KATE BUSH "THE KICK INSIDE" EMI RECORDS ORIG PICTURE DISC 1ST PRESSING EMCP 3223
£
57
$
75
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Description
KATE BUSH
"THE KICK INSIDE"
EMI RECORDS
ORIGINAL PICTURE DISC
1ST PRESSING - STEREO
FULLY LAMINATED SINGLE SLEEVE
Catalogue Number: EMCP 3223
Matrix Numbers:
Side One:- YAX-5389-4
Side Two:- YAX-5390-4
PLEASE BE AWARE THAT MOST OF THE
RECORDS ON SALE HAVE NOT BEEN PLAY-GRADED
IF THEY HAVE, ANY OBSERVATIONS WILL
BE MENTIONED IN THE LISTINGS
Condition:
***please see end of listing
for grading system definitions
before ordering***
Cover:- EXCELLENT +
STICKERED SLEEVE
Vinyl:- EXCELLENT +
WE WANT YOU TO BE HAPPY
WITH YOUR PURCHASE
IF, FOR WHATEVER REASON, YOU ARE NOT HAPPY WITH THE RECORD
(EVEN IF YOU DECIDE YOU DON'T LIKE THE MUSIC!)
PLEASE CONTACT ME TO RETURN THE RECORD
FOR A FULL REFUND PLUS RETURN POSTAGE.
**THE RETURN ADDRESS IS ALWAYS ON THE BACK OF THE PACKAGING**
Tracklist
A1 Moving Electric Piano – Duncan Mackay A2 The Saxophone Song Bass – Bruce LynchDrums – Barry De SouzaGuitar – Alan ParkerGuitar, Electric Guitar – Paul KeoghKeyboards – Andrew PowellSaxophone – Alan Skidmore A3 Strange Phenomena Electric Piano – Andrew PowellPercussion – Morris PertSynthesizer – Duncan Mackay A4 Kite Organ, Clavinet – Duncan MackayPercussion – Morris Pert A5 The Man With The Child In His Eyes A6 Wuthering Heights Acoustic Guitar – David PatonBass, Celesta – Andrew PowellElectric Guitar – Ian BairnsonOrgan – Duncan MackayPercussion – Morris Pert B1 James And The Cold Gun Organ – Duncan Mackay B2 Feel It B3 Oh To Be In Love Backing Vocals – David Paton, Ian BairnsonGuitar – David PatonMandolin – Paddy BushPercussion – Stuart ElliottSynthesizer – Andrew Powell B4 L'Amour Looks Something Like You Electric Piano – Duncan Mackay B5 Them Heavy People Backing Vocals – Kate Bush, Paddy Bush B6 Room For The Life Percussion – Stuart ElliottPercussion [Beer Bottles] – Andrew Powell, Ian BairnsonPercussion [Boo-bams] – Morris Pert B7 The Kick InsideCredits
- Arranged By, Producer – Andrew Powell
- Backing Vocals, Lead Vocals, Piano, Songwriter, Sleeve [Concept By] – Kate Bush
- Bass – David Paton (tracks: A1, A3, A4, B1, B3 to B6)
- Contractor – David Katz
- Design [Front Cover] – Splash Studio
- Drums – Stuart Elliott (tracks: A1, A3, A4, A6, B1, B3 to B6)
- Engineer – John Kelly*
- Executive-Producer – Dave Gilmour* (tracks: A2, A5)
- Guitar – Ian Bairnson (tracks: A1, A3, A4, B1, B3 to B6)
- Photography By – Jay Myrdal
Notes
Recorded at Air London Studios: July/August 1977.A2 & A5 recorded at Air London Studios: June 1975.
- Printed By – Garrod & Lofthouse
************************************************
Please note that my sales will be posted recorded and must be signed for on arrival.
The cost of this is the current Royal Mail charges whether Domestic or International
SIGNED FOR POSTAGE + PACKING IS OFFERED ON THIS ITEM
PRICES AS FOLLOWS:-
U.K. £4.50 E.U. / UKRAINE £11.50 REST OF THE WORLD** £15.50
**INCLUDES:-
AUSTRALIA - BRAZIL - CANADA - JAPAN - KOREA - NEW ZEALAND - USA
please note that
***GENEROUS COMBINED POSTAGE WILL BE OFFERED
FOR MULTIPLE ORDERS***
**************************************************
All items will be posted in custom made mailers in plastic sleeves and using two card liners.
**************************************************
PLEASE NOTE THAT THE PHOTOGRAPHS DISPLAYED
ARE OF THE ACTUAL ITEM LISTED FOR SALE ABOVE
**************************************************
My records are described according to “The Record Collector’s” grading system.
This was originated by “The Record Collector” to assist people buying or selling records.
Their seven standard condition categories and a description of what each one means are given below.
I hope you find this helpful.
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
EXCELLENT: The records shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration etc.
FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.
POOR: The record will not play properly due to scratches, bad surface noise etc. The cover and contents will be badly damaged or partly missing.
Bad: The record is unplayable or might even be broken and is only of use as a collection-filler.
price rating
