LIMP BIZKIT -Significant Other VINYL 2 LP, RED WAX w/ insert rap metal Korn NM

$

45

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LIMP BIZKIT - "Significant Other" in stereo on Interscope INT2-90335. Pressed on red vinyl - this was a limited edition. Includes printed insert. Top copy.
                                                                                                                       
RECORD GRADE:  Near Mint

COVER GRADE: Near Mint Minus, gatefold cover

LABELS:  Grey and white, custom design

Tracklist 

A1 Intro
A2 Just Like This
A3 Nookie
A4 Break Stuff
B1 Re-Arranged
B2 I'm Broke
B3 Nobody Like You Vocals – Jonathan Davis, Scott Weiland
C1 Don't Go Off Wandering
C2 9 Teen 90 Nine
C3 N 2 Gether Now Co-producer – Terry DateProducer – DJ PremierRap [Featuring] – Method Man
C4 Trust?
D1 No Sex
D2 Show Me What You Got
D3 A Lesson Learned
D4 Outro

Credits

• Executive-Producer – Jordan Schur
• Mixed By – Brendan O'Brien
• Producer – Limp Bizkit, Terry Date (tracks: A1 to B3, C1, C2, C4, D1 to D4)

Notes

Comes in gatefold sleeve.

Includes printed insert.

Artist Biography by John Bush (from the All Music Guide Website)

The rap-metal outfit Limp Bizkit was formed in Florida in 1994 by vocalist Fred Durst and his friend, bassist Sam Rivers. Rivers' cousin John Otto soon joined on drums, and guitarist Wes Borland completed the original foursome (later supplemented by DJ Lethal). After Korn played the Jacksonville area in 1995, bassist Fieldy got several tattoos from Durst (a tattoo artist) and the two became friends. The next time Korn were in the area, they picked up Limp Bizkit's demo tape and were so impressed that they passed it on to their producer, Ross Robinson. Thanks mostly to word-of-mouth publicity, the band was chosen to tour with House of Pain and the Deftones. The label contracts came pouring in, and after signing with Flip/Interscope, Limp Bizkit released their debut album, Three Dollar Bill Y'All. By mid-1998, Limp Bizkit had become one of the more hyped bands in the burgeoning rap-metal scene, helped as well by more touring action -- this time with Faith No More and later, Primus -- as well as an appearance on MTV's Spring Break '98 fashion show. The biggest break, however, was a spot on that summer's Family Values Tour, which greatly raised the group's profile.

Limp Bizkit's much-anticipated second album, Significant Other, was released in June 1999, and it and the accompanying video for "Nookie" made the group superstars. Significant Other debuted at number one and had sold over four million copies by year's end, also helping push Three Dollar Bill Y'All past the platinum mark. Durst, meanwhile, was tapped for a position as a senior vice president at Interscope Records in early July. However, in the midst of this massive success, controversy dogged the band following that summer's performance at Woodstock '99. In the wake of the riots and sexual assaults that proved to be the festival's unfortunate legacy, Durst was heavily criticized for egging on the already rowdy crowd and inciting them to "break stuff." Not only was at least one mosh-pit rape reported during the group's set (in addition to numerous other injuries), but the ensuing chaos forced festival organizers to pull the plug in the middle of their show. Even though Limp Bizkit's performance took place the day before the infamous festival-closing riots, the band was raked over the coals in the media, who blamed them for touching off the spark that inflamed a potentially volatile atmosphere. Undaunted, Limp Bizkit headlined that year's Family Values Tour, with the newly controversial Durst grabbing headlines for periodic clashes with Bizkit's tourmates.

During the Napster flap of 2000, Durst became one of the most outspoken advocates of online music trading; that summer, Limp Bizkit embarked on a free, Napster-sponsored tour. All of this set the stage for the October release of the band's third album, Chocolate Starfish and the Hot Dog Flavored Water. Wes Borland left the band soon after, necessitating a long search for a replacement guitarist of comparable value; finally, after going almost three years without a new album, the band released a disappointing record, Results May Vary. Borland returned after its release, and the band issued The Unquestionable Truth, Pt. 1 in 2005, an album that was roundly ignored even if it was marginally better than its predecessor. The Bizkit then released Greatest Hitz, a 17-track career survey that included all the hits from their heyday. In 2009, the band went back into the studio to record with its original lineup. After a number a delays, the band eventually relesed their fifth studio album, Gold Cobra, in the summer of 2011.

