LED ZEPPELIN IN THROUGH THE OUT DOOR ORIGINAL LP on SWAN SONG NR MT 1979

$

24

Here is a NEAR MINT MINUS! LP by LED ZEPPELIN titled IN THROUGH THE OUT DOOR. It is an ORIGINAL! US pressing on the SWAN SONG label, catalog #SS 16002 in STEREO sound and released in 1979. The vinyl is in NEAR MINT MINUS! condition, shiny and black and should have excellent playback. It has ITS’ ORIGINAL INNER LEEVE and OUTSIDE BAGGIE COVER! The cover is in NEAR MINT MINUS! condition with very light corner wear. It is your opportunity to purchase this LP by LED ZEPPLEIN in this TOP! condition. It’s a true gem for the HARD ROCK / ALBUM ROCK / BRITISH METAL ROCK / BRITISH BLUES / ROCK collector! Email me with any questions and be sure to look at the pic’s. I DO NOT ACCEPT BIDS FROM OR MAIL TO SOUTH AMERICA, SOUTH AFRICA, ITALY & OTHER COUNTRIES. IF YOU ARE NOT FROM THE USA CONTACT ME BEFORE BIDDING! International bidders can email me for shipping rates. SHIPPING IN THE US IS $4.00 for MEDIA MAIL. I COMBINE SHIPPING. BUYERS PLEASE WAIT FOR INVOICE! Thanks for Looking & Good Luck!

Music Review from AllMusic.com by Stephen Thomas Erlewine

Marshalling their strength after the dark interlude of Presence -- a period that extended far after its 1976 release, with the band spending a year in tax exile and Robert Plant suffering another personal tragedy when his son died -- Led Zeppelin decided to push into new sonic territory on their eighth album, In Through the Out Door. A good deal of this aural adventurism derived from internal tensions within the band. Jimmy Page and John Bonham were in the throes of their own addictions, leaving Plant and John Paul Jones alone in the studio to play with the bassist's new keyboard during the day. Jones wound up with writing credits on all but one of the seven songs -- the exception is "Hot Dog," a delightfully dirty rockabilly throwaway -- and he and Plant are wholly responsible for the cloistered, grooving "South Bound Saurez" and "All My Love," a synth-slathered ballad unlike anything in Zeppelin's catalog due not only to its keyboards but its vulnerability. What's striking about In Through the Out Door is how the Plant-Jones union points the way toward their respective solo careers, especially that of the singer's: his 1982 debut Pictures at Eleven follows through on the twilight majesty of "In the Evening" and particularly "Carouselambra," which feels like Plant and Jones stitched together every synth-funk fantasy they had into a throttling ten-minute epic. With its carnivalesque rhythms, "Fool in the Rain" also suggests the adventurousness of Plant, but it's also an effective showcase for Bonham -- it's a monster groove -- and Page, whose multi-octave solo is among his best. Elsewhere, the guitarist colors with shade and light quite effectively, but only the slow, slumbering closer "I'm Gonna Crawl" feels like his, a throwback to Zeppelin's past on an album that suggests a future that never materialized for the band.