MISFITS Bullet 7" ep, first press (black), with insert VG++ record, EX sleeve

$

4,717

MISFITS Bullet 7" ep, first pressing (black), with insert /// VG++ record, EX sleeve/insert

the RECORD: a legit VG++ (and possibly an ex or close to it) (see the grading info / and playtest report below).
 
 the PICTURE SLEEVE and INSERT:  it's an EX.  i bought it in late 1978? or 1979.  and never took the sleeve out of the standard-issue 'poly' sleeve that i put it into, the next day.  (the 7" ep's  $1.99 orig price sticker indicates that it most likely came from the north hollywood / san fernando valley Licorice Pizza** (see 'origin story,' way below), which was close to where i lived during june1977 - june 1980). 
  
(see the GRADING INFO vinyl section below, plus scan #7 which is the "record grading scorecard")

  (note:  yes, i am the ORIGINAL OWNER. soo the 'scuffs' as itemized below were done by yours truly, but none of them have any effect on the playback audio (see below in the "grading info")

================

THE MISFITS, Bullet // original 1st pressing (black), with insert
 runoff matrix (side A):  "SP 1001-A  Rich Flores"
 runoff matrix (side B):  "SP 1001-B  R.F."

check, check, double check. 

=================

(note:  scan #4 is of the inside lid of my scanner/printer, which has some smudges/dirt on it, some of which will show on the scans #5 and #6 of the A-side and B-side of the 45, in exactly the same place)

GRADING INFO (viz real time PLAYTESTING) --

THE RECORD:  is a legit VG++.
  here was the playtesting method employed, in real time yesterday on 5/20/20:  i stood right next to the chest-high 'top speakers' (old 'bookshelf' Sonys that are used as giant "tweeters." on top of a pair of giant Altecs that were donated to us cheap by the old Salvation Army store out in livermore, way back in the mid-80's.  my
my workhorse Technics SL-1700 turntable (direct drive, with an Empire cartridge) has a needle that's almost brand new, so all the "testing setup" tools looked good.  
and i had a page of notebook paper on a clipboard, a felt pen in the left hand, and a battery-powered alarm clock sitting right beside the turntable, so's to identify THE NEAR EXACT SECOND anything fishy was heard on the bookshelf speakers ten inches away.  pops, "tics," surface noise, etc.

NOTE:  the title track has been played only maybe five times tops, in the 40+ years that i've had it.  the other tracks, maybe just twice total just over the same decades (as the original owner).  because i had the songs on the Beware 12" issue a couple years later (which was eventually swapped out for some big trade 'want list" items, by the mid- 90's).

the playtesting results:   (see scan #7's manual worksheet that i wrote the real-time notes onto): 

PLAYTESTING CONDITION GRADING:
  listening with my ears one foot away from the speakers, for any "pops" or "skips" with the 'second hand' of an alarm clock my reference guide for what minute/second any defects show up
Side 1, Tk1 and Tk 2 (both) :  n/a (nothing)
Side 2, Tk 1 and Tk 2 (both):  n/a (nothing)

none of the "visual" (scuffs, described below, inc the first one which looks more like a scratch/ding) had any effect on the playtest audio.  it played straight through with a single "pop," ditto.

i've only played the S1 Tk1 maybe five, six times total since taking it home (in its year of issue), and the S2 maybe only twice total (before today), so this "defects-free" of a playtest is not totally surprising.  both this 45 and the Horror Business 45/ep have so much "white noise" coming from the drum kit ( = its cymbals, at a couple spots in each song), that i don't think if there WAS any 'surface noise' (i didn't hear any on either 45) that a person would be able to clearly identify it in the audio.

VISUAL GRADING:  this was done (a) outside in sunlight, and with a magnifying glass, and (b) inside under a lamp, and with the same magnifying glass.
  here is what i saw:

  Side 1 Tk1 -- there's a 1/4" scuff (or a ding/scratch?) sitting on the first half of the cut. 
  Side 1 Tk 2 -- didn't see anything, i.e. scuffs or scratches
  Side 2 Tk 1:  there's two 1/4" dings (scuffs?).  one is near the start of Tk1, and the second scuffs looks like it starts about halfway into the track.
                          then there's also a 1/2" long, 30deg 'lateral scuff', and
  Side 2 Tk 2 -- then there's a similar 'lateral scuff' in the opposite direction, maybe thirty seconds into the cut 

any audible effect on the playback test audio:  none!