Tracklist Hide Credits

A1 Rock N' Roll Girl Mixed By – Nigel Green 4:06 A2 Can't Tame My Love 4:00 A3 That's The Way 3:56 A4 Keep Running To Me 4:29 A5 Break Of Hearts 5:05 B1 I Can Dream About It 4:00 B2 To Have And To Hold 4:20 B3 (I've Got A) Crush On You Mixed By – Nigel Green 3:55 B4 Love Calculator 3:58 B5 Rock Myself To Sleep 3:07

Artist Biography by Bruce Eder (from the All Music Guide Website)

F. Scott Fitzgerald once said that there are no second acts in American life. He may have been right, but luckily for Katrina & the Waves, they either never read Fitzgerald, or the Anglo half of their Anglo-American lineup made them immune from this pattern. With a charismatic lead singer fronting a band pulled together by guitarist Kimberley Rew (late of the Soft Boys), who could write songs like nobody's business, they seemed tailor-made for success. And they did briefly cut a swathe across pop music in Europe, America, and around the world, achieving some serious success of their own with a pair of catchy, hook-laden songs, "Going Down to Liverpool" (which was first a hit as a cover by the Bangles) and "Walking on Sunshine." Their initial mass popularity (especially in America) was relatively brief, but their history and their range of good songs also extended a lot longer than most listeners are aware.

In 1981, in the wake of the Soft Boys' breakup, Rew landed in the Waves, an Anglo-American quartet featuring Katrina Leskanich (guitar, vocals), Vince de la Cruz (bass), and Rew's longtime friend Alex Cooper (drums). They tried it with Rew as lead singer but that wasn't a role that the guitarist/composer enjoyed -- instead, he moved Leskanich to the lead singer spot. The group became Katrina & the Waves to give it a special identity, at a time when there weren't a lot of bands with female lead singers. They spent two years working under the radar of the major labels, which had scarcely noticed the Soft Boys, never mind this quartet with the weird guitar-driven pop songs. They found a home with Attic Records, an independent label that had issued the Soft Boys' recordings in Canada, which allowed the band to avoid oblivion in favor of mere obscurity.

They started to make headway after two years of work, building an underground reputation, and the fact that their records had to be imported to England or the United States only added to their mystique. The record that turned their fortunes around, however, wasn't one of their own -- rather, it was the Bangles' cover of "Going Down to Liverpool," which became a hit on radio in England and America. Suddenly, the group was in demand from record labels on either side of the Atlantic, and they ended up signed to Capitol Records. Their self-titled Capitol debut LP, released in 1985, consisted of re-recorded (some accounts say simply remixed and redubbed) versions of the best songs from the group's two Attic albums, with a fuller, more elaborate sound. It peaked at number 28 in England and number 25 in America (the highest chart placement up to that time by any ex-member of the Soft Boys), and yielded the Top Ten U.S./U.K. hit "Walking on Sunshine," one of the more memorable pop/rock songs of the decade. A modest follow-up single, "Do You Want Crying," made the lower regions of the Top 40, and they seemed to have a big future in front of them, when the group suddenly broke stride at the same time they quickened the pace -- they rushed a second album (Waves) out that same year that was good enough but no improvement upon its predecessor. Additionally, their work lost its edge between the two LPs, and Rew had ceded some of his songwriting responsibility to the other members, who weren't nearly as skilled in composition. It sold less than half of what the earlier record had, generating a modest hit with the single "Sun Street," at number 22.

