LP Fair Weather / Beginning From An End orig.1971 UK 1st press RCA NEON M-/EX+
€
49
$
57
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Description
The record is located in Italy.
NOTE: Original 1971 UK 1st press.
Record conditions (VISUAL): NM
Description: Great condition, no scratch or sign under normal daylight, under a strong light bulb there are only wispy removal hairlines visible when angled . The Vinyl is in beautiful shape: clean, brilliant, bright, retaining its original sheen. The record tests beautifully, without any problematic loss in sound quality or deterioration in aural performance, and can be enjoyed without disturbance. If any, all faults are minimal and acceptable. (Playgrade is NM)
Cover conditions : VG+
Description: Matt gatefold sleeve, light shelf wear on the edges, some marker writing on back cover, a crease inside the cover, See last pictures.
Label conditions : EX+
Description: No spindle hole lines visible.
Fair Weather – Beginning From An End
Etichetta: RCA – NE 1, Neon (3) – NE1 Formato: Vinile, LP, Album Paese: UK Uscita: 1971 Genere: Rock, Pop Stile: Prog Rock A1God Cried Mother Written-By – Fairweather Low* A2
Don't Mess With Cupid Written-By – Parker*, Floyd*, Cropper* A3
Dead And Past Written-By – Fairweather Low* A4
Beginning From An End Written-By – Fairweather Low* A5
I Hear You Knockin' Written-By – Bartholomew*, King* B1
You Ain't No Friend Written-By – Fairweather Low* B2
Sit And Think Written-By – Fairweather Low* B3
Looking For The Red Label Written-By – Fairweather Low* B4
Poor Man's Bum A Run Written-By – Fairweather Low*
- Copyright © – RCA Ltd.
- Pubblicato da – Amen Music
- Pubblicato da – Francis, Day & Hunter
- Pubblicato da – Warner Bros.
- Realizzato da – RCA Ltd.
- Prodotto fisicamente da – E.J. Day Group
- Stampato presso – E.J. Day Group
- Design [Album Design] – Keef (4)
- Liner Notes – Fairweather*
- Musician [Steel Playing] – B. J Cole*
- Producer – Andy Fairweather-Low
(Label notes)
"This record is made to be played loudly".
℗ 1971
Manufactured by RCA Limited, England from master recordings of RCA Records.
(Sleeve notes.)
The purpose of this note is to give credit to the people who in my mind make our group a group in the full sense of the term. The rhythm
section is only one part, the essential part is unfortunately rarely heard of---; our advisors, record company, our engineer, musical arrangers,
brass players, Olympic Sound Studios and road manager. All those people coming together to make a complete unit---
FAIRWEATHER
As much as we regard the L.P. as ours, it belongs as much to the people mentioned above, who have made and make it all possible. To us
the names below represent much more than ink scratched on paper.
A million thanks to---
Chris Williams and Keith Altham ---for giving us peace of mind and contentment.
Alan O'Duffy---for being such a good friend and taking so much interest and care so as to compliment are playing.
Derek Wadsworth and Roger Wade---for doing so much to so little.
RCA---for fear of missing anyone's name, we have named the company as a whole, but deepest thanks to all concerned with special projects
and promotion.
Bud Parks and Terry Noonan---for a too much solo and for taking the interest and time. Believe me it was really appreciated.
Alan Berry (Big Al)---for being so efficient ,reliable and such a good friend.
Chris,Dave, Anton and Jeremy (Olympic Sound)---for helping the sessions take on a nice atmosphere.
Jock---for the tea and for being Jock.
Jennifer Kuik---for typing this note.
B. J. Cole---for the most beautiful expressed steel playing.
Kingsley Ward---for the use of your studio and farm, for "I Hear You Knocking" Which was the biggest buzz we've had for a long time.
Dave Edmunds and Rockfield---for the use of your head and your heart and engineering the good sound on "I Hear You Knocking" .
OLYMPIC SOUND STUDIOS WE THANK YOU
Album designed by Keef.
RCA LIMITED, RECORD DIVISION, RCA HOUSE, CURZON STREET, LONDON W1
© 1971 RCA Limited
Printed and made by the E.J. Day Group, London and Bedford
- Matrice / Runout (A-side runout machine stamped / "AIQ" hand-etched): ZGBS 0454 A-3 AIQ
- Matrice / Runout (B-side runout machine stamped / "AI L" hand-etched): ZGBS 0455B-4 AI L
- Matrice / Runout (Label A-side ): ZGBS 0454
- Matrice / Runout (Label B-side): ZGBS 0455
Cover> Vinyl
MINT
NM
EX
VG
G
MINT
100%
NM
95%
Ex
85%
VG
75%
G
50%
Payment must be made within 6 days from the end of listing except you are watching more items of mine so let me know about it.
I ship in strong cardboard mailers with two pads and record accurately separated from cover to prevent splits during shipment.
Read accurately for shipping and payment infos before sending payment!!!!
If in doubt ask for an invoice especially for multiple items purchases.
Visto il gran numero di persone che non rilascia feedback, il mio feedback verrà rilasciato soltanto dopo il vostro
Appropriate Feedback Is Left AFTER Yours Is Left.
Good luck!!!
Record Collector Magazine Grading System
MINT The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
NEAR MINT (NM OR M-)
A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect.
NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.)
NM covers are free of creases, ring wear and seam splits of any kind
EXCELLENT The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
VERY GOOD The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
GOOD The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.
FAIR The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.
POOR The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
BAD The record is unplayable or might even be broken, and is only of use as a collection-filler.
price rating