PICTURE SLEEVE CONDITION:  the picture sleeve and insert:  it's an EX. 
 (and this is the first time that i've ever unfolded or even touched/looked at the insert, in order to scan it just now) 
 after i bought the 45 in 1979 (or late 1978)?  i never took its picture sleeve out, after i'd put it/the record into one of the standard-issue 'poly' sleeves,' which is still the same one that it's always been in.
 
the record's $1.99 (original) price sticker indicates that it most likely came from the north hollywood / san fernando valley Licorice Pizza)** (see further below). 

In the interest of being a reasonable-effort, full-disclosure trainspotter, i will scan ALL EIGHT CORNERS of the picture sleeve (the back sleeve far left two, plus two at the fold from the back sleeve's side, then the same two from the front side, and then finally the front side's right side = 2 + 2 + 2 + 2= 8 corners total.  four of them (the first two and the last two) look as sharp as an ex/nm baseball card's four corners, untouched at the top of a 'cello pack' if it were 1962 or 1972).  SO I WILL SCAN THEM with my awesome littke HP 3512 "printer/scanner" to check it out.  i'm feeling two grade-A "EX/NM" quality corners, but this isn't a T52 high-number Mantle rookie, so it really doesn't matter as much to the tree that made it as the mantle T52 rookie would've.  but take this to the bank, FETCH WILL HAPPEN SOMEDAY.   

results of "sleeve-corner(s) scans":  whoa, trippy.  what looks like a MT perfect corner from just six inches away (the back cover's top left corner for starters) -- when blown up (enlarged) by 400%, it shows lots of sub-microscopic wear.  but it (back to six inches away, visually) still matches up against anyone's officially-graded "EX" sleeve condition, i think.

ADHESIVE:  there isn't any.  as you know, this was a "wrap around" (sometimes called "gatefold") thick-cardstock sleeve (as in, left to right from the backside's far left side, and then folded at the half-way point, such that the p/s's 'right half' became the front cover. 
  In addition, the inside-back has an additional 1/2" 'ridge' coming up from the bottom on that side only, in order to hold the record that's inside its same 'plain white sleeve' that it came in within the p/s itself).
  There is no bleed=through of the front cover's "red ink" (either the band name or the JFK head blood) into the other side of the p/s.
 
POSTAGE:  FREE for what would cost $3 media mail standard postage, or i'll cover the extra $5 for 1st class/priority mail, whatever.  or i'll have Bill Graham fly it out personally in his helicopter hahahaha.  since this is an important record in the history of Misfits discogs, i'll pack (in a 45s cardboard mailer) / then double-pack it (into a slightly larger hard-cardboard box or album record mailer) and then, what the hell, triple-pack it.  if it arrives to you quaDRUple packed, that means the last imaginary intern got a little carried away with their work order over at the "packing station."

====================

FOOTNOTE TO THE REQUESTS THAT ARE ABOUT TO COME IN WHEN I OPEN UP THE grand funk railroad fan club HOTLINE --
sorry, i am all out of "autographed Danzig basketballs," i am also all out of "Jerry Only signed vintage nerf-footballs," or any random equipment destroyed in that infamous Misfits 1981 "stage/audience riot in san franciso." (April 10, 1982 / the Elite Club, which was the original Fillmore Auditorium, maximumcapacity about 1,300)  (i wasn't there, but the beyond-stupidity began with the always-beyond-stupid (promoter) "Paul Rat" selling beer in CANS (or was it bottles?  uh -- checking -- yeah, cans.  like o m g, seriously).  jeez, what a head scratcher...wait, let me take a poll of the mentally challenged who are suffering from speedmetal slampit cranium damage...so, like....what? could possibly "go wrong"? with selling BEER IN f'n CANS!!?!! at a medium-large 1981 west coast 'hardcore punk' gig in (i already said 1981? in san francisco? yeah, ok, i did) san francisco.  obviously nothing, nothing to see, just some kid's skull bloodied with a bass guitar's butt-end and general chaos shutting the gig down.  (in the early and mid-70's, charming midwest towns like Toledo were infamous for having one or two audience members sail M-80's -- repeat, M fucking 80's -- at the basketball arena stage at an Aerosmith or Alice Cooper concert (pick one, pick either), so obviously progress was not made between "70's hard rock or early heavy metal" (zeppelin, black sabbath, grand funk railroad, deep purple blue oyster cult and a handful more gold-album loud-as-fuck popular live acts of the time, i.e. the soundtrack of yours truly's college years, Led Zep /#1 right through the awfu Led Zep #5 aka "outhouses of the holy" and man did it sound like it)." 

