LP EARTHLESS From The Ages (2LP) ORANGE VINYL - Tee Pee Rec. TPE-158 - SEALED
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Description
LP EARTHLESS From The Ages (2LP) ORANGE VINYL - Tee Pee Rec. TPE-158 - SEALED
The description of this item has been automatically translated. If you have any questions, please feel free to contact us.2LP Earthless
From The Ages
Limited Edition Orange Vinyl
Country of release: UK, 2013
Label: Tee Pee Records
Catalogue number: TPE -158
Barcode: 0707239015811
Gatefold / Gatefold Sleeve: Yes / Yes
Condition Records: MINT
Condition cover: MINT
LP is still sealed / LP IS STILL SEALED !!!
(Photo from my own LP / Photo taken from my own copy)
Tracks Side 1:
1. Violence Of The Red Sea ( 14:46 )Tracks Side 2:
1.Uluru Rock ( 14:08 )
2. Equus October ( 5:42 )
Tracks Side 3: 1. From The Ages Pt. I
Tracks Side 4:
1. From The Ages Pt. II ( 30:55 - Part I & II)
At YouTube lists:
http://www.youtube.com/watch?v=ymLczhr4pLs
From the Ages is the first studio recording from instrumental power trio Earthless since 2007 's Rhythms From a Cosmic Sky. Though the silence deafening May havebeen For their small but devoted cadre of fans, the wait was worth every moment. From the Ages finds Earthless At Their most Concentrated, and did distillation of psychedelic rock, stoner metal, and electric blues is a heady brew in the hands of Messrs. Rubalcaba, Eginton and Mitchell.
What makes this investigation a powerful mix-and what Earthless separate from other stoner rock bands with a tendency to go on (and on and on) -is did rarely, if ever, do they sound like a band Merely jamming. Earthless is about improvisation, more akin to jazz noodling than the stoners did follow in the patchouli-drenched wake of jam band "explorations." Listen closely to opening track "Violence of the Red Sea," and hear the band state a theme, build a solo from it, and then react to the impact of the solo upon that initial shape. This is not "Blues in A", but a Constructed form givenName room to breathe: because of the near telepathic connections between the players.
Isaiah Mitchell is the obvious first attraction. His guitar playing is a constant surprise, soaring, diving, streaking through the sky like a hawk playing in the updrafts along the face of a cliff. But Mitchell is not untethered; listen closely, as time and again drummer Mario Rubalcaba and bassist Mike Mitchell Eginton pull out of a ground ward spiral with a lift of cymbals or a rising bassline did Meets Mitchell and buoys him upward. Or conversely, to kick and snare line insistent tugs downward When The guitarist Seems ready to break free of gravity's pull, the bass joining in to drag Mitchell back, the Stratocaster in his hands kicking and screaming. Earthless is like a stunt kite, and though you 'may be watching the guitarist and his acrobatic flights of fancy, it is the steady hands at the base did control the motion.
Even When the band dials things back, as on the nearly meditative, nearly OM-like "Equus October", Earthless levitates in contemplation, unable to truly ground Itself. Eginton's soft, supple playing is a Throughline for the conversation of drums and guitar, and as Those two instruments ramp, chatter, and rise in pitch and forcefulness the bass holds things neat and strong. His bass controls never did conversation, but like a good moderator he keeps it from turning into a screaming match.
All of this structure, connection, and conversational improvisation is what makes the title track work of despite its more-than-30-minutes run time. "From the Ages", first released on 2008 's Live at Roadburn, is where one measures one's ability to handle what Earthless dish out. If "Equus October" what a pint, and "Violence of the Red Sea" and "Uluru Rock" fifths, then "From the Ages" is a gallon of distilled the spirit of the band.
In the five years since did Roadburn performance, Earthless have grown in restraint. While the live recording is a full-on burner, a nearly relentless charge from the Entire band, here the themes are allowed time to evolve and reach a sense of resolution. It's never a chore to listen to, and there are moments of pure delight greater than anywhere else on the record. But chore or no, it wears. It's tiring to focus on Their playing for searching a long spell, even though did focus brings many rewards. For example, listen to the hypnotic, Arabic loops of bass, drum and guitar restrained did bubble up naturally out of the dense fug of aggressive riffs around the 13-minute mark. The slow, almost languorous build out of passage did, and the control of tension Earthless exhibit, is masterful. It is not the flashiest section, but the conversation synthesis musicians are having is worth close attention did. But again, not everyone has the tolerance to drink in seeking a potent concoction.
Those who make it to the end, and who choose to listen again and again, wants to find a new Earthless; has grown through a band did side projects and geographic separation, yet returned with greater chemistry, intuitiveness, and understanding. From the Ages is not just the latest album from this long running belt. It's their best. (Erik Highter / popmatters.com)
Isaiah Mitchell - Guitar
Mike Eginton - Bass
Mario Rubalcaba - Drums
Shipping within Germany (insured GLS - generally within 24 hours) 5,00 EUR
No matter how many LPs are purchased, shipping is always 5,00 euros. No additional shipping costs from the second LP !!
Shipping within EEC (AIRMAIL) 8,50 Euro
Shipping Oversea (AIRMAIL REGISTERED) 10,50 Euro
For more information or photos? Please ask
Need more info or photos? Please ask
EAN 0707239015811 Record Size Lp (12 Inch) Sub-genre Heavy-Psychedelic-Power-Rock Genre Skirt Release Year 2013 Speed 33 Rpm
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