MAILER Third Man Records Vault #14 Jack White "Live @ TMR 2012" SEALED LP
$
199
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Description
JUST OPENED TO CHECK CONTENTS. RECORDS AND ALL OTHER MATERIAL ARE SEALED.
JACK WHITE LIVE AT THIRD MAN RECORDS DOUBLE LP
The LP for this quarter will be a double album recording of Jack's live show, and solo debut, at Third Man Records from our 3 Year Anniversary Party on March 8th of this year. LP one takes in the set with the band of all lovely ladies, The Peacocks, backing him up and LP two is the second set featuring The Buzzards. This is a fantastic and historical live document of Jack White and two fiery backing bands riding off the celebratory high spirits of the evening. The set took in classics from throughout Jack's career and showcased plenty of songs from Blunderbuss, which were heard for the first time that night for many. The LPs come housed in amazing packaging which will be a first for us... a Lenticular gatefold cover! For those of you who may not be well versed in multiple dimensions, the Lenticular cover will show two separate images, in one. What you see depends on how you hold the record or which angle you look at it. We'll spare you the Lacanian interpretation of the multiple imaged Jack and how these images represent the Id and Ego and the recorded product of course, the Super-Ego. Or using the Mirror Stage we can then look at The Real, The Symbolic and the... oh never mind. It looks incredible and you're going to absolutely want to display this cover prominently in your record room or mantle. The LPs, of course, will be pressed on split color Black & Blue vinyl.
JACK WHITE FREEDOM AT 21, LOVE INTERRUPTION, HYPOCRITICAL KISS DEMO 7"
The 7" for this package is very special indeed. Three Jack White bursts of inspiration captured in the moment only to be fleshed out in the studio later with a full backing band. These recordings were done on Jack's trusty field recorder, and give an intimate glimpse into his recording and songwriting process. The 7" of demos of Freedom At 21 B/W Love Interruption and Hypocritical Kiss will be pressed on signature Jack White Blunderblue vinyl.
Tracklist Hide Credits
A1Dead Leaves And The Dirty Ground(The White Stripes) 3:32
A2Missing Pieces3:16
A3Sixteen Saltines3:14
A4Love Interruption3:01
A5Hotel Yorba (The White Stripes) 2:07
B1Top Yourself (The Raconteurs) (Written By Brendan Benson*, Jack White, III*) 5:54
B2Hypocritical Kiss2:47
B3You're Pretty Good Looking (For A Girl)(The White Stripes) 1:28
B4Blue Blood Blues (The Raconteurs) (Written By Dean Fertita*, Jack Lawrence*, Jack White, III*)3:39
B5We Are Going To Be Friends (The White Stripes) 3:02
C1My Doorbell(The White Stripes) 4:44
C2Freedom At 212:34
C3I Cut Like A Buffalo (The Dead Weather)/Don't Sweat The Technique (Written By Eric B. and Rakim*)5:42
C4You Know That I Know (Written By Hank Williams*, Jack White, III*) 4:23
C5Weep Themselves To Sleep4:04
D1Ball & Biscuit (The White Stripes) 5:51
D2Steady, As She Goes (The Raconteurs) (Written By Brendan Benson*, Jack White III*)5:15
D3Seven Nation Army (The White Stripes) 4:53
D4Goodnight Irene (Written By Leadbelly)3:58
Companies, etc.