anyway i wasn't there at the SF Misfits gig, so i'm just speaking out of my ass.  HOWever, for the benefit of "fact checking" points (i.e., no bonus points, just minimizing the demerits that will be assigned for talking out of my bunghole, instead of through the beany-and-cecil twirly copter that came out of the womb with me, attached to my beautiful arkansas head) i will google-see-looky-loo for the "best first person description" of the melee in question (and cut/paste it to the bottom, below, if it is an html file that can be cut/pasted).  i wasn't there so, ok whatever. 
   although i had been there at their previous year's On Broadway/SF Mab (upstairs from the Mab) gig (on 11/20/1981) and got into a semi-incoherent argument (with jeff bale of MRR and two other random strangers w/jeff that i'd never met then or later) over the musical skills of said three Misfits guys holding instruments.  (i'm a bobby steele lineup fan, so my opinion was immediately declared invalid before i'd started it up. and then i was outnumbered, and then 'disqualified' again, because (to paraphrase) "you're in a band anyway, so what the fckk do you know about music anyway?"  hey, destroy all music can't use it, and never forget deny everything deny everything.  i stuck with the horse that brung me (the fall 1980 circle jerks 3-lp prog rock opera being one of my favorite rock albums, then now and inbetween), and, whatever man, i just got outnumbered.  (and no attempt by me was made whatsoever at citing my own caveman-level guitar playing as a credential to qualify myself as a judge of ANY guitar playing except, obviously, the "early 70's heavy metal" that got me through my undergrad state university college years (in fayetteville AR, then dallas/ft worth, and finally a snappy final five semesters in austin, TX, itself right then about to percolate as the western-front of the "outlaw country" movement," the punk rock of its time re nashville's beyond-hideous "countrypolitan sound" (someone drag billy sherrill out of his future grave, hand me an AK-47 assault thing, and i will blow up his skeleton fifty times after i set it on fire with toxic chemical).  i was busy listening to deep purple led zeppelin blue oyster cult grand funk railroad at the time, so i didn't really notice mr sherrill's eternal future label as "the man that satan sent to destroy everything you liked about country music until he got there."  word to that!   

note!  CAN SHIP INTERNATIONAL (i will pay for the first $10, and after that the buyer has to kick in), but packed just in a brand new 7" cardboard mailer (prob with another layer of cardboard wrapped around it).  please indicate if you want spice girls stickers attahced to the mailer, and whether you prefer scary (spice), sporty the lesbian, or (my 'bias' as the kpop fans say) white girl emma "baby spice" bunton.  or just a bunch of Germs 'circle burns' logo sharpied all over the mailer.  or not.  well ok then.
 
=====================================

(from above, as promised)
THE ORIGIN STORY (of this picture sleeve and its record)

pt 1
 ((of the origin story, so let us go back to 1979 north hollywood (i was living in a 4bdr house one valley zip code over, at 14922 Bassett St, Van Nuys CA, with three other guys -- one bandleader (dave of the Tremors), one record store clerk (jeff), and one "roofer" ("phil the roofer")) -- and plus an angry samoans "lead guitarist" out in the full-sized (two car) empty garage with his amp, his guitar(s), and a pretty darn sizeable NEW CERVIN VEGA PA including the cabinets.  (which he would plug his turntable into in order to use the PA as his home stereo/record player rig, in between schlepping it to the once-weekly band practices over at the turner family garage at 4857 beeman ave, north hollywood)

