further Away and Interiors mixed at Abbey Road London. Australia - Battery Studios, London. No Surface All Feeling - Swanyard Recording Studios, London.
All songs recorded - Autumn '95-Winter '96.
All songs published by Sony Music Publishing.
© 1996 Sony Music Entertainment (UK) Ltd. ? 1996 Sony Music Entertainment (UK) Ltd.
Tracks on the release are listed sequentially "01" to "12".
Barcode and Other Identifiers
- Barcode (Text): 5 099748 393012
- Barcode (Scanned, EAN 13): 5099748393012
- Matrix / Runout (Machine stamped side A): 01 483930 20 1A1
- Matrix / Runout (Machine stamped side B): 01 483930 1B1
- Matrix / Runout (Hand-etched runout side A & B): A
- Matrix / Runout (Face label side A): 483930 1A
- Matrix / Runout (Face label side B): 483930 1B
- Other (Sony format code): VX
- Other (Code within a circle, rear sleeve): 58
- Rights Society: MCPS / BIEM / SDRM
- Label Code: LC 0199
Our grading in condition section above.
Records graded to Record Collector guidelines.
Mint (M)
The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet. booklet or poster are in perfect condition. Records marked as Sealed or Unplayed should be Mint.
Excellent (EX)
The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
Very Good (VG)
The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects is acceptable
Good (G)
The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc
Fair (F)
The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.
Poor (P)
The record will not play properly due to scratched, bad surface noise, etc. The cover and contents will be badly damaged or partly missing
Bad (B)
The record is unplayable or might even be broken, and is only of use as a collection-filler
CD’s and CASSETTES
As a general rule CD’s and Cassettes either play perfectly – in which case they are in Mint condition – or they don’t, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CD’s are difficult to grade visually; they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves.
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