MACKENZIE THEORY, OUT OF THE BLUE, 1973, RARE, Oz prog orig. LP, Mushroom label
  A$   53
  $   35

 


A$ 53 Sold For
Sep 15, 2017 Sold Date
Sep 8, 2017 Start Date
A$   40 Start price
4   Number Of Bids
  Australia Country Of Seller
eBay Auctioned at
 
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Description

MACKENZIE THEORY, OUT OF THE BLUE, 1973, RARE, Oz prog orig. LP, Mushroom label, MRL 34925 


GATEFOLD SLEEVE:  VG+ ... light surface and edge wear on the front, light ring and surface wear on the back


VINYL; NEAR MINT (NM) ... HARDLY PLAYED, JUST A COUPLE OF SPINDLE MARKS


NOTE TO INTERNATIONAL BUYERS: I have set a flat rate of $20 - well under the actual rate - to wherever you are, airmail with tracking and a signature required. This price applies to this LP only. But I do combine postage.
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Born in the Melbourne music scene of early 1970's Australia, MACKENZIE THEORY played a brand of instrumental jazz-rock (and prog) not unlike that of MAHAVISHNU ORCHESTRA tempered by ITS A BEAUTIFUL DAY. The MACKENZIE THEORY sound was centred on the inventive and fiery guitar playing of Rob MacKenzie teamed with the electric viola of the classically-trained Cleis Pearce. 

As well as MacKenzie and Pearce, the the initial MACKENZIE THEORY line-up was rounded out with the recruitment of bassist Mike Leadabrand and drummer Andy Majewski. The band took the name MACKENZIE THEORY as recognition of its alignment to Rob MacKenzie's theories on music and his philosophies on the link between the music and life. In September of 1973 there were changes to the MACKENZIE THEORY line-up when Mike Leadabrand and Andy Majewski left the band and were replaced by Paul 'Sheepdog' Wheeler and Greg Sheehan, respectively. At the same time Peter Jones came into MACKENZIE THEORY on electric piano, adding a new dimension to their sound.

After burning brightly for a short period, things were all over for MACKENZIE THEORY by the middle of 1974 after Rob MacKenzie was awarded a study grant from the Australian Council for the Arts, and he and Pearce decided to head to the UK Kingdom to pursue study options. While in the UK and later in the USA, Rob MacKenzie had the opportunity to work the likes of Peter Gabriel, Pete Townshend, members of Brand X and Mike Bloomfield.

Rob MacKenzie was last known to be residing in the USA and playing lead guitar for rock 'n' roll revivalists SHA NA NA. Cleis Pearce continues to play music in Australia as well as having achieved success in the visual arts arena.

The first recorded work of MACKENZIE THEORY appeared on the 1973 Sunbury Music Festival triple live album "The Great Australian Rock Festival Sunbury 1973". After failed attempts to create a studio album, the highly acclaimed MACKENZIE THEORY debut set "Out Of The Blue" was recorded live-in-the-studio before a small audience and released by Mushroom Records in July 1973. In 1974 a farewell concert for MACKENZIE THEORY was recorded at Dallas Brooks Hall in Melbourne, which was later released by Mushroom Records as the second MACKENZIE THEORY album "Bon Voyage". MACKENZIE THEORY also featured as an artist in the 1974 Sunbury Music Festival recording "Highlights of Sunbury '74, Part 2", plus the band has appeared from time to time on compilation releases. One notable compilation featuring MACKENZIE THEORY is the Australian progressive rock compilation "Golden Miles: Australian Progressive Rock 1969-74", released in 1994 by Raven Records.

MACKENZIE THEORY is an interesting band with a raw-edged sound for those who enjoy jazz-rock and the interplay between guitar and violin or, as is the case with MACKENZIE THEORY, the electric viola. Recommended. - From http://www.progarchives.com/artist.asp?id=3131


(M) MINT = VINYL absolutely perfect in every way, never played. (NM) NEAR MINT = VINYL nearly perfect, no obvious signs of wear. COVER should have no creases, folds, seam splits, cut-out holes.  (VG++) VERY GOOD PLUS PLUS = VINYL may have scuff marks, very light scratches and signs of some wear but will still play almost perfectly, with only barely detectable crackles; a slight noise at the beginning is allowable. COVER may only have the slightest signs of normal wear. (VG+) VERY GOOD PLUS = VINYL has light scratches, may have light crackle or make other annoying noises, but only occasionally, and no more loudly than the music. COVER has normal wear such a ring wear, creases, wear at corners, edges & spine. (VG) VERY GOOD = In between G+ and VG+ (G+) GOOD PLUS = VINYL has scratches, may have continuous crackles, but not too many, a few pops maybe present and has obvious surface noise. COVER has more than normal wear and tear. Still will be an OK listen, but perhaps more a filler for a collector.  I do not list any items under the G+ grading. I do grade on the conservative side 


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