so -- the $1.99 BULLET 7"'s original price sticker indicates that it most likely came from the north hollywood Licorice Pizza store, which was close to where i lived during the three years' time spanning june1977 - june 1980).  (and where i worked my first "career job" over those first three years -- in order to start up the accounting/finance white $$ collar $$ resume -- i.e., at the 6621 Coldwater Canyon (at the corner of Coldwater Canyon and Victory Blvd), which back then was a "66 licensed med/surg and psych hospital beds" compound, doing business at the time as the legal entity called Community Hospital of North Hollywood (its sole owner being a practicing psych doctor a few miles away, in studio city).  and yes, i was the "chief financial officer" there at CHNH hahaha, and also (notice how tiny this facility was -- i.e., only  66 beds) you got it, a "one man accounting department" (plus my 'department head' resonsibility for one accounts payable FTE, one full time 'data compiling clerk' who grouped and recapped each day's pile of "patient charges from each ancillary department" and sent them down the hall in order for the "three PART time, data processing clerks (one of which was the same angry samoans 1st guitarist who lived in the garage back at the "SWM guys compound" in van nuys) (and those three super-fast data processing college aged kids named Tim and Wayne, plus the 22 year old angry samoan axe-wielder, did their 'posting' via an occasionally backfiring, ancient refurbished NCR 'posting machine' -- ha, did you ever punch in, say, "$39.98 (plus sign) the prior balance of $2,005.00" and get something like = "213, 044.98"?  oh that machine did it once a month, or more.  and i was the "one man accounting department" who at then end of each calendar month, got to manually enter/copy and move over (to the Summary General Ledger) the "detail accounting ledger" cards's monthly totals, as one liners into each "summary trial balance" card.  this is really fascinating history and i would love to talk about it all night (especially decrepit malfunctioning NCR machines), but three imaginary unpaid weekly interns have already threatened to kill me if i don't "shut the fuck up, man," so i won't. 
  
SO, and that's how i had the crazy 'mad money' in my pocket to buy lots of $1.98 45s at north hollywood Licorice Pizza with (back at the start of what eventually became 21 straight years in that professional 'accounting career' that did net bigger $$ money $$ still, later on at each of just "two more addresses" / three more jobs over the next 20 years.  with ever-changing job titles at the bigger/more complicated / WAY bigger/ hella more complicated workplaces (and the $1 billion /year gross revenue, oakland's 550+ bed eSummit Medical Center = which was just over the $$ (gross revenue) line to qualify as a "LARGE CORPORATION" (two thousand employees! at that 550+ bed monster downtown oakland facility, but i am forgetting the point, which was this one, relevant back then as well as right now:  TAKE ANY HORROR STORY anyone had ever told you about "the corporate world," once a company/or facility gets up to a certain size -- i.e., "large corporation" (in this instance) -- ok, and THEN MULTIPLY IT BY TEN OR MORE, whatever insane 'corporate world' anecdote or traumatizing event their story is that they're trying to explain to you, etc.).  and...yeah. 
  

  "oooh so sad, just another well-paid now-retired white boy kvetching about the cruelty of being chained to a $100k salaried (job) (in today's $$), plus "full benefits (sick time, AD&D insurance, and free health insurance."  yeah yeah, point granted, but TRY DOING THAT FOR 21 STRAIGHT YEARS (meaning, one job straight to the next job, twice, without one single day off in between the "old job that was pretty easy by that point" and the "new job that has an insane giant mile-high crap pile of things THAT NEED FIXING / correcting / untangling," in other words, an unholy mess (after the first job change up to a much bigger facility) or "a new, massive workload" (after the third and final job change, at the same address but post-merger) )which was only do-able via hyper-speed on the 'grunt work' (which is how yours truly survived that godawful, acrimonius Feb 1992 merger between the "Pill Hill Oakand" actue care hospital world's Hatfields and McCoys; they had heard the rundown on my uh, work output from the exiting 'section head.' "and, check this, he can do the tax returns too! (simple not-for-profit, prob barely 20 to 30 hours grand total) "....and gladly sqeeze them, in on the spring weekends at his desk, while the rest of the world gets their "spring / early summer" vacations!") WITHOUT EVER BEING ALLOWED/ABLE to take even one "full vacation" (meaning three weekends plus two full weekends inbtween). 
   
