MIGHTY FEEBLE V.A. 1988 LP M/SS Industrial, Punk, Noise, Experimental NAR 013
$
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Description
Mighty Feeble
Various - Mighty Feeble album cover
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Label: New Alliance Records – NAR-013, New Alliance Records – NAR 013
Format:
Vinyl, LP, Compilation, Reissue
Country: US
Released: 1988
Genre: Rock
Style: Industrial, Punk, Noise, Experimental
A1 Misguided Population– Absorbant Balls/Bored To Death
Drums – Tony Golon
Guitar – George Zajkowski
A2 Debt Of Nature– Dead Cow Manifesto
Vocals [Yelling] – Brad Laner
A3 Marshal Mellow– Jesus Stop Shaking The Stars
Lead Guitar – Jack Brewer
Vocals [Singing], Guitar – Marshal Mellow
A4 Elevator (8)– Jam #6
Bass [Lead Bass] – Mike Watt
Drums [Lead Drums] – Billy Stevenson*
Lead Guitar – Greg Ginn
A5 Jimmy Smack– Live At The Lingerie
Bagpipes, Vocals [Singing], Performer [Dancing] – Jimmy Smack
A6 James B. Slayden Jr.– Lethargic Moan
A7 Autistic Divinity– I Woke Up Dreaming
Performer – D. Swimmer, E. Arnold, Leonid V., M. Silverman, P. Garellick, R. Sidlow
Words By – Lydia Lunch
A8 Los Luies– Social Conspiracy
Bass – Luis Silva (4)
Guitar [5 String Guitar], Vocals [Whining] – Pat Hoed
A9 Modern Torture– Until It Ends
Effects [Treatments] – D. Wigger
Flute – La Brea (2)
Vocals, Bass, Synthesizer – Drill Worker
Vocals, Guitar – R. Martin (5)
A10 Gary Jacobelly Ensemble– Jive Time
Bass – Lena (25)
Clarinet – G. Pusztai*
Drums – Mike Hurley (2)
Guitar, Vocals – Gary Jacobelly
Mandolin – Mike Watt
Piano – Janice (7)
Recorder – Concepcion
Saxophone – Joe Baiza, Victor (38)
Violin – Neal Schaffer
A11 Severed Head In A Bag– Man With The Exploding Head
Performer – D.D. Dobson
B1 Spot– The Only Question Is ...
Guitar – Spot
B2 Kamikaze Refrigerators– Repetition Of Danger
B3 Buffalo Gals– I Love Dancing With Joshua
Drums – Jamie Spidle
Guitar, Vocals [Singing] – Kathy Mc Carty*
Vocals [Singing], Bass – Liz Gall
B4 Mr. Epp & The Calculations– Jaded
Bass, Effects – Todd Y?*
Drums – Taylia Christian*
Guitar, Saxophone – Jo Smitty
Vocals, Guitar [Ebo Guitar] – Mark Arm
B5 Turds From Space– What's The Matter With You, You Crazy Nut?
Noises [Noise] – Brad*
Performer [Club God] – Helen (21)
Sounds [Sound] – Ethan*
Voice [Poem] – Carol (17), Mawshein*
B6 Gino Pusztai– An Hour's Effort
Bass, Vocals – Janice (7)
Clarinet, Vocals – Gino Pusztai
Drums, Vocals – Mike Hurley (2)
B7 Sec (4)– Prompt Response
B8 Epedermal Refraction– Rice Paper Transient
Noises [Pencils On Plastic Jugs And Metal Weights] – James Slayden*
Violin – Neal Schaffer
B9 Zurich 1916– Ugly Black Stuff
Performer [Everything] – Gary Kail
Phonographic Copyright ℗ – New Alliance Records
Copyright © – Cesstone Music
Copyright © – Industrial Elitist Songbook Tunes
Copyright © – Dog Music
Copyright © – Dead Helen Music
Mastered At – Greg Lee Processing – L-13892
Cover – Dirk Vandenberg, Martin Tamburovich, Mike Watt
Later issue with barcode and New Alliance logo on back cover.
All songs recorded on cassette tape recorders.
Total playing time: 48 minutes.
Tracks are numbered sequentially on labels (and not numbered on back cover).
REISSUE
All songs ©1983 Cesstone Music (BMI) except
- A2: ©1983 Industrial Elitist Songbook Tunes
- B4: © Dog Music
- B5: © Dead Helen Music
℗ 1983 New Alliance Records
Made in USA
Barcode: 0 18861-1013-1 6
Matrix / Runout (Side A, etched): NAR-013-A L-13892 Music IS A Symptom, HOME tApING Is tHE DISEASE →
Matrix / Runout (Side B, etched): NAR-013-B L-13892-X AEROBIC NOISE FROM tHE BEVERLY HILLS WoRkout!
Rights Society: BMI
GOLDMINE GRADING
MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.
POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.
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