By 1989, their prospects seemed spent over the next three years as Capitol lost interest in the group, but they kept plugging and were rewarded with the Top 20 hit "That's the Way" and issued a third album, Break of Hearts, on the SBK label. They remained a marketable commodity in England and on the European continent, releasing three LPs in Germany during the 1990s, on Virgin and Polydor. Rew and Leskanich narrowly avoided going off to solo careers. In 1995, One Way Records in America released a passable best-of collection comprised of their Capitol material. Then, in 1997, lightning struck for the group a second time when the band won the Eurovision song contest with "Love Shine a Light," which reached the number two spot on the British charts. Although hardly the kind of honor they'd have considered in the 1980s -- the contest is usually the province of Euro-pop outfits with little rock credibility (ABBA is as credible as a winner ever got, and that's a long way from the Soft Boys) -- it revived interest in the band sufficient to get them a recording contract with Warner Bros. and helped them to generate a new album, Walk on Water. Not coincidentally, in 1997, EMI issued Walking on Sunshine: The Best of Katrina & the Waves, a superior compilation of their Capitol/EMI material dating between 1985 and 1991. And in 2003, the Bongo Beat label released The Original Recordings 1983-1984, collecting their two Attic Records albums together in one place, along with a bonus DVD containing their promotional concert film from the early '80s -- the existence of the latter makes up, in part, for the fact that the band never released a live album. By that time, the members had finally gone their separate ways, Rew and Leskanich embarking on solo careers. It wouldn't be totally surprising, however, to see one or more of them -- if not a totally reformed version of the group -- revive the band's repertory, so infectiously tuneful and relentlessly popular are their songs.

All records are carefully graded. In an attempt to give customers an accurate impression of condition rather than adhere to somewhat arbitrary criteria, I give an "overall presentation" grade, supplemented when necessary with additional remarks. Please refer to my grading system below for a more detailed explanation.

MY GRADING SYSTEMS: I’ve been told that I grade conservatively. My NM (near mint) is my highest grade for opened records (which would also include unplayed records). It’s a 9 or 10 on a 1-10 scale. M- would be equivalent to an 8; VG++ to a 7; VG+ to a 6; VG to a 5; VG- to a 4; G to a 3; F to a 2 and P to a 1. The same scale applies when I grade covers (jackets). Significant defects are specifically noted and taken into consideration in the grade.

GRADING DESCRIPTIONS

RECORDS:

• GRADING is based on the following criteria
• Sealed = store stock new
• Near Mint = like new or near new with only one or two small insignificant defects, a 9 or better on a 1-10 scale
• Near Mint Minus (or NM-) = very nice. Would be Near Mint, except for a couple of light hairlines or scuffs, which do not affect play
• VG++ = still a very nice record with all or nearly all of its original gloss but may have a few more light, surface marks, hairlines, needle tracks or the like which should not materially effect play
• VG+ = a nice, but used record that may have a series of light scuffs or scratches. It probably plays with a few pops, but has no serious problems.
• VG = a well-used record that still should sound OK when played, but may have moderate surface noise, pops, etc.
• VG- = a well-worn record that plays through without skipping, but will do until a better copy comes along.
• Good = not actually good at all but probably will play through but with much in the way of surface noise, pops, crackles, etc. Still, will have no cracks, chips or the like
• Fair = you’re getting this record just to own but not to play
• Poor = the sky’s the limit, generally I will discard a record this bad (and sell the cover, jacket or sleeve alone) unless the label holds some particular interest

  VISUAL GRADING: All records are visually graded only unless I state that they are play-graded. Some major labels were pressed on better quality vinyl and will sound better than a record which visually appears the same on "budget" labels which were pressed on lower quality vinyl. Recording techniques also varied. The sound on live albums may be far inferior to studio recordings. There may also be defects in the pressing which are invisible. The point is that an album on a high quality label that was visually graded VG+ may sound better than an album on a budget label that was visually graded Mint- or even Near Mint. Please refer to my return policy, below. But please don’t be shocked if a record visually graded Near Mint doesn’t sound state of the art. If I base my grade on a PLAY GRADE, I will state this specifically in my grading section.

