KIM CARNES MISTAKEN IDENTITY SEALED LIMITED EDITION MFSL AUDIOPHILE LP w/INSERTS
$
33
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WE CURRENTLY HAVE NEARLY 700 LISTED ITEMS
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· KIM CARNES - MISTAKEN IDENTITY - ORIGINAL MOBILE FIDELITY ORIGINAL MASTERS EXTENDED DYNAMIC RANGE AUDIOPHILE VINYL PRESSING. ORIGINAL MOBILE FIDELITY 1985 STEREO LP MFSL 1-073
· ORIGINAL U.S. PRESSING
*** STILL SEALED GUARANTEED ORIGINAL FIRST AUDIOPHILE PRESSING ***
· GUARANTEED ORIGINAL WHITE MFSL LABEL (NO OTHER LABELS EXIST)
· THE THICKNESS OF THE VINYL, THE APPEARANCE AND THE CONSTRUCTION OF THE COVER, LABEL’S LOGO AND OTHER PERIPHERAL ELEMENTS OF THE COVER, ARE ALL PERFECTLY CONSISTENT WITH THE ORIGINAL, FIRST PRESSING OF THIS TITLE.
· BELIEVED TO INCLUDE:
(1) ORIGINAL "RICE PAPER" MFSL INNER SLEEVE
(2) INNER, CUSTOM-MADE MFSL CARDBOARD COVER
(3) MFSL CERTIFICATION SHEET/LIMITED WARRANTY
(4) MFSL CATALOG INSERT / SHEET
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. AUDIOPHILE PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· THICK CARDBOARD COVER, AMERICAN STYLE.
· THICK, HEAVY VINYL PRESSING
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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Mistaken Identity should have established Kim Carnes as a huge international star. Her Rod Stewart rasp, affiliation with Kenny Rogers, management by Ken Kragen when he was arguably at his peak, makes one wonder why the across-the-board success of "Bette Davis Eyes" couldn't be duplicated. Three years after the success of this album, Tina Turner actually did conquer the world, the various producers on Private Dancer weaving enough different textures to make for a multi-dimensional masterpiece. Too many cooks made for wonderful stew. Val Garay certainly did a good job on Mistaken Identity, more defined than his work with Marty Balin on the Lucky album a year after this, an album which, for that great artist, wasn't very...lucky. It's not that the other Donna Weiss/Jackie DeShannon tune, "Hit and Run," which follows "Bette Davis Eyes," doesn't have a good performance; it does. The problem with the Mistaken Identity album is that everything on it stands in the shadows of a masterpiece. The country risqué of the Jackie DeShannon original from New Arrangement has as extraordinary a re-working as Lou Reed's "Rock & Roll" got from Bob Ezrin when Mitch Ryder got to make it his underground anthem. Carnes is just brilliant on her solo composition, "Mistaken Identity, and it is subtle and smart enough to have crossed over to adult contemporary and jazz formats. Frankie Miller's "When I'm Away From You" sounds like Rod Stewart doing "True Blue" -- those upfront snare drums and a hook as strong as an undertow. Perhaps this should have been the follow-up to "Bette Davis Eyes" rather than "Draw of the Cards," which followed and lingered around the Top 30. Not a place to be for the follow-up to a monster smash. This is an evolution from her work on A&M, and certainly far removed from the New Christy Minstrels. The album comes with photographs galore on the innersleeve, all the lyrics, and tons of credits. Her first hit on EMI about ten months earlier was the fantastic reworking of "More Love," and that elegant pop gem was the type of thing needed to propel this to the status Private Dancer attained for Turner, that Physical garnered for Olivia Newton-John. "Draw of the Cards" plays like a mellow dance number, aimed at a new wave audience when -- well, face it, her biggest smash before "Bette Davis Eyes" was the mellow "Don't Fall in Love With a Dreamer." There is absolutely no pun intended to say this album is more of an identity crisis than a mistaken identity. Wendy Waldman, Carnes, and her husband, Dave Ellingson, craft "Break the Rules Tonite (Out of School)," but it is just too much of a diversion on an album that tests the waters of different rock genres. Flirting with Leslie West-style hard rock is not as appealing to her audience as the beautifully crafted Tom Snow/Dean Pitchford tune "Don't Call It Love." Her other solo composition, "Miss You Tonite," is more the style we expect, and Carnes' beautiful piano work on Richard Stekol's "My Old Pals" brings the album to a proper conclusion. If only this big and talented team could have come up with another couple of brilliant new arrangements as they did with "Bette Davis Eyes." The name Kim should be up there with Olivia, Tina, and Grace, and it wasn't for lack of talent that superstardom didn't occur.
(EXCERPT FROM AN ONLINE REVIEW BY JOE VIGLIONE, ALL MUSIC GUIDE /ALLMUSIC.COM/)
The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings --- as well as compact discs --- were not only audiophile and connoisseur masterpieces, they have become true pieces of audio history and its lore. These majestic recordings received an intense, meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (for records, only the "virgin-", audiophile-grade vinyl was used, and most LP albums were pressed at RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-maniacal attention paid to the fine sonic detail and audio craftsmanship; for Compact Discs, only 24-karat super-reflective surface, resistant to oxidation, was used on the second generation of Mobile Fidelity issues (also known as "Ultradisc II" issued between 1991 and 1999), highest super-transparent vinyl compound was used for coating, and the MFSL proprietary method, the so-called GAIN system was employed to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound ). To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. THESE RECORDINGS HAVE BEEN DRAMATICALLY ESCALATING IN VALUE AND DEMAND LATELY
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) THE ALBUM IS STILL FACTORY SEALED AND IS BELIEVED TO BE PERFECTLY MINT. Please note: sealed items are assumed to be mint and are sold as-is, as we have no way of inspecting them. For our policy on still sealed records ►click here (PLEASE READ BEFORE PLACING A BID).
(b) The album is believed to come with the original MFSL CERTIFICATE still intact.
(c) The album is believed to come with with the original MFSL cardboard inner sleeve
(d) The album is believed to come with with the original insert/sheet (MFSL catalog)
(e) The record is STILL in its original inner, hi-grade MFSL PVC inner sleeve, which has - apparently with success - shielded the record from the harmful impact of elements over many years!
(f) The record is pressed on a beautiful, high-quality, virgin-grade vinyl, which is usually used for audiophile, extended-dynamic-range, half-speed mastered and connoisseur pressings.
(g) In addition, the record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(h) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
COVER IS STRONG NEAR MINT, STILL SEALED AND COVERED IN ITS ORIGINAL ►SHRINK WRAP (ACTUALLY, MFSL'S LOOSE-FITTING BAGGY)
The following flaws or imperfections are noted on the cover:
- Minor shelf wear noted on the opening side (nothing significant)
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No ring wear
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No wrinkles or creases
- No yellowing from aging
- No writing
- No stamps
- No tearing: no chips, dents or nicks on the seams
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.
INTERNATIONAL POSTAGE rates vary from country to country. For SPECIFIC international and domestic postage rates ►click here. While you can be rest assured that ►our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.
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OUR REFUND POLICY :
WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 7 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED (THE BUYER PAYS FOR THE RETURN POSTAGE); Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. ►Click here for the full text of our policy
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