MUDDY WATERS @NEWPORT VERY NICE '60 CHESS BLUES MONO LP

$

104

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·       MUDDY WATERS – MUDDY WATERS AT NEWPORT 1960 – 1960 CHESS RECORDS  MONO LP 1449

·       GENUINE  U.S. PRESSING

·       VERY EARLY MONO PRESSING CIRCA 1966 ON  BLUE-FADES-TO-WHITE CHESS LABEL WITH “HORSE’S HEAD” LOGO, MID-60’s STYLE

·       THIS IS NOT AN IMPORT OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

·       MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH,  SHOWN BELOW) (Note: the image shown is from our previous auction; it appears here for reference only; the actual item is in a condition quite similar to the one shown, but is not completely identical in every minute detail ).

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For many back in the early '60s, this was their first exposure to live recorded blues, and it's still pretty damn impressive some 45-plus years down the line. Muddy, with a band featuring Otis Spann, James Cotton, and guitarist Pat Hare, lays it down tough and cool with a set that literally had 'em dancing in the aisles by the set closer, a rippling version of "Got My Mojo Working," reprised again in a short encore version. Kicking off the album with a version of "I've Got My Brand on You" that positively burns the relatively tame (in comparison) studio take, Waters heads full bore through impressive versions of "Hoochie Coochie Man," Big Bill Broonzy's "Feel So Good," and "Tiger in Your Tank." A great breakthrough moment in blues history, where the jazz audience opened its ears and embraced Chicago blues.

 (REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

MUDDY WATERS - some 3 decades after his death - remains the one and only KING of blues, despite numerous claimants to the throne and the title. This album provided Muddy his major break in 1960, when he performed his ELECTRIC (to the purists' horror) set before the largely-white, WASP-ish crowd at the Newport Follk Festival. Muddy's band positively shakes, rattles and rolls some mean blues action here. This is a robust, masculine, testosterone-drenched piece of blues that is not willing to compromise. In our humble view, this is Muddy's best effort in the first part of his career, and certainly the best album until he recorded "Folk Singer" three years down the road.

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THIS IS A NO-RESERVE AUCTION!

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·                               CONDITION:

·                               RECORD

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VG++. A few light abrasions (probably just sleeve scuffs inflicted in storage over the years) ARE VISIBLE, but they appear fairly  insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Mono pressing of this title is much rarer, and by far more  preferable to its FAKE ("electronically rechannelled") stereo counterpart. We estimate that FAKE stereo copies of this album outnumber monos by a ratio of at least 5:1.  [note: all  digitized 1980’s stereo pressings of this title are, in fact, true stereos]

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS  ABOUT VERY GOOD+ (VG+).

The following flaws or imperfections are noted on the cover:

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3

-         Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         Cover shows some light yellowing on back side, apparently from aging.

-        A visible water stain (VISIBLE ON BACK SIDE ONLY) affects the area about 5 square inches in size along the bottom seam; there is no structural damage to the cover, and both cardboard base and paper slick are intact, however, the stain is visible and has caused a slight warp in the affected area.

-         Cover has a small cutout hole in one of the corners

-         Back cover has a few yellowish dust speckles scattered here and there

-         Minor shelf wear noted on the seams (nothing significant)

-         Cover has a few tiny wrinkles along the spine

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No cut-out corners

-        No saw-marks or indents

-        No writing

-        No stamps

-        No tearing: no chips, dents or nicks on the seams

-        No peel-off marks

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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