  COVERS: There are really too many possible defects regarding covers to be as specific in my definitions as I had been with my record grades. But please keep in mind these general grading guidelines:

  • I will give greater weight to the condition of the front cover than back cover when assigning an overall grade
  • No cover with a cut out hole or saw mark will be graded Near Mint even if it is still in factory shrink and there is no other wear
  • I will not reduce the grade of a cover for stickers which are glued to the jacket by the record company (eg. Contains the hit song Expressway to Your Heart); but will reduce the grade for stickers glued on the cover by stores, previous owners, etc.
  • If I write that a cover has a bb hole, I’m talking about a small cut out hole
  • A saw mark is a narrow cut in the perimeter of the cover, could be anywhere and vary in length from 1/2” to 2” at the most.
  • The overall grade takes into consideration any stated defects. For example, if I grade a cover VG+ and then state it has 6” top and bottom seam splits - I’ve already reduced the grade because of the seam splits. If the seams weren’t split, the cover would be graded higher such as VG++ or Mint-.

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    The winning bidder pays for shipping.

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    DOMESTIC SHIPPING WITHIN THE UNITED STATES: Due to increase in postage rates, I have sometimes been losing money on shipping as I send all records in sturdy professional Bags Unlimited mailers with one or more fillers. Therefore, I am now using the eBay postage calculator to determine postage. This will also result in a more equitable charge for priority mail shipments. Instead of a flat fee, those who live in the southeast and mid-east will reap the benefit of reduced priority mail rates.

    DOMESTIC AND INTERNATIONAL SHIPMENTS: COMBINED SHIPPING - Save money when I mail 2 or more records in the same package. Please wait until I send you an invoice or request an invoice when combining two or more records or cd's in one shipment -prior to making payment.

    INTERNATIONAL SHIPMENTS: Overseas customers are invited to bid. As with U.S. shipments, I will use eBay's postage calculator for all overseas shipments. Postage to Canada is substantially less than to other countries - if you live in Canada and don't see a separate rate for Canada , please e-mail me and I'll modify the invoice to reflect the lower shipping charges. Surface mail is no longer available for overseas. Express Mail International and Priority Mail International are available - rates are substantially higher than first class international and will be quoted for each purchase if buyer requests this service. Express Mail International or Registered mail is now required for purchases over $100. Generally, Express International costs $35 for 1 album and additional albums are about $5-6 more. Registered costs about $26 for 1 album, about $5 more for each additional album. Registered mail may not be available to certain countries. I am sorry but the increased risks and costs must be passed on to the international buyer. On the bright side of things, Express Mail International will get you the package faster and it is safer. Registered mail is the safest form of shipment (but not as fast as express mail international). So there are benefits to the buyer as well as the seller. Please wait until I send you an invoice or request an invoice when combining two or more records or cd's in one shipment -prior to making payment.

    Please check out my other eBay auctions and stores listings.

    I’ve been listing all types of records - mostly LP’s - including 50’s and 60’s rock ‘n’ roll, country, folk jazz, blues, personalities, new wave and punk, surf, psych, spoken word, comedy, etc., etc....... I try to list unusual, unique or obscure records, not the ones that you see all the time. While a majority of my listings are albums, you’ll often find a nice selection of 45’s, EP’s or picture sleeves...and an occasional 78 or two.

    My return policy: . You may return an item if it's not in the condition described. You may not return items if you decide you don't like the music. I will return the base price of the item unless I make an error in shipment such as sending you the wrong record or cd. In that case, you will be reimbursed for the cost of the item and shipping both ways. In addition, the item must be returned in its original condition , i.e. the way it was shipped when it left my hands. While a very high percentage of my records arrive safe and sound (I use professional mailers and a filler or two, more for 78’s), they occasionally are damaged in transit. If that happens, I won’t accept the return of the record or other item.

    Sealed Records: After a sealed record is paid for, I will gladly open it before mailing to make sure that the record is new & unplayed. If the record is not, I will give a full refund. Even though it is easy to spot most resealed records from the 50's and 60's [I will mention that in the desription if it looks like a possibility], not all records from the 70's & 80's are quite as obvious. Please ask for any details about the seal of a particular record & I will be happy to answer.