MOTHER'S FINEST S/T LSP 4790 1972 super rare PROMO pix
  $   25

 


$ 25 Sold For
Apr 12, 2010 Sold Date
Apr 2, 2010 Start Date
2   Number Of Bids
  USA Country Of Seller
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Description


pocketfullofmiracles store   MOTHER'S FINEST
S/T  LSP 4790 1972

not for sale promotion use only stamped in front top right

VINYL: VG++ / COVER:VG+ gatefold

promo picture:creased at top left corner


side 1: Love Is All I Need (It's Too Hard To Carry On)/ You Move Me/You'll Like it "Hear"/Dear Sir and

Brother Mann/ Feelin' Alright

side 2: It's What You Do with What You Got/ Sweeten the Air You Breathe/ You Make Me Feel So Good/

Love The One You're With


Most Bios of Mother's Finest start with their Self Titled release in 1976 but this is a very solid also S/T Lp they
put out 4 years earlier which is obviously so rare it is barely even known. But that is definately not due to the
quality of the Lp.


AMG BIO

Although Mother's Finest might appear to be only a blip on the radar screen of rock history, but not to any of the headlining bands they've stolen shows from -- or any of the audiences who saw it happen. Following in the footsteps of the racially-mixed Sly & the Family Stone, Mother's Finest blended white guitarist Moses Mo and drummer B.B. "Queen" Borden with black vocalists Joyce Kennedy and Glenn Murdock, bassist Wyzard, and keyboardist Mike, for its 1976 self-titled debut album. Tracks like "Rain" and the slightly controversial "Niggazz Can't Sing Rock & Roll" made enough of a ripple to get the band out of Georgia clubs and into regional touring. The follow-up album Another Mother Further lived up to its title. The opening track was a cover of the Holland-Dozier-Holland songwriting team's "Mickey's Monkey," made popular by Smokey Robinson. But the guitar riff was a blatant copy of Jimmy Page's from the Led Zeppelin song "Custard Pie," released two years earlier. Perhaps because the song was a cover, or the fact that they stole from blues legends early in their career, Led Zeppelin never sued and the track (along with others like "Piece of the Rock" and "Hard Rock Lover") helped make Another Mother Further the group's springboard.

 

For the remainder of the 1970s, Mother's Finest became the most dangerous opening act in rock, blowing away headliners like Aerosmith, Frank Marino & Mahogany Rush, and Ted Nugent. A subpar third album, 1978's Mother Factor, took nothing away from the band's live performances, as vocalists Murdock -- and particularly the powerful Kennedy -- enthralled audiences over the funk rock backline of Mo, Wizzard, Borden, and Mike. The 1979 album Mother's Finest Live featured not only original staples like "Watch My Stylin'" and "Give You All the Love," but also Kennedy singing a stunning cover of Jefferson Airplane's "Somebody to Love" and the musicians shining on a rearranged version of Steppenwolf's "Magic Carpet Ride." It would prove a last hurrah, for Mother's Finest didn't translate well into the 1980s and never achieved its due in the largely-white world of rock. Mo, Mike, and Borden would leave the band, the latter to go polar-opposite by joining Southern rockers Molly Hatchet, but Kennedy, Murdock and Wizzard fought on. After dabbling in dance music with several different lineups in the 1980s, the trio formed an all-African-American band in the early '90s by recruiting guitarist John Hayes and drummer Dion Derek. The angry, rocking result was the 1992 CD Black Radio Won't Play This Record, which proved prophetic despite being the band's best since its 1979 live album (yet white radio wouldn't play it either). It's now in the cut-out bins; ignored or forgotten -- much like Mother's Finest -- by all except a select few. Still active, the group's latest CD is called Not Yer Mother's Funk -- The Very Best of Mother's Finest, and features mostly material from the first two albums. ~

Georgia funk rock band Mother's Finest

Bill Meredith, All Music Guide

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NM (Near Mint): Record and cover appear virtually unmarked.

VG++: A hair under near mint may have just a very few visual marks that should not affect sound.

VG+ :  A well cared for record. Should have only very slight if any audible imperfections.

VG : Many only surface lines or may have 1 or more small scratches .Background sound but still very enjoyable. Cover defects will be noted.

VG-: significant background sound from various defects but music always quite audible above it. Cover has some damage that will be noted.

 



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