MILES DAVIS FUSION 5 VINYL LP LOT: Big Fun In Concert Star People
  $   43

 


$ 43 Sold For
May 19, 2020 Sold Date
May 12, 2020 Start Date
$   24 Start price
9   Number Of Bids
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MILES DAVIS FUSION 5 VINYL LP LOT: Big Fun In Concert Star People. Condition is Used. Shipped with USPS Media Mail.

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Miles Dewey Davis III (May 26, 1926 – September 28, 1991) was an American jazz trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz.

In September 1968, Davis married 23-year-old model and songwriter Betty Mabry. In his autobiography, Davis described her as a "high-class groupie, who was very talented but who didn't believe in her own talent." Mabry, a familiar face in the New York City counterculture, helped introduce Davis to popular rock, soul, and funk musicians. Jazz critic Leonard Feather visited Davis's apartment and was shocked to find him listening to albums by The Byrds, Aretha Franklin, and Dionne Warwick. He also liked James Brown, Sly and the Family Stone, and Jimi Hendrix, whose group Band of Gypsys particularly made an impression on Davis. Davis filed for divorce from Mabry in 1969, after accusing her of having an affair with Jimi Hendrix.

In Concert is a live double album by American jazz musician Miles Davis. It was recorded in 1972 at the Philharmonic Hall in New York City. Columbia Records' original release did not credit any personnel, recording date, or track listing, apart from the inner liner listing the two titles "Foot Fooler" and "Slickaphonics". n an article for The Village Voice, Christgau wrote of the album upon its reissue in 1997: "By In Concert ... [Michael] Henderson is the sole survivor from the more talented prior band—although, crucially, Al Foster pushes like [Jack] DeJohnette with less excess motion. The result is the purest jazz-funk record ever—not as quick or tricky as James Brown, but more richly layered, riffs and drones and wah-wahs and tunelets and weird noises and shifting key centers snaking along on a sexually solicitous, subtly indomitable pulse."

According to AllMusic editor Steve Huey, "melody isn't the point of this music; it's about power, rhythm, and the sum energy of the collective, and of Davis' electric jazz-rock albums, In Concert does one of the most mind-bending jobs of living up to those ideals". Erik Davis, writing in Spin magazine, praised its "rhythmic wall of sound" and said that its music is "of such propulsive psychedelic density that it makes the heaviest P-Funk sound like the Archies." JazzTimes writer Tom Terrell called Davis "a spiritual Hendrix with his own cosmic band of gypsies", and commented that the album's "visionary performance ... predicts hip hop ('Rated X''s bassline = 'White Lines'), Ornette's Prime Time ('Black Satin') and Talking Heads ('Ife')".

Track Listing:

A Miles Davis In Concert 20:45

B Miles Davis In Concert 25:23

C Miles Davis In Concert 18:12

D Miles Davis In Concert 20:21

Big Fun is a compilation album by American jazz musician Miles Davis. It was released by Columbia Records on April 19, 1974, and compiled recordings Davis had made in sessions between 1969 and 1972. Big Fun presents music from three different phases of Miles Davis's early-seventies "electric" period. Sides one and four ("Great Expectations/Orange Lady" and "Lonely Fire") were recorded three months after the Bitches Brew sessions and incorporate sitar, tambura, tabla, and other Indian instruments. They also mark the first time since the beginning of Miles Davis's electric period that he played his trumpet with the Harmon mute which had been one of his hallmarks, making it sound much like the sitar. This contributed to creating a very clear and lean sound, highlighting both the high and low registers, as opposed to the busier sound of Bitches Brew which placed more emphasis on the middle and low registers.

Track Listing:

A Great Expectations

Bass – Ron Carter

Bass Clarinet – Bennie Maupin

Drums – Billy Cobham

Electric Bass [Fender Bass] – Harvey Brooks

Electric Guitar – John McLaughlin

Electric Piano – Chick Corea, Herbie Hancock

Percussion – Airto Moreira

Sitar [Electric], Tambura – Bihari Sharma, Khalil Balakrishna

Soprano Saxophone – Steve Grossman

Trumpet – Miles Davis

27:34

B Ife

Bass – Michael Henderson

Clarinet, Flute – Bennie Maupin

Drums – Al Foster, William Hart*

Percussion [African] – Mtume*

Piano – Lonnie Liston Smith

Piano, Sitar – Harold "Ivory" Williams

Soprano Saxophone – Carlos Garnett

Soprano Saxophone, Flute – Sonny Fortune

Tabla – Badal Roy

Trumpet – Miles Davis

21:33

C Go Ahead John

Bass – Dave Holland

Drums – Jack DeJohnette

Guitar – John McLaughlin

Saxophone – Steve Grossman

Trumpet – Miles Davis

28:26

D Lonely Fire

Bass – Dave Holland

Bass Clarinet – Bennie Maupin

Drums – Billy Cobham, Jack DeJohnette

Electric Bass [Fender Bass] – Harvey Brooks

Electric Piano – Chick Corea

Electric Piano, Organ [Farfisa] – Joe Zawinul

Instruments [Indian] – Airto Moreira, Khalil Balakrishna

Saxophone – Wayne Shorter

Trumpet – Miles Davis

The Man with the Horn is an album released by Miles Davis in 1981, featuring drummer Al Foster, saxophonist Bill Evans, guitarists Mike Stern and Barry Finnerty, and others. It was Davis's first new release since 1975, following a six-year reclusive retirement.  Rock-oriented, the album fuses 1980s pop with improvisational funk and fusion styles. The album marked Davis's return to his more traditional trumpet playing, although the title song "The Man with the Horn" features wah-wah improvisation along with vocals.

Track Listing:

A1 Fat Time

A2 Back Seat Betty

A3 Shout

B1 Aïda

B2 The Man With The Horn

B3 Ursula



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