Joyce Encontro Marcado LP Brazil bossa nova samba jazz jorge ben tim maia

$

76

Brand new, unplayed LP. Imported from ROCINANTES in Brazil!!!!
Joyce - Encontro Marcado

Officially released
Tracklist
 
Lado A
A1. Adam, Adam (2:03)
A2. Encontro marcado (2:30)
A3. Bom dia (2:33)
A4. Copacabana, velha de guerra (3:19)
A5. Como vai, vai bem? (1:41)
A6. Asa branca (2:14)
 
Lado B
B1. Longe do tempo (2:21)
B2. A saudade mata a gente (2:06)
B3. Preparando um luminoso (2:06)
B4. Pra saber de nada (2:42)
B5. Caminho pro sol (2:01)
In 1969, Joyce was a young revelation, but respected by veterans like Tom Jobim and Vinicius de Moraes, as well as by the contemporary generation of new MPB promises. The singer had artistic freedom with her label and, on her debut with Philips, released the previous year, she had revolutionized the country's record industry by singing lines like "I'm not cut out for this bourgeois life", "hurting my pride as a woman", "there's a man on the bridge who's a captain / he arrests us without care or compassion" and "if I wanted to find a husband / I wouldn't have chosen to adore you / it would be more of a punishment than a reward / a bohemian man for me to support". 
On the back cover of Encontro Marcado, her second album, she wrote: “The meeting with me — I recorded songs that I wrote and that I wish I had written.” Her original material included “Copacabana, velha de guerra,” “Preparando um Iluminação,” “Pra saber de nada,” and the title track. Among the material she wished she had written were versions of “Adam, Adam” (Public Domain), “Bom dia” (by Gilberto Gil and Nana Caymmi), “Asa branca” (by Luiz Gonzaga and Humberto Teixeira), “Longe do tempo” (by Danilo Caymmi and João Carlos Pádua), “A saudade que mata a gente” (by Antônio Almeida and João de Barro), and two compositions by her first husband, Nelson Angelo: “Como vai, vai bem?” and “Caminho pro sol.” 
As its creator so aptly defined, Encontro Marcado “is the opening and discovery that all of this is one thing, because I am one, and my way of saying it is one; the satisfaction of seeing that the album could be as I wanted, clear, clean, young and mature, with nothing in the way that would impede our work and our intention”. This important album is also part of a continuous and incessant search for female independence within Brazilian music.
This Rocinante/Três Selos edition is on 180g black vinyl and includes an envelope with lyrics and text by journalist and writer Bento Araujo, author of the Lindo Sonho Delirante book series.
 
•⁠ ⁠Black LP 180g*
• Simple cover
•⁠ ⁠Unpublished text by journalist Bento Araujo
•⁠ Envelope printed with letters
•⁠ Obi
Joyce (Brazilian MPB Artist) Joyce Moreno, known mononymously as Joyce, is a celebrated Brazilian singer-songwriter, guitarist, and composer who emerged as one of the most influential figures in Música Popular Brasileira (MPB). Born in Rio de Janeiro on January 31, 1948, she began her career in the 1960s and quickly gained recognition for her innovative approach to Brazilian music, blending bossa nova, samba, jazz, and sophisticated harmonies with poetic lyrics.
Joyce is renowned for her pioneering role as one of the first Brazilian artists to explore themes of femininity and womanhood in her songwriting, often from an autobiographical perspective. Her distinct voice, virtuosic guitar playing, and rhythmic complexity have earned her widespread acclaim both in Brazil and internationally.
Her debut album, Joyce (1968), introduced her as a bold new voice in Brazilian music, and her subsequent works, such as Feminina (1980) and Água e Luz (1981), solidified her reputation. Joyce’s career has spanned decades, with collaborations involving iconic artists like Elis Regina, Milton Nascimento, and Vinícius de Moraes. Her music continues to captivate audiences, blending Brazilian tradition with global influences.
Key Albums Joyce (1968) – Her debut album, showcasing her early experimentation with bossa nova and MPB. Feminina (1980) – A groundbreaking album celebrated for its exploration of women’s perspectives and samba-jazz fusion. Água e Luz (1981) – A vibrant mix of Brazilian rhythms and jazz influences. Tardes Cariocas (1994) – A tribute to Rio de Janeiro’s cultural and musical heritage. Slow Music (2009) – A minimalist, intimate exploration of her sound. Legacy Joyce is often celebrated for her trailblazing role in MPB, particularly for her contributions to feminist themes and her technical mastery of the guitar. Her work bridges traditional Brazilian styles with jazz and contemporary influences, making her a revered figure among MPB artists and an inspiration to newer generations of musicians.
50 Similar Artists Here’s a list of artists who share Joyce’s MPB roots, bossa nova sensibilities, or Brazilian jazz influences:
Elis Regina Milton Nascimento Vinícius de Moraes Tom Jobim João Gilberto Caetano Veloso Gilberto Gil Chico Buarque Nara Leão Gal Costa Maria Bethânia Marcos Valle Edu Lobo Roberto Menescal Baden Powell Dori Caymmi Toquinho Nana Caymmi Ivan Lins Djavan Quarteto em Cy Clara Nunes Angela Ro Ro Johnny Alf Geraldo Vandré Zé Ramalho Alceu Valença Dorival Caymmi Teresa Cristina Lenine Paulinho da Viola Guinga Francis Hime Leila Pinheiro Rosa Passos Leny Andrade Bebel Gilberto Adriana Calcanhotto Vanessa da Mata Marisa Monte Ceumar Simone Zizi Possi Joyce Cândido Tania Maria Luciana Souza Yamandu Costa Monica Salmaso Rita Lee (MPB influences) Eliseth Cardoso Joyce's innovative spirit and timeless contributions place her among the most cherished voices of Brazilian music. Her artistry continues to resonate globally, captivating audiences with its beauty and depth.