KEN NORDINE TWINK RARE ORIGINAL 1967 PHILIPS STEREO LP IN SHRINK VERY NICE

$

25

WE CURRENTLY HAVE  MORE THAN 400  LISTED ITEMS

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·       KEN NORDINE – TWINK – RARE  ORIGINAL 1967 PHILIPS RECORDS STEREO LP PHS-600-285

·       ORIGINAL U.S. PRESSING

·       ORIGINAL BLACK PHILIPS LABEL WITH MULTICOLORED LOGO

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       COVER IS STILL IN ITS ORIGINAL SHRINK (CELLOPHANE) WRAP

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1/-1'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Originally released as Twink in 1967 (and changed because of the unrelated connotations the word has been saddled with since), Wink is not a typical Ken Nordine album. Instead of a word jazz album with poetry of his own design, Wink takes a series of pieces written by beat poet Robert Shure and sets them to music. Knowing that it's not Nordine-penned, it might be tempting to write this one off without even hearing it, but that would be a mistake; Shure originally wrote the poetry in 1957, about the same time that Nordine was getting his start with the Word Jazz series of albums, and both shared a surreal sense of humor and a love of wordplay. In fact, the concept almost sounds like it was custom-designed for Nordine. Two voices, both voiced by Nordine and both presumably different facets of the same character, face off against each other and have discussions about topics that are both mundane and absurd. In one piece, there's a warning about why you should be afraid of meatballs; elsewhere there's a discussion of gabardine potatoes; another piece details why people who like apple cider are idiots. It's not all about food, though: windshield wipers fall in love, the society that draws the cracks in sidewalks is revealed, and the lampshade-licking business is detailed. Like Colors, the previous album Nordine had recorded, none of the tracks here are too long -- all of them are under two minutes -- so while it never quite goes into the kind of depth Nordine is capable of in his own extended pieces, by the time you get tired of one of the motifs, he's already moved on to the next bit. (The one annoying bit is that because the pieces are so short, each is separated by the sound of various bells; it can get a bit annoying but it does have the side effect of making the beginning of each piece sound like a customer entering a store, with each piece a new transaction.) The musical backing here is varied, with a bit of rock and some sound effects, but many of the pieces have a jazzy style that Nordine fans will find comfortably familiar.

 (EXCERPT FROM AN ONLINE REVIEW BY SEAN CARRUTHERS, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

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·                               CONDITION:

·                               THE RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VERY GOOD+(+) . CAUTION: The vinyl is NOT MINT or NEAR MINT, but is nevertheless in a very nice and clean condition. There are some surface marks and abrasions, mostly light and superficial, although some may be longer than 1.1/4 inches (1 inch = 2.5 centimeters)

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·                               THE COVER

COVER IS NEAR MINT,  STILL IN ITS ORIGINAL ►SHRINK WRAP   (A SMALL PIECE OF SHRINK WRAP IS MISSING)

The following flaws or imperfections are noted on the cover:

-        Cover has a few wrinkles along the spine

-         Cover has one corner slightly worn / frayed / bent (just a beginning of the split seam)

-         Minor shelf wear noted on the top seam (nothing significant)

-         The cover has a small (2") razor-like line (cut) on the back panel, as if someone attempted to cut away the shrink wrap with a razor, but inadvertently left the mark on the cover as well. The paper slick is intact and no part is missing, but the razor line is visible.

-         Cover has some small, faint writing on its back side (a price code written in one corner)

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

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