MILES DAVIS, In Person Friday And Saturday Nights At The Blackhawk USA EXC- 2LP
$
25
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Description
Miles Davis ?– In Person Friday And Saturday Nights At The Blackhawk, San Francisco Label: Columbia ?– C2S 820 Format: 2 × Vinyl, LP, Album, Reissue, Stereo Country: US Released: 1971 Genre: Jazz Style: Post Bop, Modal Tracklist Hide Credits A1 Walkin' Written-By – R. Carpenter* 14:21 A2 Bye Bye Blackbird Written-By – M. Dixon*, R. Henderson* 9:55 B1 All Of You Written-By – C. Porter* 15:44 B2 No Blues Written-By – M. Davis* 8:53 B3 Bye Bye (Theme) Written-By – M. Davis* 2:42 B4 Love, I've Found You Written-By – D. Small*, C. Moore* 1:54 C1 Well You Needn't Written-By – T. Monk* 8:16 C2 Fran-Dance Written-By – M. Davis* 7:40 C3 So What Written-By – M. Davis* 12:43 D1 Oleo Written-By – S. Rollins* 5:18 D2 If I Were A Bell Written-By – F. Loesser* 11:01 D3 Neo Written-By – M. Davis* 12:39 Credits Bass – Paul Chambers (3) Drums – Jimmy Cobb Engineer – Russ Payne Piano – Wynton Kelly Producer – Teo Macero Tenor Saxophone – Hank Mobley Trumpet – Miles Davis Notes Comes in gatefold sleeve. Recorded live on 21 & 22 April 1961 at The Blackhawk, San Francisco, CA. This version features the solid red with marigold continuous Columbia & "Eye" Logo as border.
USA STEREO THIRD PRESSING DOUBLE VINYL ALBUM IN GATEFOLD SLEEVE WITH ORIGINAL WHITE INNER SLEEVES.
SLEEVE: VERY GOOD+, JUST LIGHT SHELF, CORNER, EDGE AND RING WEAR. INNER SLEEVE[S] VERY GOOD+ WITH NO SEAM SPLITS.
DISC[S]: EXCELLENT MINUS. NO SCRATCHES, JUST A FEW VERY LIGHT HAIRLINES. CLEAN LABELS.
Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl. Why experience the worse elements of both formats? These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared. They are nearly always compressed with murky transients and a general lifelessness in the overall sound. There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.
First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider. Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive. Inner details are clearer.
On first and early pressings, the music tends to sound more ‘alive’ and vibrant. The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.
THIS ITEM SHIPS FROM THE USA (We can ship anywhere in the world EXCEPT to Georgia, USA)
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