MIGHTY FEEBLE V.A. 1988 LP M/SS Industrial, Punk, Noise, Experimental NAR 013
  $   24

 


$ 24 Sold For
Apr 8, 2026 Sold Date
Dec 6, 2023 Start Date
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Description

Mighty Feeble

Various - Mighty Feeble album cover

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Label: New Alliance Records – NAR-013, New Alliance Records – NAR 013

Format:

Vinyl, LP, Compilation, Reissue

Country: US

Released: 1988

Genre: Rock

Style: Industrial, Punk, Noise, Experimental

A1 Misguided Population– Absorbant Balls/Bored To Death

Drums – Tony Golon

Guitar – George Zajkowski

A2 Debt Of Nature– Dead Cow Manifesto

Vocals [Yelling] – Brad Laner

A3 Marshal Mellow– Jesus Stop Shaking The Stars

Lead Guitar – Jack Brewer

Vocals [Singing], Guitar – Marshal Mellow

A4 Elevator (8)– Jam #6

Bass [Lead Bass] – Mike Watt

Drums [Lead Drums] – Billy Stevenson*

Lead Guitar – Greg Ginn

A5 Jimmy Smack– Live At The Lingerie

Bagpipes, Vocals [Singing], Performer [Dancing] – Jimmy Smack

A6 James B. Slayden Jr.– Lethargic Moan

A7 Autistic Divinity– I Woke Up Dreaming

Performer – D. Swimmer, E. Arnold, Leonid V., M. Silverman, P. Garellick, R. Sidlow

Words By – Lydia Lunch

A8 Los Luies– Social Conspiracy

Bass – Luis Silva (4)

Guitar [5 String Guitar], Vocals [Whining] – Pat Hoed

A9 Modern Torture– Until It Ends

Effects [Treatments] – D. Wigger

Flute – La Brea (2)

Vocals, Bass, Synthesizer – Drill Worker

Vocals, Guitar – R. Martin (5)

A10 Gary Jacobelly Ensemble– Jive Time

Bass – Lena (25)

Clarinet – G. Pusztai*

Drums – Mike Hurley (2)

Guitar, Vocals – Gary Jacobelly

Mandolin – Mike Watt

Piano – Janice (7)

Recorder – Concepcion

Saxophone – Joe Baiza, Victor (38)

Violin – Neal Schaffer

A11 Severed Head In A Bag– Man With The Exploding Head

Performer – D.D. Dobson

B1 Spot– The Only Question Is ...

Guitar – Spot

B2 Kamikaze Refrigerators– Repetition Of Danger

B3 Buffalo Gals– I Love Dancing With Joshua

Drums – Jamie Spidle

Guitar, Vocals [Singing] – Kathy Mc Carty*

Vocals [Singing], Bass – Liz Gall

B4 Mr. Epp & The Calculations– Jaded

Bass, Effects – Todd Y?*

Drums – Taylia Christian*

Guitar, Saxophone – Jo Smitty

Vocals, Guitar [Ebo Guitar] – Mark Arm

B5 Turds From Space– What's The Matter With You, You Crazy Nut?

Noises [Noise] – Brad*

Performer [Club God] – Helen (21)

Sounds [Sound] – Ethan*

Voice [Poem] – Carol (17), Mawshein*

B6 Gino Pusztai– An Hour's Effort

Bass, Vocals – Janice (7)

Clarinet, Vocals – Gino Pusztai

Drums, Vocals – Mike Hurley (2)

B7 Sec (4)– Prompt Response

B8 Epedermal Refraction– Rice Paper Transient

Noises [Pencils On Plastic Jugs And Metal Weights] – James Slayden*

Violin – Neal Schaffer

B9 Zurich 1916– Ugly Black Stuff

Performer [Everything] – Gary Kail

Phonographic Copyright ℗ – New Alliance Records

Copyright © – Cesstone Music

Copyright © – Industrial Elitist Songbook Tunes

Copyright © – Dog Music

Copyright © – Dead Helen Music

Mastered At – Greg Lee Processing – L-13892

Cover – Dirk Vandenberg, Martin Tamburovich, Mike Watt

Later issue with barcode and New Alliance logo on back cover.


All songs recorded on cassette tape recorders.

Total playing time: 48 minutes.


Tracks are numbered sequentially on labels (and not numbered on back cover).

REISSUE 

All songs ©1983 Cesstone Music (BMI) except

- A2: ©1983 Industrial Elitist Songbook Tunes

- B4: © Dog Music

- B5: © Dead Helen Music

℗ 1983 New Alliance Records


Made in USA

Barcode: 0 18861-1013-1 6

Matrix / Runout (Side A, etched): NAR-013-A L-13892 Music IS A Symptom, HOME tApING Is tHE DISEASE →

Matrix / Runout (Side B, etched): NAR-013-B L-13892-X AEROBIC NOISE FROM tHE BEVERLY HILLS WoRkout!

Rights Society: BMI





GOLDMINE GRADING

MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.

VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.


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