Mainhorse '71 "Mainhorse" on Polydor EX HEAVY PROG w/ Patrick MORAZ

	£		35
	$		46

Hi Vinyl freaks. In the next few weeks I'll put on auction more than 600 great and collectible records. Most records are true collector's items. Have a look, it is worthwhile! Most of my vinyl comes from my own collection and/or quality collections. Most records are in great, collectible condition. If not, I'll clearly describe the possible flaws or scuffs. Appr. 90% of my records are EX to Mint-. I am continuously selling Essential German Kraut, Dutch psych and garage, UK and US progressive and folk, early electronic and (hard) psychedelic records from the period 1967 to 1975. Moreover, many other essential wave, punk and (minimal) synth records will be on auction. Please take some time and read my instructions carefully. If questions... please feel free to ask. A fantastic vinyl collection is going to be for sale in outstanding condition. Don't miss out this opportunity!!

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Band/Record: Mainhorse - Mainhorse

Label/Matrix: US 1971 Polydor  IMP 1001

Condition Record/Sleeve: EX/EX (record a few light hairlines only, TOP audio !! Cover clean and unwritten, with corners only tiny "eaten")

Extra Info: Heavy PROG KILLER !! Mega rare US press on Polydor ... Wow .. EX TOP audio ... RARE ALBUM !!

~~~~~~The history of MAINHORSE started in '68 but unfortunately, it's not very well documented. The prime mover was Patrick MORAZ, a very talented, Swiss born keyboardplayer. Other members of MAINHORSE were Peter Lockett (lead guitar, violin and vocals), Jean Ristori (bass, cello and vocals) and Bryson Graham (drums and percussion). In 1970 the band signed a contract with Polydor, a year later their eponymous debut-album was released. It remained unnoticed and when success failed MAINHORSE disbanded soon. Drummer Bryson Graham went to play with GARY WRIGHT and SPOOKY TOOTH. In '74 Patrick MORAZ founded REFUGEE and replaced RICK WAKEMAN in YES and in The Eighties he joined THE MOODY BLUES.

The album "Mainhorse" opens with (how original) the song "Introduction": fluent 'heavy progressive' with floods of Hammond organ and fiery electric guitarplay, the sound has echoes from ATOMIC ROOSTER, THE NICE and early DEEP PURPLE. The following "Passing Years" is a slow, bluesy like song with mellow organ and a bit melancholic vocals. Then again 'heavy prog' with swirling organ and biting electric guitar in "Such a beautiful day", the climate evokes THE NICE and QUATERMASS. In "Pale sky" a wailing violin and howling electric guitar colour a bluesy atmosphere, topped by strong Hammond play and dynamic drums. This song features halfway a jam with violin, guitars, electric piano, experimental sounds and a hypnotizing rhythm-section, to end with a sensitive electric guitarsolo and loads of Hammond. Next is "Basia", an up-tempo and catchy song with strong organ - and electric guitarplay, a pumping bass and cheerful vocals, halfway MAINHORSE surprises with a swinging electric pianosolo. The track "More tea vicar" contains subtle changes of rhythm, from soft jazzy to fluent heavy prog with a classical sounding organ (like EKSEPTION), assorted percussion like glockenspiel and fiery electric guitar. The final composition "God" (almost 10 minutes) is the most alternating and dynamic one with many changes of climate with Patrick MORAZ on organ and the 'Klavio-synthesizer' and strong electric guitarwork, it sounds like a blend of THE NICE and ATOMIC ROOSTER. In my opinion this album deserves a second change, it's not very original but sounds powerful and exciting with good compositions. And, most important, this album contains the first impressive steps from Patrick MORAZ as a keyboard-wizard.

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