MONO BEAUTY 1966 Orig THE BARBARIANS MOULTY Fuzz GARAGE RAW PUNK SHAKER LP
$
145
$ 145
Sold For
Mar 17, 2024
Sold Date
Mar 10, 2024
Start Date
20
Number Of Bids
USA
Country Of Seller
eBay
Auctioned at
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Description
PLEASE READ BEFORE BIDDING: Please read the entire auction listing, including shipping costs, before writing to ask a question.
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- BEAUTIFUL PRESERVED
- ORIGINAL ((MONO)) 1965 FIRST PRESS ..|/\|...............................................|/\|..
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- THE BARBARIANS
THE BARBARIANS
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- USA - LAURIE Records - LLP 2023 (MONO))
- BEST COPY AROUND!!!
- 1965 Original ...BEAUTIFUL TOP COPY ...none better ...
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- STILL IN ORIGINAL FACTORY SHRINK WRAP
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58 years old solid collection relic from the 1966 GARAGE ROCK era!
One of "edgy" garage bands of the mid '60s who managed to release a full album, when so many local area bands of the era were destined to a career of 45's releases ...
Original 1966 first pressing monophonic song mixes and highly collectible...the MONO release offering bold punchy production to the overall sound which differs from the just as hard to locate stereo release
The Barbarians were one of the earliest of garage bands with the sound of twanged out guitars and sneering punk edgey vocals... MOULTY, THE DRUMMER, had only one hand and wore a hook to help him play drums.
Pre-dating The Seeds even, The Barbarians - formed in 1963 - were a pre-punk garage band straight out of Provincetown, Massachusetts. Their original line-up - consisting of Jeff Morris; Jerry Causi; Bruce Benson; and Victor "Moulty" Moulton - cut their first 45 in 1964 on tiny Massachusetts local imprint, Joy Records, a primitive British Invasion inspired number titled "Hey Little Bird".
Long haired and uniformly shod in jesus boots as part of some half-hearted gimmick, the real star of the band was Moulty himself, their one-handed drummer (and vocalist on this, their most infamous single) who sported a hook as the result of a tragic childhood accident at age 14 losing part of his left arm in an explosion.
The Barbarians wore leather sandals and grew their hair way longer than other rock bands at the time. Their minor hit, "Moulty" was a humorous and melodramatic autobiographical song chronicling the drummer's life and the loss of his hand. Moulton sings lead on "Moulty, but the other Barbarians do not play on the track. Instead, Moulton is backed by New York session musicians including members of Levon & The Hawks, later to be known as The Band. Although it barely scraped the Billboard charts, "Moulty" would gain a cult following when they were included on Lenny Kaye's Nuggets compilation in 1972.
Following a well secured appearance in Santa Monica's Teenage Music International show - sharing centre stage alongside a host of first division heavyweights including the Stones, James Brown, Chuck Berry, and the Beach Boys - the Barbarians were invited to record an album on Laurie; their predictably self-titled debut hit the racks in 1965. Although the Lp features the off-handedly cool (excuse the pun) "Are You A Boy, Or Are You a Girl ?", the rest of the album is an interesting mix of raw garage gems filled with twangy guitar and plenty of teen appeal 'attitude' ...
It was 1966 and they had their hit "Are You a Boy or Are You a Girl",' ... Moulty had hair to the middle of his back and as the band was walking from their dressing room to the stage in the ballroom at Mountain Park in Holyoke, MA, when rednecks started taunting him. The Barbarians played a few numbers, Moulty on his drums were positioned above the three other Barbarians. Somebody in the crowd brought snow in and started throwing at Moulty. He stopped playing and told them to stop that it was not good for his drums. He could see who was throwing the snow. The second time it happened Moulty threw down his sticks, ran and jumped off the stage after the guy. The three other Barbarians follwed when the cops broke up a wild fight in the night of THE BARBARIANS.
Are You a Boy Or Are You a Girl ?
Moulty
Mr. Tambourine Man
House of the Rising Sun
Marie Elena
Bo Diddley
Memphis, Tennessee
B:
What the New Breed Say
Take It Or Leave It
I'll Keep on Seeing You
Linguica
Susie Q
I've Got a Woman
CONDITION:
- The cover: rated: MINT perfect STILL IN FACTORY SHRINK WRAP ...TOP final collection copy - good luck finding better... 57 years onward ...There are no split seams, no bends, and no writing ...still has the original store sticker on outside of the shrink wrap
- just noticed a tiny delete drill at top left, hard to notice !
- The vinyl: Rated: M- top copy, terrific final collection copy, plays clean ...the original pressing you'd never seen = not THIS clean !
- Both MONO "Laurie" labels are immaculate.
A cool addition to anyone's music library!
SEE: SELLERS OTHER ITEMS (((similar grooves for "head" people...)))
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for you BEFORE leaving ANY negative feedback. Thanks! ................................................ GRADING SYSTEM:
All imperfections are noted both cover & record
GRADING SCALE: M, M-, EX, VG++,VG+, VG, VG- M Completely clean, no marks, plays clean
M- Carefully used, looks clean, plays clean, shiny gloss, plays clean
EX Faint scuff or superficial mark, near M-, high gloss, plays clean VG++ Glossy with minimal scuffing or light mark playing very nice, enjoyable
VG+ a bit more scuff or marks still plays well with very minimal surface at worse VG more marks/scratches only minor, nothing deep, no loud clicks or pops this grade is abused by many, VG here does not mean "trashed" VG- surface noise present, will not have skips or jumps ALL PAYMENTS SHOULD BE MADE WITHIN 5 DAYS Of AUCTIONS END BIDDERS PLEASE = Do Not Bid If You Are Not Serious About Following Through The Transaction! ALL ITEMS GUARANTEED FOR WINNING BID - LESS SHIPPING!
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