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Madonna ?– True Blue

Label:

Sire ?– 25442-1

Format:

Vinyl, LP, Album, Limited Edition, Blue 

Country:

Australia

Released:

1986

Genre:

Rock, Pop

Style:

Pop Rock

Tracklist Hide Credits

A1 Papa Don't Preach

Acoustic Guitar – John Putnam

Arranged By [Strings] – Billy Meyers*

Backing Vocals [Background Vocals] – Edie Lehmann, Madonna, Siedah Garrett

Drums – Stephen Bray

Electric Guitar – Bruce Gaitsch, John Putnam

Keyboards – Stephen Bray

Keyboards [Additional] – Fred Zarr

Lyrics By [Additional] – Madonna

Percussion – Jonathan Moffett

Producer – Madonna, Stephen Bray

Rhythm Guitar – David Williams (4)

Written-By – Brian Elliot

4:27

A2 Open Your Heart

Backing Vocals [Background Vocals] – Madonna

Drums – Jonathan Moffett

Guitar – David Williams (4)

Keyboards – Pat Leonard*

Percussion – Paulinho da Costa

Producer – Madonna, Patrick Leonard

Written-By – Gardner Cole, Madonna, Peter Ralfelson*

4:12

A3 White Heat

Backing Vocals [Background Vocals] – David Williams (4), Jackie Jackson, Jonathan Moffett, Kiethan Carter*, Richard Marx

Drum Programming – Pat Leonard*, Stephen Bray

Drums – Jonathan Moffett

Guitar – Bruce Gaitsch, Paul Jackson Jr.

Keyboards – Pat Leonard*

Producer – Madonna, Patrick Leonard

Written-By – Madonna, Pat Leonard*

4:25

A4 Live To Tell

Backing Vocals [Background Vocals] – Madonna

Drum Programming – Pat Leonard*

Drums – Jonathan Moffett

Guitar – Bruce Gaitsch

Keyboards – Pat Leonard*

Producer – Madonna, Patrick Leonard

Written-By – Madonna, Pat Leonard*

5:45

B1 Where's The Party

Backing Vocals [Background Vocals] – Edie Lehmann, Madonna, Siedah Garrett

Drums – Pat Leonard*, Stephen Bray

Guitar – Dann Huff

Keyboards – Pat Leonard*, Stephen Bray

Producer – Madonna, Patrick Leonard, Stephen Bray

Saxophone – Dave Boroff*

Written-By – Madonna, Pat Leonard*, Stephen Bray

4:20

B2 True Blue

Backing Vocals [Background Vocals] – Edie Lehmann, Madonna, Siedah Garrett

Drums – Stephen Bray

Guitar – Bruce Gaitsch

Keyboards – Stephen Bray

Keyboards [Additional] – Fred Zarr

Producer – Madonna, Stephen Bray

Rhythm Guitar – Bruce Gaitsch

Written-By – Madonna, Stephen Bray

4:16

B3 La Isla Bonita

Backing Vocals [Background Vocals] – Edie Lehmann, Madonna, Siedah Garrett

Drum Programming – Pat Leonard*

Guitar – Bruce Gaitsch

Keyboards – Pat Leonard*

Percussion – Paulinho da Costa

Producer – Madonna, Patrick Leonard

Written-By – Bruce Gaitsch, Madonna, Pat Leonard*

4:01

B4 Jimmy Jimmy

Backing Vocals [Background Vocals] – Madonna

Drums – Stephen Bray

Engineer [Keyboard Overdubs] – Michael Hutchinson

Keyboards – Stephen Bray

Keyboards [Additional] – Fred Zarr, Pat Leonard*

Producer – Madonna, Stephen Bray

Rhythm Guitar – Bruce Gaitsch

Written-By – Madonna, Stephen Bray

3:54

B5 Love Makes The World Go Round

Backing Vocals [Background Vocals] – Edie Lehmann, Madonna, Siedah Garrett

Drum Programming – Pat Leonard*, Stephen Bray

Guitar – Paul Jackson Jr.

Percussion – Paulinho da Costa

Producer – Madonna, Patrick Leonard

Written-By – Madonna, Pat Leonard*

4:27

Companies etc

Manufactured By – WEA Records Pty. Limited

Distributed By – WEA Records Pty. Limited

Recorded At – Channel Recording

Mixed At – Master Control, Burbank

Mastered At – Future Disc

Phonographic Copyright (p) – Sire Records Company

Copyright (c) – Sire Records Company

Copyright (c) – WEA International Inc.

Copyright (c) – WEA International Inc.

Credits

Art Direction – Jeffrey Kent Ayeroff

Art Direction [With] – Jeri McManus

Design – Jeri McManus

Engineer, Mixed By – Michael Verdick

Management – Freddy Demann, Weisner-DeMann Entertainment

Mixed By [Assistant] – Dan Nebenzal

Photography By – Herb Ritts

Notes

Includes poster. 

"White Heat": Dedicated to Jimmy Cagney. 

This album was recorded at Channel Recording and mixed at Master Control. 

Originally mastered at Future Disc. 

Paulinho da Costa appears courtesy of Pablo Records. 

Siedah Garrett appears courtesy of Qwest Records. 

Jackie Jackson appears courtesy of Epic Records. 

Paul Jackson Jr. appears courtesy of Mankind Productions. 

Yamaha equipment appears courtesy of Doug Buttleman. 

This album is dedicated to my husband, the coolest guy in the universe. 

? + © 1986 Sire Records Company for the U.S. and WEA International Inc. for the world outside of the U.S.

Condition highlighted in Blue

Mint             The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.

NEAR MINT (NM OR M-)
A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect.

NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.)

NM covers are free of creases, ring wear and seam splits of any kind.

Excellent                The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing. Cover condition acceptable for age.

Very Good             The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

Good           The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.

Fair             The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.

Poor            The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.

Bad             The record is unplayable or might even be broken, and is only of use as a collection-filler.

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