Lucio Fulci The Beyond Composer's Cut Alternative Mixes 3x 7" Set Fabio Frizzi
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Description
Lucio Fulci The Beyond Composer's Cut Alternative Mixes 3x 7" Set Fabio Frizzi
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* 3x 7" Set
* 150 Gram Colored Vinyl variant edition of 120x copies
* Newly commissioned Art By Jeremy Hush
7" 1: Side A - Track 1) Spiders Attack Alternative Mix, Side B - Track 2) Blood Foam - Track 3) Unreleased Cut - Transparent Red Vinyl
7" 2: Side A - Track 1) The Return of Zweick Alternative Mix, Side B - Track 2) Justice From the Past - Transparent Blue Vinyl
7" 3: Side A - Track 1) John's Disbelief Alternative Mix, Side B - Track 2) Emily Appears to Liza - Transparent Clear Vinyl
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“As soon as I finished recording the new study version of The Beyond: Composer’s Cut score, I had the urge to play with some themes, twisting them a bit and in a sense treating them as new things, like tracks that are born today. The result was absolutely extraordinary and unexpected.” - Fabio Frizzi
You’ve heard of the director’s cut of some of your favorite horror films, but now Cadabra Records is set to unleash a brand new concept - the Composer’s Cut of Fabio Frizzi’s legendary score for The Beyond. The record drops September 19, 2019. Originally released in 1981, The Beyond is a psychedelic, supernatural nightmare directed by the granddaddy of Italian splatter Lucio Fulci. The second film in Fulci’s "Gates of Hell" trilogy sandwiched between City of the Living Dead (1980) and The House by the Cemetery (1981), The Beyond’s loose narrative revolves around a Louisiana hotel which may in fact be one of the seven gates to hell. The movie is beloved by horror fans for its surrealistic imagery and gore-tastic set pieces, including gouged out eyes, face-eating spiders, reanimated corpses, and a bloodthirsty dog.
It’s impossible to think of Fulci’s unique films without mentioning Frizzi’s music. The two names are synonymous with one another. Collaborating first on 1975’s The Four of the Apocalypse, Frizzi would go on to score numerous Fulci classics including Zombi 2 (1979), City of the Living Dead, and Manhattan Baby (1982). The Beyond however may just be the duo’s crowning achievement. From the beginning Frizzi set out to achieve a long standing goal: to craft a horror score that would combine both rock music with orchestral elements. Instead of relying on synthesizers as he had done in the past, Frizzi used real instruments including mellotron, bass, strings, wind instruments, and even choral elements. The result is a grim and heavy mix of prog rock and orchestra, enveloped by an omnipresent atmosphere of bleakness and impending doom, yet touched with color and beauty that has yet to be matched in any Italian horror film.
The Beyond has consistently been ranked as one of the greatest horror scores of all time, including by Rolling Stone in 2016. That same year, for the film’s 35th anniversary, Frizzi unearthed 52 unused pieces of music originally composed for the film in order to construct the Composer’s Cut and take it on the road to play it live-to-film in a series of screenings.
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