aw man, now they (the authorities at large) have slapped the "white boy whining, merit badge #6" onto my forehead.  fuck, man!  you try going 1 2 3 4 5, 6 7 8 9 10, 11 12 13 14 15 16, 17 18 19 20, then finally 21 straight years (of responsible salaried carrer work, with no overtime pay ever, since you have "supervisory responsibility" of one type or another, even if it's only (post-merger for thosee final seven years of 1992 - 1999) just a couple of "staffers" that you're responsible (for their work if it goes sideways) WITHOUT ONE REAL VACATION ever possible.  "can i take back your $15,000 net pay 'severance check' (when you, meaning me, finally packed it in around early 1999, and semi-retired way down to 1/2 FTE accounting firm crap-work, until a well-deserved, fully-retired age of 57 and counting for a decade-plus by now).  "no, you can't!"     oh well, at least i got paid, usually at a dead center "median / average" via the endless 'industry salary surveys" that were used as a rule of thumb.    

in summary, i will respectifully defer to whateer "punk rock loser penalty the keeper of rules and regulations, Rev. Norb in green bay WI, deems appropriate to my situation.

======================================

POSTSCRIPT and ADDENDUM #127:

stop right now if you hate "2007 - 2020 kor gg kpop" or when girl voices (asians, not the lame white americans) start rapping and singing, and singing and rapping, it makes your blood get all SWM-noob-boy type of skeered -- seriously, run and hide or your tiny peenis will shrivel like hank rollins trying to write an actual "song" (hasn't happened yet in this lifetime, so it's a safe bet it never will) (did anyone ever actually try to listen to late-BF things / lps like Slip It In?  oh the humanity  -- but anyway --

further info (below), for anyone who has nothing better to do than read while they're watching Espn on afternoon TV and wondering "when is the new baseball season ever going to start?" IF FOR SOME REASON you need to practice "modern dance steps" for about 372 consecutive minutes (an entire 6 hrs / friday afternoon, for all you math majors), here is what we have right here at hayward california's HQ of general but-not-always amazingness, all cued up on VHS tape, more VHS tape, then a D-60 'master copy' cassette, and finally another 92 minutes on the third and final "VHS original master dub" (or for any songwriting obsessives, i can guarantee that the 'chord changes and melody lines' all over VHS Comp Tape #2 are pretty much a nonstop mindfuck (having playing rhythm guitar along with its fifteen songs / sixty minutes at least once, each summer since 2018) --

(fyi for anyone who thought Trolls World Tour was pretty awesome even before it eventually hits a fall "movie theatre" -- playlist #3 (a D-60)'s #CooKieJar by ReD VeLVeT is duh, 'Trolls World Tour''s Kpop Gang! (from a japanese-market CD/ep a couple TV seasons back).  

now dance for your dinner, white boy


KPop SoNGs 2009-2017 Kor gg  (45 songs / 23 diff groups)
also one my old youtube playlists back in 2017
www.youtube.com/playlist?list=PL1ARarlm3my6ScEAS0bI3ORN1HRexsUXd

