(MUTHAS PRIDE)-HM Sampler-Wildfire/Baby Jane/ White Spirit/ Quartz-F9-45 rpm 12

	A$		35
	$		23

ITEM: VINYL 12 INCH 45rpm EP
ARTIST: VARIOUS
Heavy Metal Sampler
TITLE: MUTHAS PRIDE
TRACKS:
A1 –Wildfire --Wild Dogs  A2 –Quartz --Back In The Band B1 –White Spirit --Red Skies  B2 –Baby Jane--Baby Jane  COUNTRY PRINTED: GT. BRITAIN CAT No: EMI, 12EMI 5074
COVER: (Grade at EXCELLENT+)
LABELS: (Grade at MINT-)
VINYL: (Grade at EXCELLENT+ to NEAR MINT-)
COMMENT: Wiki
Metal for Muthas is the name given to a series of heavy metal compilations made during the new wave of British heavy metal (NWOBHM).

  The original compilation was Metal for Muthas, released in February 1980. The compilation was a sampling of various better-known artists of the NWOBHM, primarily known for having some of the earliest recorded material by heavy metal legends Iron Maiden. The original Metal for Muthas album reached No. 12 on the British LP charts[4] and became the basis of a tour by the artists who contributed songs to the compilation. Iron Maiden, who headlined the tour, became largely intertwined with the history of Sanctuary Records (whose namesake was the similarly named Iron Maiden track on the compilation).

  Metal For Muthas was followed by a second similar compilation, Metal for Muthas Volume II. The compilation featured less notable artists of the NWOBHM but is also reminiscent of the DIY ethic of the late 1970s and early 1980s British heavy metal underground scene. Also released in 1980 on EMI as part of the same series was a four-track compilation EP entitled Muthas Pride (12EMI5074).

  The brand name was resurrected in the early 1990s by DJ Neal Kay, who produced a compilation entitled Metal for Muthas '92, featuring unsigned British hard rock acts. The album gained a Japan-only release on the Pony Canyon label (PCCY-00392).[5]  

  VINYL GRADING SYSTEM

MINT:
RECORD: New condition with no surface marks or loss of sound quality.
COVER: New condition with no surface marks, creases or wear.
NEAR MINT:
RECORD: Barely noticeable surface mark with no loss of sound quality.
COVER: Barely noticeable surface mark/ wear.
EXCELLENT:
RECORD: Some signs of being played with extremely little if no loss of sound quality.
COVER: Slight wear or creasing.
VERY GOOD:
RECORD: Obviously been played with noticeable surface marks & the occasional light scratches but exhibits no major loss of sound quality.
COVER: Noticeable wear on cover, seam or spine.
+(PLUS)/-(MINUS):
Slightly up or down in condition as appears in the comments above.
NOTE:
Gradings are done visually unless there appears to be a questionable surface mark on the vinyl, it is then put on the turntable to check. A comment describing the outcome will appear if this is the case.

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