MARGO GURYAN - TAKE A PICTURE - ORIGINAL BELL FEM POP PSYCH NICE
  $   287

 


$ 287 Sold For
Dec 17, 2011 Sold Date
Dec 10, 2011 Start Date
$   250 Start price
5   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

MARGO GURYAN


TAKE A PICTURE - '68 ORIGINAL!


RARE BRILLIANT FEM POP PSYCH!

This auction is for Margo Guryan - Take a Picture - Bell 6022 ('68).


CONDITION: DISC: STRONG VG++, so close to M-, just a couple light paper sleeve-type marks that are faint and difficult to see. Looks to have only been played once or twice. LABELS: M-, clean, no writing, maybe one ultra light spindle mark each side, hard to notice. Deletion hole through label (see photo, note: most copies have this). COVER: VG+, graded very strictly. Presents very nicely. Colors are vivid and nice. Cover does have deletion hole upper right corner and through middle of cover. A little wear on back cover along opening toward bottom (see photo). There is also a name "connie" faintly written on front cover on Margo's sleeve, but it's very hard to notice (see photo). A little wear at bottom seam (see photo) , but tidy and clean overall.


This is a brilliant and rare pop-psych LP that never turns up. It will be listed one time.


Take a Picture has taken on a dynamic life of its own since its 1968 release, especially for an album that went relatively unheard at the time. It is not difficult to figure out what all the retroactive acclaim is about once you hear the sweet, delicate strain of gently kaleidoscopic music on the sole album from Margo Guryan. It is the soft pop of which gauzy dreams are made, full of the hazy changes and transitory variations of autumn, an album that you invariably want to wrap up in. Better than most similar efforts from the time, the album maintains a vibrant resonance outside the milieu in which it was created because the songcraft is not only infectious but also highly intelligent, and because Guryan's performance is so delicious. Perhaps a bit too thin and breathy for mass consumption, her voice is an acquired taste in an era loaded with wispy pop princesses, not to mention brassy belters such as Grace Slick, Janis Joplin, and Mama Cass. Once you accept its whispery invitation, though, Guryan's singing, equal parts girl group innocence and seductive torch, envelops you. The thing that really elevates her above many of her contemporaries and competitors for the soft rock tiara, though, is her wonderfully idiosyncratic songwriting capabilities. A classically trained pianist and jazz composer by education and trade, her songs are much more than your standard pop fare.


Although the song structures are simplistic on a superficial level (which should have made them perfect nuggets for commercial radio play in 1968), the arrangements beneath them are anything but. There are all kinds of intriguing things going on with or underneath the melody, either instrumentally (hammy trombones, old-tavern piano, touches of sitar) or via affect. Just when you think a chorus or hook is as ethereal as it could possibly be, Guryantweaks it just slightly enough that it rises even higher and takes you to an even more elevated emotional plane. She manages the difficult trick of cajoling something already beautiful to something truly sublime. There is also an expert, fluid balance of juxtapositions within the music. Tempos are shifted frequently but seamlessly, and Guryan's chord progressions tend to switch from balladic choices during the slower verses to sly and unconventional jazz progressions during the quicker paced breaks and bridges, with the influence of bossa nova particularly heavy in many of the tunes. Her classical background is spliced into the mix as well, generically via the orchestral splashes of various songs, but more explicitly on "Someone I Know," where her own pop melody is superimposed over the chorale of Bach's "Jesu, Joy of Man's Desiring." The two fit perfectly, point and counterpoint, like the complex pocket symphonies of Brian Wilson, a huge influence, and far more interesting with each listen. Other highlights include her own version of "Sunday Morning," the breezily kittenish "Sun," and the tough go-go groove of "Don't Go Away," but really every song is a gem.


ALL MUSIC GUIDE


Bid with confidence as I have graded and sold records throught the mail for 25+ years. I am also very careful when packaging all items so they will not be damaged during transit.


Feel free to email me with any questions.


















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