The record is located in Italy.

NOTE: Original 1970 Big swirl Vertigo 1st UK press in conditions like new.

Record conditions  (VISUAL): Mint

Description: The record is perfect, looks unplayed like new, no sign, no scratch, no remove hairline visible, even under a 100 watt spot The vinyl lays perfectly flat on the turntable and is free of any warping (Playgrade is M) 

Cover conditions : M

Description: In absurd condition, it seems to have just been bought in an English record shop in April 1970

Gatefold, embossed front and back cover.

Label conditions : M-

Description: one or two light spindle marks.

Inner sleeve conditions : M-

Description: Correct original dated 04/70 swirl Vertigo company plastic bag in perfect conditions.

Rod Stewart – Gasoline Alley

Etichetta: Vertigo – 6360 500 Formato: Vinile, LP, Album, Gatefold Paese: UK Uscita: giu 1970 Genere: Rock, Blues Stile: Folk Rock, Blues Rock A1
Gasoline Alley Written-By – Stewart*, Wood* A2
It's All Over Now Written-By – Womack*, Womack* A3
Only A Hobo Written-By – Dylan* A4
My Way Of Giving Written-By – Lane*, Marriott* B1
Country Comfort Written-By – John/Taupin* B2
Cut Across Shorty Written By – Wayne / Wilkin / Walker Written-By – Wilkin*, Wayne/Walker* B3
Lady Day Written-By – Stewart* B4
Jo's Lament Written-By – Stewart* B5
I Don't Want To Discuss It Written-By – Beatty*, Cooper*, Shelby*

• Casa discografica – Philips Records Ltd.
• Copyright fonografico ℗ – Vertigo
• Prodotto fisicamente da – Mercury Records
• Masterizzato presso – Phonodisc Ltd.
• Incisione su acetato presso – Phonodisc Ltd.
• Pubblicato da – Chappell & Co.
• Pubblicato da – Kags Music Ltd.
• Pubblicato da – Warner Bros. Music Ltd.
• Pubblicato da – Carlin Music Corp.
• Pubblicato da – Dick James Music Ltd.
• Pubblicato da – Cedarwood Music
• Pubblicato da – April Music Ltd.
• Stampato presso – Howards Printers (Slough) Ltd.
• Prodotto fisicamente da – Howards Printers (Slough) Ltd.

• Acoustic Guitar [Uncredited For Instrument] – Martin Quittenton
• Acoustic Guitar [Uncredited] – Rod Stewart
• Bass – Ronnie Lane
• Bass [Uncredited] – Ron Wood
• Design, Photography By – Keef (4)
• Drums – Kenny Jones
• Drums [Uncredited For Instrument] – Mickey Waller*
• Guitar – Ron Wood
• Mandolin – Stanley Matthews
• Piano [Uncredited] – Pete Sears
• Producer – Lou Reizner, Rod Stewart
• Violin [Uncredited] – Dennis O'Flynn, Dick Powell
• Vocals – Rod Stewart
• Vocals [Uncredited] – Ronnie Lane
• Whistle [Uncredited] – William Gaff*

1st UK press on the Vertigo " large Swirl " label, with the large swirl above the spindle hole and the wording Vertigo below.

No track timing credits appear on labels or sleeve.

Cat# 6360 500 appears on labels
Cat# 6360 500 appears on spine and top right rear of sleeve above VO Price Code

Released in a textured gatefold sleeve, with 2 internal glue-tabs top and bottom to right-hand wallet. Left hand wallet glued closed.
A-Side label simply a Vertigo logo with "Side A"
B-Side label has no writer or publisher credits.
'Vertigo'-printed black (front and back) on a white paper liner, with punch-holes & poly-lined. Liner coded, on front bottom-left, with print date: "Made in England B 1/0470" [Apr1970]

Inside credit list includes: "Mac not available due to bus strike" [Which indicates 'Faces' musician Ian McLagan (keyboards) was not present at recording. However, US release credits him and the track upon which he is credited there is "You're My Girl"- prefixed to "I Don't Want To Discuss It" on this album. This suggests McLagan was dubbed, or the track added later].

Waller & Quittenton are mentioned as present in sleeve notes, but not credited - as per US release. [All uncredited musicians thus taken from the US release].

"A Mercury Records Production" inside-left and back cover.

℗1970

Publishing info:
A1, B3, B4: Chappell & Co.
A2: Kags Music Ltd.
A3: Warner Bros. Music Ltd.
A4: Carlin Music Corp.
B1: Dick James Music Ltd.
B2: Cedarwood Music

Payment must be made within 6 days from the end of listing except you are watching more items of mine so let me know about it.

I ship in strong cardboard mailers with two pads and record accurately separated from cover to prevent splits during shipment.

Read accurately for shipping and payment infos before sending payment!!!!
If in doubt ask for an invoice especially for multiple items purchases.

 

Visto il gran numero di persone che non rilascia feedback, il mio feedback verrà rilasciato soltanto dopo il vostro

Appropriate Feedback Is Left AFTER Yours Is Left.

Good luck!!!

Cover> Vinyl

MINT

NM

EX

VG

G

MINT

100%

 

 

 

 

NM

 

95%

 

 

 

Ex

 

 

85%

 

 

VG

 

 

 

75%

 

G

 

 

 

 

50%

 

Record Collector Magazine Grading System

MINT The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint. 

NEAR MINT (NM OR M-)
A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect.

NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.)

NM covers are free of creases, ring wear and seam splits of any kind

EXCELLENT The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing. 

VERY GOOD The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable. 

GOOD The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc. 

FAIR The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced. 

POOR The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing. 

BAD The record is unplayable or might even be broken, and is only of use as a collection-filler.