BLACKPINK  As If It's Your Last  (#3, 2017)
GIRLS DAY  Oh My God  (#12, 2012)
2NE1  Happy  (#14, 2014)
CRAYON POP (w/Kim Jang Hoon)  Hero  (#71, 2014)
ORANGE CARAMEL  Gangnam Avenue  (b-side, 2014)
DREAMCATCHER  Really Really  (cover song MV only, 2017)
AOA  Heart Attack  (#2, 2015)
GIRLS DAY  Let's Go  (#49, 2013)
NS YOON-G  The Reason I Became a Witch (#36, 2012)
CRAYON POP  FM  (#45, 2015)
2NE1  Falling in Love  (#1, 2013)
T-ARA  Roly Poly  (#1, 2011)
MINZY (of 2NE1)  Superwoman  (#10ep, 2017)
DREAMCATCHER  Lucky Strike  (cover song MV only, 2017)
MARMELLO  Puppet  (n/c, 2017)
EVOL  Get Up  (#12ep, 2013)
WONDER GIRLS  Why So Lonely  (#1, 2016)
2NE1  Fire  (#1, 2009)
4MINUTE  Huh  (#3, 2010)
OH MY GIRL  Listen to My Word  (#1, 2016)
BLACKPINK "Idol vs Idol" Pops in Seoul segment
BLACKPINK  Whistle  (#1, 2016)
GLAM  I Like That  (#57, 2013)
CRAYON POP  Saturday Night  (n/c, 2012)
T-ARA  You Drive Me Crazy  (#1, 2010)
PSY (w/CL of 2NE1)  Daddy  (#1, 2015)
2NE1  I Am the Best  (#1, 2011)
MATILDA  Don't Make Me Cry  (n/c, 2016)
FATCAT  It's Like a Dream  (#24, 2013)
LEXY  Nolza  (n/c, 2012)
HYUNA (of 4Minute)  Bubble Pop  (#4, 2011)
MISS A  Breathe  (#1, 2010)
MISS A  I Don't Need a Man  (#3, 2012)
2NE1  Don't Stop the Music  (#3, 2011)
GIRLS DAY  Female President  (#5, 2013)
DREAMCATCHER feat artist 24HrKpop segment
DREAMCATCHER  Chase Me  (#25ep, 2017)
ORANGE CARAMEL  Funny Hunny  (#8, 2011)
BLACKPINK  Playing with Fire  (#3, 2016)
DREAMCATCHER  Fly High  (#7ep, 2017)
GIRLS GENERATION  Flower Power  (#5japan, 2012)
AOA  Get Out (#5ep, 2012) (60 sec) (only have)
2NE1  Do You Love Me (#3, 2013)
BLACKPINK  Boombayah (#7, 2016)
f(x)  Chu (#3, 2009)
WONDERGIRLS  Like This (#2, 2012)
2NE1  I Don't Care (#1, 2009)
4MINUTE  Heart to Heart (#5, 2012)

===========================

and then

BEST KPop PLAYLIST EVER vol 2
2009-2017 female groups KORgg 
(15 song sampler / 14 diff groups) (1 hr)

BERRYGOOD  Love Letter  (n/c, 2014)
BeSTiE  Love Options  (#113, 2013)
WeKi MeKi  Crush  (n/c, 2018)
MAMAMOO  GoGo Bebe  (#2, 2019)
LABOUM  Sugar Sugar  (n/c, 2015)
LEE HYoRI (of FIN.K.L)  U Go Girl
   (#1, 2008)
4MINUTE  Heart to Heart  (#5, 2012)
4MINUTE  What's Your Name (#1, 2013)
EXID  Whoz That Girl  (#36, 2012)
HYoLYN  (from Sistar) See Sea (#71, 2018)
EXID  I Love You  (#29, 2018)
MoMoLaND  Baam  (#13, 2018)
CHiC ANGeL & CuPiD  Bada  (n/c, 2018)
OH MY GIRL  Remember Me  (#36, 2018)
MaMaMoo  GoGoBebe  (#2, 2019)
  (Simply Kpop 3/29/19)

(n/c -- did not chart Kor top 100)

=============================

still going, and then

KPop misc   2007-2019
18 SONGS / 15 diff girl groups

ITZY  Icy  (#10, 2019)
TWICE  Fancy  (#1, 2019)
OH MY GIRL  Remember Me (#36, 2018)
AOA  Heart Attack  (#2, 2015)
MAMAMOO  GoGo BeBe  (#2, 2019)
RED VELVET  Cookie Jar  (JPN ep)
(G) I-DLE  Latata  (#12, 2018)
LEE HYORI  U Go Girl  (#1, 2008)
BLACKPINK  As If It's Your Last
   (#1, 2017)
WEKI MEKI  Crush  (n/c, 2018)
BeSTiE  Love Options  (#113, 2013)
DREAMCATCHER  Lucky Strike 
   (promo MV / cover song)
2NE1  Happy  (#14, 2014) 
DREAMCATCHER  Really Really
   (promo MV / cover song)
OH MY GIRL A-ing  (#15, 2016)
HYOLYN  See Sea  (#71, 2018)
MOMOLAND  Baam  (#13, 2018)
TWICE  The Best Thing That
  I Ever Did  (JPN ep)

=================================

only 92 minutes to go.  dance for you dinner, you dumb punk rocker!  or pack your parachute and go back to the midwest, TeSCo.  hahaha, not jk.  get those feet moving or get out of the damn plane, you lazy white boy.

