M- 1968 ORIG = MOVING WHEEL COVER THE SOFT MACHINE FUZZ ORGAN ACID PSYCH PROG

$

108

PLEASE READ BEFORE BIDDING: Please read the entire auction listing, including shipping costs, before writing to ask a question.   OUR GOAL IS CUSTOMER SATISFACTION. In order to meet that goal, we will ALWAYS work with our customers on any concerns that may arise. Because of that dedication, there should be no need to open a resolution dispute before working with us.  Please keep in mind, we would prefer to continue to provide you the opportunity to acquire the rare music we present each and every week.   Payment is required within seven days. We mail all paid items ONE WEEK after auctions end. Our listings are time consuming in detail and we are often traveling to find these gems, which at times delays the delivery schedule by a day or two. We ALWAYS process and ship every paid order. We have no control over parcels once they are mailed from our local Post Office. Overseas mail to some countries (Italy, Russia, France, in particular) has become very slow. Opening a dispute for slow mail is unacceptable.  We work hard to provide excellent service as is represented by our well over +22,000 positive feedback.   We use an ultrasonic KLAudio machine and thoroughly clean all records. Each order is carefully packaged by removing the LP from the jacket to avoid seam splits, use of 3 ml plastic cover sleeves over each LP and jacket, cardboard pad inserts, and placed in sturdy record mailers for safe delivery.   We take Customer Service seriously, and want you to be satisfied. Please give us 5 stars in each category through the feedback system, and we will be able to effectively continue to fulfill your passion for rare and collectible music! We have served thousands of satisfied customers - far more than our feedback records indicate - and our aim is to continue to do so.

Thank you for your interest and support.   ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ SHIPPING:   USA ~ 1 LP = $5.87 Media Priority rates vary by area; please inquire.   All Canadian and Overseas shipping ~ Please inquire about rates. Priority shipping rates required on any order $200+ ~ Also, in the best interest of all of us, safe Express shipping rates on any order totaling $400+
Be certain that your Customs forms are processed by us and your package will be postmarked and mailed at our local Post Office. 
Note to International buyers: If you are unable to bid on our auctions, send us an e-mail and we will try to fix your problem.     Discount shipping on multiple LPs in same order.      ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~   

 .

1. ORIGINAL 1968 - TOP COPY !
   SPINNING WHEEL CUSTOM GATEFOLD
   

• ..|/\|...............................................|/\|..
• ~ THE  SOFT  MACHINE ~
• VOLUME 1
• ..|/\|...............................................|/\|..
• USA - PROBE Records - CPLP 45000
• .........................................

1. Collectible 57 years ago-go 1968 first pressing in thick gatefold with the famous trippy gimmix designed "WHEEL COVER" by the psychedelic laced pioneering progressives, laced with plenty of acid-sixties reverberations.
2. The SOFT MACHINE
   Volume One
3. Without a lead guitar, the first SOFT  MACHINE, fondly remembered as Volume 1, sought to meld psychedelia and progressive-rock through Wyatt’s imaginative, liberally panned drumming, Ayers’ jazz & pop bass grooves, and Ratledge’s horror movie Doors organ. With those pieces in motion, they achieved a wondrous time capsule of experimental pop under the constant surreal lyricism of Wyatt and Ayers. Like Syd Barrett was to Pink Floyd, Ayers brought an infatuation with unhinged, uncouth pop to the group aesthetic, which would make Vol. 1 the most conventional Soft Machine album in terms of structure. Ayers wasn’t long for this band, though. He left on good terms after the US tour in order to focus on his solo career, which would find modest success over a few decades and a dozen odd releases, many of which returned to the themes first explored on Vol. 1. There’s no rest for the wicked, as they say and the bass-hole was quickly filled by one Hugh Hopper just in time to record their second album in 1969. Hopper had previously played with Wyatt in the Daevid Allen Trio, so it was an easy fit that reflected in the work they produced together. The band's debut is certainly a very creative album, and with all the organ fireworks going on during the instrumental jams, one may not notice on the first couple listens that the "lead guitar" Kevin Ayres is credited with is actually a bass. There are no boring or weak moments. The sound production suits the music just fine. Fuzzy organ and bass are spread all over the place, from short odd-time-signature experiments "Box 25/4 Lid" to downtempo almost-ballad-like type songs ( "A Certain Kind"), to three-minute repetitive trance in "We Did It Again"..
   
   "Why Are We Sleeping" is a highlight, with simple structured organ chords, excellent lyrics and frenetic solo...but they're all really good. Nice humor, experiments with vocals, overall warmth
4. Side one
   
   "Hope for Happiness" (Brian Hopper, arr. Robert Wyatt / Mike Ratledge / Kevin Ayers) – 4:21
   "Joy of a Toy" (Ayers / Ratledge) – 2:49
   "Hope for Happiness (reprise)" (B. Hopper, arr. Wyatt / Ratledge / Ayers) – 1:38
   "Why Am I So Short?" (Hugh Hopper / Wyatt) – 1:39
   "So Boot If At All" (Ratlege / Ayers / Wyatt) – 7:25
   "A Certain Kind" (H. Hopper) – 4:11
   
   Side two
   
   "Save Yourself" (Wyatt) – 2:26
   "Priscilla" (Ayers / Ratledge / Wyatt) – 1:03
   "Lullabye Letter" (Ayers) – 4:32
   "We Did It Again" (Ayers) – 3:46
   "Plus Belle qu'une Poubelle" (Ayers) – 1:03
   "Why Are We Sleeping?" (Ayers / Ratledge / Wyatt) – 5:30
   "Box 25/4 Lid" (Ratledge / H. Hopper) – 0:49
5.                  CONDITION:
6. 
   
7. The cover: rated: top: near M- 1968 wear-prone custom designed spinning wheel GATEFOLD cover almost always has plenty of shelf wear some 57 years later ! ell this copy is a BEAUTIFUL example with no issues other than the most tiny delete tack mark one might ever hope for, if one. 1968 fresh colors remain everywhere, no bends, no seam splits, presentable as a final collection copy ~ 1968 stereophonic mix !
   

1. The vinyl: Rated: M- smooth and clear from the beginning! Been in careful hands the past 57 year ongoing! Both '68 Probe labels are clean !