LEE MORGAN w/HANK MOBLEY INSANELY RARE ORIG '56 MONO LP
$
527
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Description
THIS RECORD COMES FROM OUR PERSONAL COLLECTION
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WE CURRENTLY HAVE MORE THAN 1000 LISTED ITEMS. TO DISPLAY ALL OUR AUCTIONS IN ALPHABETICAL ORDER (BY ARTISTS’ NAMES) ►CLICK HERE
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· LEE MORGAN WITH THE HANK MOBLEY QUARTET (HANK MOBLEY, HANK JONES , DOUG WATKINS AND ART TAYLOR)- INTRODUCING LEE MORGAN (LEE MORGAN'S INSANELY RARE FIRST ALBUM) – ULTRA RARE ORIGINAL 1956 SAVOY RECORDS MONO LP MG-12091 (NOTE: THIS ALBUM SHOULD NOT BE CONFUSED WITH SIMILARLY TITLED 'PRESENTING LEE MORGAN' ON BLUE NOTE (ALSO KNOWN AS 'LEE MORGAN, INDEED!') AND VEE JAY'S 'HERE'S LEE MORGAN'; ALL THREE SESSIONS ARE DIFFERENT; THE SAVOY VOLUME IS THE EARLIEST OF THE THREE.
· ORIGINAL U.S. PRESSING
· ORIGINAL “BLOOD-RED” SAVOY LABEL WITH SILVER SCRIPT.
· DEEP GROOVE PRESSING
· The record has a ►Rudy Van Gelder’s name or his initials (RVG) clearly stamped or hand-etched in the trail-off vinyl (dead wax)
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· ORIGINAL LAMINATED COVER
· THICK, HEAVY VINYL PRESSING
· MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD
· As far as we know, this album has NEVER been available on legitimate Compact Disc or in any other way, manner or format.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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Trumpeter Lee Morgan, then 18 and at the beginning of his career (his recording debut as a leader resulted in a Blue Note album the day before his brief stint with Savoy began), co-led this session with tenor saxophonist Hank Mobley. Pianist Hank Jones, bassist Doug Watkins, and drummer Art Taylor form a tasteful rhythm section behind the lead voices who are in fine form on Fats Navarro's "Nostalgia," originals by Mobley and Watkins, and a four-song ballad medley. Although not essential, this hard bop-oriented LP gives one a good early look at Lee Morgan when he was just 18.
(EXCERPT FROM AN ONLINE REVIEW BY SCOTT YANOW, ALL MUSIC GUIDE /ALLMUSIC.COM/)
TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► CLICK HERE
THIS IS A NO-RESERVE AUCTION!
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS STRONG VG++, just a notch below NEAR MINT. A few light abrasions (probably just sleeve scuffs inflicted in storage over the years) ARE VISIBLE, but they appear fairly insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.
(b) The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).
(c) The record has a ►Rudy Van Gelder name, or his initials (RVG) stamped or hand-etched in the trail-off vinyl (dead wax). On SOME Jazz labels (Blue Note, Savoy, Regent, Prestige, Impulse, Verve…) this stamp signifies highly professional masterings either done by - or personally authorized by - the legendary engineer himself.
(d) The record comes in a poly-lined stock inner sleeve, which has - apparently with success - shielded the vinyl from the harmful impact of elements over many years!
(e) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(f) Stereo copies of this album are NOT known to exist.
(g) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):
THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).
The following flaws or imperfections are noted on the cover:
- Cover has a partially split bottom seam (between 4 and 6 inches / 10 to 15 centimeters)
- Cover has some visible fraying/tattering on the bottom seam
- Cover has two corners slightly worn / dinged / bent.
- Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.
- Cover has some light ring wear (nothing significant); (VISIBLE ON BACK SIDE ONLY) ; On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 4
- Cover shows some light yellowing on back side, apparently from aging (nothing significant)
- Cover has a small quality control (inspection) stamp on the back panel (BARELY VISIBLE, ALMOST COMPLETELY FADED)
NO OTHER IMPERFECTIONS ON THE COVER:
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No wrinkles or creases
- No writing
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
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