KENNY BURRELL w/COLEMAN HAWKINS OUT OF THIS WORLD ORIG'68 PRESTIGE STEREO LP N/M

$

20

WE CURRENTLY HAVE  MORE THAN 400  LISTED ITEMS

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·       KENNY BURRELL with COLEMAN HAWKINS, TOMMY FLANNAGAN AND RAY BARRETTO – OUT OF THIS WORLD – ORIGINAL 1968 PRESTIGE STEREO LP PRST-7578  (PRESTIGE'S 'OUT OF THIS WORLD'  IS A STEREO-ONLY REISSUE WITH A DIFFERENT COVER, ON A DIFFERENT PRESTIGE IMPRINT AND WITH A DIFFERENT CATALOG NUMBER OF THE ORIGINAL 1962 PRESTIGE/MOODSVILLE STEREO RELEASE TITLED 'BLUESEY BURRELL' (MVST-29)

·       PLEASE NOTE: ALTHOUGH THIS IS TECHNICALLY A REPRESSING OF AN EARLIER PRESTIGE MOODSVILLE TITLE WITH A NEW COVER AND CATALOG NUMBER, THE MATRICES IN THE TRAIL-OFF VINYL CLEARLY SHOW THE ORIGINAL RIVERSIDE CATALOG NUMBER MVST-29 RESIDING SIDE BY SIDE WITH THE NEW CATALOG NUMBER PRST-7578, MEANING THAT THIS DISC WAS PRESSED FROM THE ORIGINAL 1962 PRESTIGE MOODSVILLE STAMPER. FOR ALL PRACTICAL INTENTS AND PURPOSES, THIS IS THE ORIGINAL FIRST STEREO PRESSING OF THIS TITLE, ALBEIT WITH A DIFFERENT LABEL AFFIXED.

·       ORIGINAL U.S. PRESSING

·       ORIGINAL DARK BLUE 'PRESTIGE' LABEL WITH SILVER PRINT AND 'TRIDENT' LOGO.

·       The record has a ►Rudy Van Gelder’s name or  his initials (RVG) clearly stamped or hand-etched in the trail-off vinyl (dead wax)

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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This session is valuable for the majestic playing of tenor great Coleman Hawkins, who performs on half of the eight tracks. While originally released on the Prestige subsidiary Moodsville -- a label that specialized in recordings with an intimate, reflective atmosphere -- the Moodsville sound doesn't sit comfortably on Hawkins. His playing is brilliantly relaxed, but it's not mood music. Leader Kenny Burrell's playing is much more in line with the Moodsville groove. The guitarist is not amplified as much as he is on his Prestige dates from this time. In fact, he performs on a nylon-string instrument almost as much as he does on his hollow-body electric. Unlike Hawkins, Burrell's subdued contribution is made to measure for this date. Listeners expecting to hear Burrell the hard bopper won't. The key moments come during the interaction between the guitarist and tenor player, especially during their exchanges on Burrell's "Montono Blues." The rhythm section, Hawkins' working band from this period (pianist Tommy Flanagan, bassist Major Holley, and drummer Eddie Locke), provide impeccable, sublime support.

 (EXCERPT FROM AN ONLINE REVIEW BY JIM TODD, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

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·                               CONDITION:

·                               THE RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  (WEAK) NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           The record has a ►Rudy Van Gelder name, or  his initials (RVG) stamped or hand-etched in the trail-off vinyl (dead wax). On SOME  Jazz labels (Blue Note, Savoy, Regent, Prestige, Impulse, Verve…) this stamp signifies highly professional masterings either done by - or  personally authorized by - the legendary engineer himself.

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·                               THE COVER

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-        Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 2  (front side) and 3 (back side)

-        Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.   (VISIBLE ON BACK SIDE ONLY)

-        Cover shows JUST A HINT of yellowing on back side, apparently from aging.

-        Cover has a light "wrinkle" (crease)  in one of the corners.  (VISIBLE ON BACK SIDE ONLY)

-        Cover has a few tiny wrinkles along the spine

-        Visible shelf wear noted on the top seam

-        Cover has three corners slightly worn (BARELY VISIBLE)

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

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