MAYNARD FERGUSON "Live at Jimmy's (M.F. 4 & 5)" 2LP NM/NM
$
26
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Description
AllMusic Review by Scott Yanow
This double LP is easily Maynard Ferguson's best jazz-oriented recording for Columbia. With the exception of a remake of "MacArthur Park" (which isn't bad), the music sticks exclusively to jazz with the highlights including "I'm Gettin' Sentimental Over You," "Two for Otis," "Stay Loose with Bruce," "The Fox Hunt," and "Got the Spirit." In addition to Ferguson's powerful trumpet, other musicians making strong impressions include first trumpeter Lin Biviano, altoist Andy MacIntosh, Ferdinand Povel on tenor, baritonist Bruce Johnstone, and keyboardist Pete Jackson.
Maynard Ferguson ?– M.F. Horn 4&5: Live At Jimmy's
Label:
Columbia ?– PG 32732, Columbia ?– KG 32732
Format:
2 × Vinyl, LP, Album
Country:
US
Released:
1974
Genre:
Jazz
Style:
Fusion, Big Band
TracklistHide Credits
A1 Teonova
Written-By – P. Jackson*
6:19
A2 Macarthur Park
Written-By – J. Webb*
8:27
B1 Left Bank Express
Written-By – P. Jackson*
5:51
B2 I'm Gettin' Sentimental Over You
Written-By – G. Bassman*, N. Washington*
4:45
B3 Two For Otis
Written-By – D. Menza*
7:01
C1 Stay Loose With Bruce
Written-By – E. Wilkins*
5:28
C2 Nice N' Juicy
Written-By – J. Steinberg*
9:59
D1 The Fox Hunt
Written-By – M. Abene*
3:58
D2 Got The Spirit
Written-By – S. Hampton*
9:53
D3 Blue Birdland
Written-By – J. Guiffre*
1:44
Companies, etc.
Phonographic Copyright (p) – CBS Inc.
Credits
Alto Saxophone, Soprano Saxophone, Flute – Andy MacIntosh*
Baritone Saxophone, Flute – Bruce Johnstone
Bass, Bass [Fender] – Rick Petrone
Drums – Randy Jones (3)
Electric Piano – Pete Jackson (2)
Engineer – Russ Payne
Engineer [Re-mix] – Stan Tonkell*
Mastered By – Jack Ashkinazy
Producer – Teo Macero
Tenor Saxophone, Flute – Ferdinand Povel
Trombone – Graham Ellis, Randy Purcell
Trumpet, Flugelhorn – Bob Summers (3), Danny Cahn, John De Flon, Lin Biviano*
Notes
Jimmy Giuffre misspelled on label as J. Guiffre.
GOLDMINE GRADING
MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.
POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.
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