LAURA NYRO Gonna Take A Miracle FROM 71-SHE NEVER HAS SOUNDED SO COMFORTABLE

A VG++ LP ON COLUMBIA KC 30987

FROM 1971 WITH MATTE COVER STOCK

PRODUCED BY GAMBLE & HUFF AND RECORDED AT SIGMA SOUND STUDIOS IN PHILADELPHIA BY JACK ADAMS

TRACKS AS SHOWN ON THE LABEL PHOTOS

BACKGROUND INFO FROM ALLMUSIC.COM WEBSITE:
With the 1971 release Gonna Take a Miracle, pop composer and vocalist Laura Nyro completed her four-album/four-year deal for Columbia. Nyro's passion for R&B can be traced back to some of her earliest compositions, such as "Wedding Bell Blues" and "Stoned Soul Picnic" -- both of which were covered by the R&B vocal quintet the Fifth Dimension. More recently, her version of "Up on the Roof" was one of the highlights of Christmas and the Beads of Sweat. So, enthusiasts who had paid any attention at all to the course of Nyro's career would not have been surprised by her direction on this project. As much as Gonna Take a Miracle is indeed a Laura Nyro album, it could likewise, and perhaps more accurately, be described as a collaborative effort between Nyro and the female soul trio LaBelle -- featuring Patti LaBelle, Nona Hendryx, and Sarah Dash -- as well as producers Kenny Gamble and Leon Huff. It is ultimately this team that is responsible for the album's overwhelmingly solid results. Leading off in an apropos style is a succulent cover of the Shirelles hit "I Met Him on a Sunday." The vocal performance is structured as a round -- with each woman singing a consecutive line. The song is rightfully returned to the street corner doo wop tradition from which it originated with the simplicity of unadorned vocals creating an inconspicuous a cappella symphony. Nyro has never sounded so comfortable, easy, or "in her element" than she does backed by an all-star Philly soul ensemble that Gamble and Huff assembled for these sessions. The material reaches beyond just the sounds of Philadelphia, with Motown ("You've Really Got a Hold on Me" and "Nowhere to Run") and Brill Building ("Spanish Harlem"), as well as lesser-known covers of the Charts' "Desiree" and the Baltimore-based Royalettes "It's Gonna Take a Miracle."

COVER STOCK WITH ONLY A HINT OF RUB WEAR AND AGE DISCOLORATION. CORNERS WITH SMALL ROUGH SPOTS AND OUTER LAYER LOSSES ON POINT. BACK SLEEVE EDGE WITH TWO TEAR MARKS. TOP EDGE WITH SOME FRAYING AND SMALL OUTER LAYER LOSSES. NOTWITHSTANDING, A PICTURE IS WORTH A THOUSAND WORDS, SO PLEASE DO LOOK AT THE COVER PHOTOS TO ASCERTAIN COVER CONDITION.

VIRGIN SPINDLE HOLE. THE HIGH LUSTER VINYL BLANK WITH A VERY FEW LIGHT AND FINE SURFACE RUB SCUFF MARKS AND PLAY LINES UNDER BRIGHT ANGLED LIGHT AND ASSIDUOUS EXAMINATION AND WHICH NEED TO BE LOOKED FOR TO BE SEEN. WE'VE TEST PLAYED THIS LP BY SAMPLING EACH TRACK 2-3 TIMES ON A VPI TURNTABLE WITH A GRADO REFERENCE ONE WOOD CARTRIDGE WITHOUT NOTICE OF THE ABOVE ITEMS AND SOUNDING QUITE FINE HERE.

⁂PLEASE NOTE THE VINYL DESCRIPTION IS ONLY A VISUAL INSPECTION UNLESS OTHERWISE MENTIONED. HERE IS A FEW WORDS ABOUT OUR GRADING SYSTEM AND SUPERSEDES ANY OTHER GRADING SYSTEM, INCLUDING GOLDMINE: ALL RECORDS ARE VISUALLY GRADED AND THE RED GRADE ABOVE REFERS ONLY TO THE APPEARANCE OF THE VINYL BLANK. COVER CONDITION IS NOTED SEPARATELY. ANYTHING BESIDES MINT OR MINT MINUS IS USUALLY TEST PLAYED AND THE RESULTS ARE FOUND IN THE LISTING. MINT INDICATES PRISTINE VINYL WITHOUT ANY MARKS ON THE VINYL BLANK. MINT MINUS MAY CONTAIN A FEW VERY LIGHT SURFACE RUB MARKS FROM HANDLING & SLEEVE WEAR OR A FEW PLAYS. IF YOU ARE A REAL VINYL AFICIONADO AND COLLECTOR YOU'LL KNOW THAT EVEN A FACTORY SEALED LP OCCASIONALLY HAS SOME LIGHT RUB OR SLEEVE MARKS FROM TRANSPORT AND SHELVING. ANYTHING IN THE VG CATEGORY WOULD CONTAIN SOME LIGHT AND FINE SURFACE PLAY LINES AND EVIDENCE OF PLAY WEAR THAT IS EASILY SEEN. SELDOM IS ANYTHING OFFERED IN THE "G" STATE.
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