KPoP 2020 girl groups
  (and some 2019)  92 min

PINK FANTASY  Playing House
ELRiS  Jackpot**
ELRiS  This Is Me
   (Simply Kpop 4/10/20)
CiGNaTURE  Assa (ASC intro/dance)***
CLC  Devil** (#154, 2019)
CiGNaTURE  Nunnu Nanna
ELRiS  This Is Me 
   (dance practice MV)
FaNaTiCS  Sunday 
   (Simply Kpop 8/9/19)
ITZY  Icy  (#10, 2019)
AOA  Come See Me  (#51, 2019)
SOMI  Birthday  (#21, 2019)
PINK FANTASY  (Offstage Dance)
 (Pops in Seoul)  Playing House
CiGNaTURE  After School Club
  (hour long show, 15 min highlights)
LOONA  So What** (#68, 2020)
TWiCe backstage (Music Bank)
TWiCe  Fancy  (#1, 2019)
ELRiS  Jackpot  (ASC intro/dance)***

**includes "100 Second Questions"
       Pops in Seoul segment
***After School Club (weekly 60 min
     Airang network show)

these singles by ELRiS, cIGNaTURE,
  FaNaTiCS, and Pink Fantasy
   did not chart Top 100 Kor  

https://translate.google.com/translate?hl=en&sl=ko&u=https://genius.com/Pink-fantasy-playing-house-lyrics&prev=search
PLAYING HOUSE lyrics (translated)!  what a goofy lyric!  (about Snow White's 7th dwarf being too shy to tell her how much he luuvs her, so he sings about it in this song)
and the MV (video) for it is soo awesome.  nothing like it even in kpop, since ever, or american white/black/any type, either.  soo f'n goofy/funny!  therefore THE BESTEST MUSIC VIDEO OF ALL TIME

https://www.youtube.com/watch?v=FjhJqiw6AU4
PINK FANTASY  Playing House (2019, did not chart)


PLAYING HOUSE
     by Pink Fantasy

(subject:  Snow White's 7th dwarf, who is too shy to tell her
   how much he loves her) (in the Kor, possibly telling the
   story through the format of a popular "children's story"
   or maybe not)

A ha (a)!
Come on -- let's play
Yeah Yeah -- all right!
Playing house!

Refreshing and refreshing taste
Laugh laugh
Nowadays, with my favorite drama Senke
Catch the character  (catch me)
(Do. Man. A)
I won't let you go, if I get caught.
What are you doing?
I'm going to do everything and it's okay for you
Tsundere!

    bridge / pre-chorus
I'm crazy about being a kid, what should I do?
(I can't even meet my eyes)
I'm so nervous I can't breathe so I like you every few seconds
1 second 2 seconds 2 × 5 = 10

  CHORUS
I want to play with you
Mom and dad want to play
Goodbye, kiss kiss on both cheeks
Come in early
Eat out today
Sometimes when I'm busy, I eat my toast
I'm going to put it in the ham cheese refrigerator

Plastic apart
Remove the bottle cap
Paper separately
Be careful not to get wet
Glass bottle separately
Pour out all the remaining drinks
Rinse the dishes with water and clean, ha!

Like you and a newlywed
Play house
Separate collection, together
It's so good!

I'm going to do everything and it's okay for you
Tsundere!

    bridge / pre-chorus
What's wrong with the kid
(I can't even meet my eyes)
I'm so nervous I can't breathe so I like you every few seconds
1 second 2 seconds 2 × 5 = 10

(repeat CHORUS)

When did it grow like this?
Don't look easy, I have a tattoo -- but two
If you dare ask me where I did it?
Why are you surprised by both eyebrows here?
You met a woman who can easily see you with all your heart!

I'm so nervous that I can't breathe well
I'm going to be caught like this every few seconds
1 second 2 seconds 2 × 5 = 10

(repeat CHORUS)

I want to meet, not play
I want to be my childhood friend
I'll secretly take out my hidden heart

==================================