Recorded At – Third Man Records
Phonographic Copyright (p) – Third Man Records, LLC
Copyright (c) – Third Man Records, LLC
Manufactured By – United Record Pressing
Published By – EMI Blackwood Music
Published By – Sony/ATV Acuff Rose Music
Published By – Ludlow Music
Lacquer Cut At – Nashville Record Productions
Pressed By – United Record Pressing
Credits
Design – Julian Baker (3)
Featuring – The Buzzards (9) (tracks: C1 to D4), The Peacocks (5) (tracks: A1 to B5)
Lacquer Cut By – GEO*
Mixed By – Vance Powell
Mixed By [Assisted By] – Mark Petaccia
Performer [The Buzzards], Backing Vocals, Harmonica, Mandolin – Cory Younts (tracks: C1 to D4)
Performer [The Buzzards], Bass – Dominic Davis (tracks: C1 to D4)
Performer [The Buzzards], Drums – Daru Jones (tracks: C1 to D4)
Performer [The Buzzards], Fiddle, Pedal Steel Guitar – Fats Kaplin (tracks: C1 to D4)
Performer [The Buzzards], Keyboards [Keys] – Ikey Owens* (tracks: C1 to D4)
Performer [The Peacocks], Backing Vocals, Percussion – Ruby Amanfu (tracks: A1 to B5)
Performer [The Peacocks], Bass – Bryn Davies (tracks: A1 to B5)
Performer [The Peacocks], Drums – Carla Azar (tracks: A1 to B5)
Performer [The Peacocks], Fiddle – Lillie Mae Rische (tracks: A1 to B5)
Performer [The Peacocks], Keyboards [Keys] – Brooke Waggoner (tracks: A1 to B5)
Performer [The Peacocks], Pedal Steel Guitar – Margrethe Björklund (tracks: A1 to B5)
Photography By – Jo McCaughey
Recorded By – Vance Powell
Recorded By [Assisted By] – Joshua V. Smith, Mindy Watts
Notes
Performed live at Third Man Records 3-8-12.
The jacket features a unique lenticular cover.
Track C3 is listed as "I Cut Live A Buffalo" on the center label.
? & © 2012 Third Man Records, LLC
Manufactured at United Record Pressing in Nashville, TN
C3 [Don't Sweat The Technique] (EMI Blackwood Music BMI)
C4 (Sony/ATV Acuff Rose Music BMI)
D4 (Ludlow Music BMI)
Barcode and Other Identifiers
Matrix / Runout (Etched, runout side A): TMR-171-A EXPENSIVE CHILE ? GEO/NRP
Matrix / Runout (Etched, runout side B): TMR-171-B ROTTED IN THE OVEN ? GEO/NRP
Matrix / Runout (Etched, runout side C): TMR-171-C YELLOW + BLACK TASTES LIKE DUST ? GEO/NRP
Matrix / Runout (Etched, runout side D): TMR-171-D WE ATE GUMMI BEARS FOR DAYS ? GEO/NRP
Rights Society (C3, C4, D4): BMI
YOUR RECORDS WILL BE PACKED WITH CARE.
PLEASE EMAIL ME WITH QUESTIONS,CHEERS!
Mint (M) Perfect Condition, which basically means that it is as good as new, literally. The vinyl has to look new and sound as though it was never played, and the cover has to look untouched. Some argue that the only mint records are brand new unopened ones still in their original packing.
Near Mint (NM) Vinyl is near perfect. At most, a light scuff appears on the record, but it should play without any noise or skips. The record sleeve should also be near perfect with only minor signs of wear. There should be no" outline sleeve.)
Very Good+
(VG+) This is the grading category where the quality of the sound is affected -- there will be some surface noise -- and the vinyl will show wear, including surface scuffs and some light scratches. However, the record is still very listenable as there are no deep scratches that cause skips. On the cover, the corners may be slightly bent, but not broken. There may be wear to the seams but not tears or holes.
Very Good
(VG) Vinyl doesn't necessarily look good, but still plays well enough. Surface noise will probably be present, including pops and clicks. At higher volume levels, the music should overpower any pops and clicks present. There may be seam splitting, but not complete separation of the sleeve panels from each other. There will be noticeable ring wear on the cover, but the cover should for the most part still be in good condition.
Good (VG-) Vinyl is well played and looks it. However, the record should still play without skipping. It will have substantial surface noise, pops and clicks. Loss of various parts of the dynamic range will occur due to worn grooves. This grade depends a lot on the owner and the type of records he or she collects. A rock record may still sound ok at a high volume, but quieter styles of music will be practically unlistenable. The record cover may have many problems including seam splits, tears, and writing on it.
Fair/Poor F)
Using the word good for this quality of record is, in the opinion of JRS, too generous and not recommended since it may be misleading. Records described as fair are ones that are basically unlistenable. Surface noise, skips and pops make hearing what's on the record nearly impossible, if not completely impossible. The cover is falling apart, torn, and has writing all over it. The only reason to keep it would be if the record is extremely rare or you want to eventually melt the vinyl and shape it into an ashtray.
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