KING CRIMSON LARKS' TONGUES IN ASPIC LP 1973 ORIGINAL ISLAND PINK RIM VINYL

	£		16
	$		21

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KING CRIMSON LARKS' TONGUES IN ASPIC LP 1973 ORIGINAL ISLAND PINK RIM VINYL

Artist: KING CRIMSON

Title: LARKS' TONGUES IN ASPIC

Year: 1973 original Island Records

LP – Stereo - UK Press 

Matrix

ILPS  9230  A-2U     SARK

ILPS  9230 B-2U

The vinyl is visually graded in excellent condition. Please see below a description of grades.

The Pink Rim Island labels are in excellent condition with the exception of the biro mark in side A  (please see photo).

The sleeve is in excellent minus condition with edge and corner wear. 

The spine has burst in the centre and mostly readable.

PLEASE VISIT MY OTHER ITEMS AS I AM LISTING THIS WEEK RARE EARLY LPs from JIMI HENDRIX, LED ZEPPELIN, LOVE, WHO, CREAM, PINK FLOYD, TRAFFIC, etc….

Guide to grades used

Mint                      

Cover - Looks new - no marks, wear or damage

Disc - Looks unplayed - no marks visible 

Near Mint              

Cover - Looks virtually new with signs of handling- Minor wear creases but no marks or damage. Light sleeves may show slight discoloration due to age.

Disc - May have minor scuffs &/or hairline scratches caused by moving record in & out of paper sleeve

Excellent                

Cover - Slight signs of wear on edges/spine, corners or ring wear. No damage caused by sticker removal/residue.

Disc- The record has been played and will have some superficial marks &/or hairline scratches and paper scuffs.

Very good              

Cover - Moderate edge/spine or ring wear. Corners may be a little blunt. Opening edge may show feathering caused by removal of record. Visible creases or laminate lift. Localised sticker removal damage.

Disc - The record has been played frequently and has noticeable surface marks, occasional light scratches and paper scuffs.

Good                      

Cover - Heavy ring or edge/spine wear. Corners noticeable bashed. Heavy creases. Considerable laminate/surface damage.

Disc - The record looks very well played and the sound quality has probably deteriorated noticeably. A lot of surface marks/scratches. Usually used as collection filler

I am not a dealer but an amateur collector selling duplicated items or records that I no longer want to keep (mostly due to space). I do not clean records (other than a dust with anti-static) and unless indicated in the listing the records have been only visually inspected.

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If the bidding exceeds £46 in the UK the item will be ONLY sent insured by special recorded next day guaranteed delivery post (insured up to a value of £500) at a cost of £7. The above P&P quoted is for UK only and the same principal on insurance will apply to international bidders who will need to pay £5.7 insurance in addition to the p&p.

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King Crimson opened 1970 scarcely in existence as a band, having lost two key members (Ian McDonald and Michael Giles), with a third (Greg Lake) about to leave. 

Their second album — largely composed of Robert Fripp's songwriting and material salvaged from their stage repertory ("Pictures of a City" and "The Devil's Triangle") — is actually better produced and better sounding than their first. 

Surprisingly, Fripp's guitar is not the dominant instrument here: The Mellotron, taken over by Fripp after McDonald's departure — and played even better than before — still remains the band's signature. The record doesn't tread enough new ground to precisely rival In the Court of the Crimson King. 

Fripp, however, has made an impressive show of transmuting material that worked on stage ("Mars" aka "The Devil's Triangle") into viable studio creations, and "Cadence and Cascade" may be the prettiest song the group ever cut.

"The Devil's Triangle," which is essentially an unauthorized adaptation of "Mars, Bringer of War" from Gustav Holst's The Planets, was later used in an eerie Bermuda Triangle documentary of the same name.