MILES DAVIS FUSION 5 VINYL LP LOT: Big Fun In Concert Star People
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MILES DAVIS FUSION 5 VINYL LP LOT: Big Fun In Concert Star People. Condition is Used. Shipped with USPS Media Mail.
Thanks for Looking! I will combine USPS Media Mail shipping costs for purchases of multiple offers. I can mail 12 CDs in one package for approximately $4.90 and will bundle 10 Vinyl LPs in one package for approximately $6.00. Larger purchases will be shipped for actual shipping costs. Please purchase your items and I will send a combined invoice with shipping costs so you can make one payment.
Miles Dewey Davis III (May 26, 1926 – September 28, 1991) was an American jazz trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz.
In September 1968, Davis married 23-year-old model and songwriter Betty Mabry. In his autobiography, Davis described her as a "high-class groupie, who was very talented but who didn't believe in her own talent." Mabry, a familiar face in the New York City counterculture, helped introduce Davis to popular rock, soul, and funk musicians. Jazz critic Leonard Feather visited Davis's apartment and was shocked to find him listening to albums by The Byrds, Aretha Franklin, and Dionne Warwick. He also liked James Brown, Sly and the Family Stone, and Jimi Hendrix, whose group Band of Gypsys particularly made an impression on Davis. Davis filed for divorce from Mabry in 1969, after accusing her of having an affair with Jimi Hendrix.
In Concert is a live double album by American jazz musician Miles Davis. It was recorded in 1972 at the Philharmonic Hall in New York City. Columbia Records' original release did not credit any personnel, recording date, or track listing, apart from the inner liner listing the two titles "Foot Fooler" and "Slickaphonics". n an article for The Village Voice, Christgau wrote of the album upon its reissue in 1997: "By In Concert ... [Michael] Henderson is the sole survivor from the more talented prior band—although, crucially, Al Foster pushes like [Jack] DeJohnette with less excess motion. The result is the purest jazz-funk record ever—not as quick or tricky as James Brown, but more richly layered, riffs and drones and wah-wahs and tunelets and weird noises and shifting key centers snaking along on a sexually solicitous, subtly indomitable pulse."
According to AllMusic editor Steve Huey, "melody isn't the point of this music; it's about power, rhythm, and the sum energy of the collective, and of Davis' electric jazz-rock albums, In Concert does one of the most mind-bending jobs of living up to those ideals". Erik Davis, writing in Spin magazine, praised its "rhythmic wall of sound" and said that its music is "of such propulsive psychedelic density that it makes the heaviest P-Funk sound like the Archies." JazzTimes writer Tom Terrell called Davis "a spiritual Hendrix with his own cosmic band of gypsies", and commented that the album's "visionary performance ... predicts hip hop ('Rated X''s bassline = 'White Lines'), Ornette's Prime Time ('Black Satin') and Talking Heads ('Ife')".
Track Listing:
A Miles Davis In Concert 20:45
B Miles Davis In Concert 25:23
C Miles Davis In Concert 18:12
D Miles Davis In Concert 20:21
Big Fun is a compilation album by American jazz musician Miles Davis. It was released by Columbia Records on April 19, 1974, and compiled recordings Davis had made in sessions between 1969 and 1972. Big Fun presents music from three different phases of Miles Davis's early-seventies "electric" period. Sides one and four ("Great Expectations/Orange Lady" and "Lonely Fire") were recorded three months after the Bitches Brew sessions and incorporate sitar, tambura, tabla, and other Indian instruments. They also mark the first time since the beginning of Miles Davis's electric period that he played his trumpet with the Harmon mute which had been one of his hallmarks, making it sound much like the sitar. This contributed to creating a very clear and lean sound, highlighting both the high and low registers, as opposed to the busier sound of Bitches Brew which placed more emphasis on the middle and low registers.
Track Listing:
A Great Expectations
Bass – Ron Carter
Bass Clarinet – Bennie Maupin
Drums – Billy Cobham
Electric Bass [Fender Bass] – Harvey Brooks
Electric Guitar – John McLaughlin
Electric Piano – Chick Corea, Herbie Hancock
Percussion – Airto Moreira
Sitar [Electric], Tambura – Bihari Sharma, Khalil Balakrishna
Soprano Saxophone – Steve Grossman
Trumpet – Miles Davis
27:34
B Ife
Bass – Michael Henderson
Clarinet, Flute – Bennie Maupin
Drums – Al Foster, William Hart*
Percussion [African] – Mtume*
Piano – Lonnie Liston Smith
Piano, Sitar – Harold "Ivory" Williams
Soprano Saxophone – Carlos Garnett
Soprano Saxophone, Flute – Sonny Fortune
Tabla – Badal Roy
Trumpet – Miles Davis
21:33
C Go Ahead John
Bass – Dave Holland
Drums – Jack DeJohnette
Guitar – John McLaughlin
Saxophone – Steve Grossman
Trumpet – Miles Davis
28:26
D Lonely Fire
Bass – Dave Holland
Bass Clarinet – Bennie Maupin
Drums – Billy Cobham, Jack DeJohnette
Electric Bass [Fender Bass] – Harvey Brooks
Electric Piano – Chick Corea
Electric Piano, Organ [Farfisa] – Joe Zawinul
Instruments [Indian] – Airto Moreira, Khalil Balakrishna
Saxophone – Wayne Shorter
Trumpet – Miles Davis
The Man with the Horn is an album released by Miles Davis in 1981, featuring drummer Al Foster, saxophonist Bill Evans, guitarists Mike Stern and Barry Finnerty, and others. It was Davis's first new release since 1975, following a six-year reclusive retirement. Rock-oriented, the album fuses 1980s pop with improvisational funk and fusion styles. The album marked Davis's return to his more traditional trumpet playing, although the title song "The Man with the Horn" features wah-wah improvisation along with vocals.
Track Listing:
A1 Fat Time
A2 Back Seat Betty
A3 Shout
B1 Aïda
B2 The Man With The Horn
B3 Ursula
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