MILES DAVIS In a Silent Way -NEW Numbered 180 Gram Vinyl LP Record MOFI/MFSL OMR
  $   115

 


$ 115 Sold For
Jan 29, 2020 Sold Date
Oct 13, 2019 Start Date
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Description

Miles Davis In a Silent Way on Numbered Edition 180g LP from Mobile Fidelity

Float Into the Ether: Gorgeous 1969 Experimental Treasure Among the Most Atmospheric Jazz Albums Ever Recorded

Delicate, Immersing, Dynamic: Mobile Fidelity Reissue Magnifies the Bold Textures, Soothing Ambience, and Transcendent Moods

Davis' First Fusion Album Features John McLaughlin, Chick Corea, Herbie Hancock, Joe Zawinul, Wayne Shorter, Dave Holland, and Tony Williams

Shhh. The command to be quiet is not just part of the title of one of the two sprawling compositions on this pioneering album. It's also an apt metaphor for the relaxed hypnotism and spaced-out atmosphere that define In a Silent Waya record that pushes the boundaries of studio possibilities, artist-producer relationships, and rock-jazz chasms. Recognized as Miles Davis' first full-on fusion effort and part of his "electric" era, the 1969 landmark claims a Who's Who lineup that sends the music into an ethereal stratosphere.

Part of Mobile Fidelity's Miles Davis catalog restoration seriesIn a Silent Way now immerses the listener in lineolated landscapes starlit by the intuition, suspension, and paradoxes wrought by a once-in-a-lifetime collectiveMastered from the original master tapes and pressed at RTI, this unsurpassed 180g LP edition lifts the veil on the cutting-edge assembly process that created the pair of lengthy suites. Helmed by three electric instruments, the beveled compositions melt away all preconceived notions of "jazz," "rock," and "ambience," following a loose theory Davis dubbed "New Directions."

Few albums are so delicately textured. And on Mobile Fidelity's meticulous analog reissue, such sulcate elements pour over ink-black backgrounds on a canyon-wide soundstage. In particular, Tony Williams' inventive percussive touch—he causes the cymbals to shimmer as a pieces of silver tend to do when exposed to sunlight—is broadcast with lifelike three-dimensional qualities, the panoramic view extending to Davis' nocturnal trumpet, Wayne Shorter's ribbon-unfurling saxophone, Dave Holland's extrapolative bass, and the mosaic of keys.

If the record's only accomplishment is its introduction of guitarist John McLaughlin to the world, it alone would be enough. Yet In a Silent Way continues to bedazzle, puzzle, and inspire for myriad reasons—not the least of which is the seemingly telepathic communicative methods employed by the group's members. The lineup is great on paper, but, if it's even possible, the octet sounds even better in practice, with the instruments and tonalities conjoining in avant-garde communion like hyper-sensitive tentacles exploring the stippled landscapes of an undiscovered planet.

Diverting from expectation, tubular grooves twist, turn, and spin, sometimes piling atop of each other, always shying away from structure and melody. Ellipsoidal solos provide hesitant guidance, ranging from Chick Corea's Fender Rhodes phrases to Davis' decorative spirals. And as color is the primary unit of currency on Davis' Sketches of Spain, laidback episodes, geometric spaces, and quiet sensuality reign here, with the set's maverick reputation attained via musings on solitude rather than explosions of noise.

Controversial for the period, the heavily edited production of In a Silent Way blew open the once-locked doors on what producers could attempt—and how artists could assist them. Knitted together as one would construct a cross-hatched quilt, songs contain grafts of repeat passages that provide unifying structure and experimental continuity. What a statement.

Tracklist

A         Shhh/Peaceful 18:24

B         In A Silent Way/It's About That Time           19:57

 

Companies, etc.

Mastered At – Mobile Fidelity Sound Lab

Lacquer Cut At – Mobile Fidelity Sound Lab

Pressed By – Record Technology Incorporated – 20503

Manufactured By – Sony Music Entertainment

Distributed By – Mobile Fidelity Sound Lab, Inc.

Copyright (c) – Sony Music Entertainment

 

Credits

Bass – Dave Holland

Drums – Tony Williams*

Electric Piano – Chick Corea, Herbie Hancock

Electric Piano, Organ – Josef Zawinul*

Engineer – Russ Payne, Stan Tonkel

Guitar – John McLaughlin

Lacquer Cut By – KW*

Liner Notes – Frank Glenn

Mastered By – Krieg Wunderlich

Mastered By [Assisted By] – Shawn R. Britton

Photography By [Cover Photo] – Lee Friedlander

Producer – Teo Macero

Tenor Saxophone – Wayne Shorter

Trumpet – Miles Davis

 

Notes

Mastered at Mobile Fidelity Sound Lab, Sebastopol, CA on The Gain 2 Ultra Analog System™


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