Johnny Thunders & The Heartbreakers " D.T.K " Live UK Album Jungle 1982 BBC

$

27

Artist: Johnny Thunders & The Heartbreakers

• Title: D.T.K. (Live at the Speakeasy)

• Label: Jungle Records

• Catalog Number: FREUD 1

• Year of Release: 1982

• Country: UK

• Format: 12” LP, Stereo

• Genre: Punk / Rock

• Tracklist:

Side One

1. Chinese Rocks

2. All By Myself

3. Let Go

4. Can’t Keep My Eyes on You

5. I Wanna Be Loved

Side Two

1. Do You Love Me

2. Get Off The Phone

3. Going Steady

4. I Love You

5. Born To Lose

Special Attributes

• BBC Gramophone Library Copy:

This copy has provenance from the BBC Gramophone Library, which adds significant collectible interest. It includes:

• BBC property stickers on both front and back covers.

• “PLEASE RETURN PROMPTLY” library insert with handwritten details dated 15 March 1983.

• Cataloguing info and requisition notes for internal BBC circulation.

This type of provenance is highly desirable for collectors of punk and broadcasting history memorabilia.

• Pressing Info:

• Deadwax: Both sides show “FREUD 1” hand-etched, consistent with first UK pressing on Jungle Records.

• First press has black & white jagged “Jungle” logo labels as seen here.

Condition Assessment

• Cover:

• Visible edge separation (spine/upper seam partially split) – shown in the fourth image.

• BBC stickers and filing inserts present (collectors often see this as added character rather than damage).

• Front and back gloss still decent; slight ring wear visible.

• Overall grade: VG (Very Good).

• Vinyl:

• From the images, vinyl appears glossy with some minor surface dust/faint marks.

• No major scratches or warps visible.

• Likely grade: VG+ to EX-

Labels:

• Excellent condition with clear print.

• BBC Gramophone Library stamp adds uniqueness.

Rarity & Historical Significance

• This LP is highly collectible because:

• It documents Johnny Thunders & The Heartbreakers’ raw live energy during the UK punk era.

• First pressing on Jungle Records is sought after.

• BBC provenance elevates its desirability (broadcast library copies rarely survive intact).

• Punk records with institutional provenance have niche collector demand, often commanding premiums.

Please understand that this is an official UK archival record from the British Broadcasting Corporation and the sleeve(s) may contain archival stickers from the BBC. Some of these stickers are 'on top' of the plastic with some 'underneath' (i.e. on the sleeve itself). Some sleeves have been 'laminated' either by way of 'punching' the plastic wallet to two parts of the sleeve or by fully wrapping the plastic to the sleeve. Where sleeves are laminated stickers can be removed with the use of appropriate sticker removal fluids however it is unlikely that stickers can be removed from any sleeves that are not laminated. The sleeves as such in this collection are generally graded as VG with the records often VG+ to Ex+.

The BBC Gramophone Library: A Historic Institution in British Broadcasting

Overview

The BBC Gramophone Library was the centralized archive and distribution hub for music and spoken-word recordings used by the British Broadcasting Corporation (BBC) across its radio and television networks. Established in the 1930s and reaching its peak usage from the 1950s through the 1980s, the library served as a critical resource for programming, background music, and live broadcasts.

Primary Roles:

1. Music Programming & Licensing

• The BBC did not allow advertising, so it relied heavily on pre-licensed or internally approved music for airplay.

• The Gramophone Library held tens of thousands of LPs, singles, and 78s, carefully cataloged and labeled for legal and logistical reasons.

2. Record Circulation Across Studios

• Library copies were loaned out to BBC producers and engineers working on everything from Radio 1 pop shows to classical music programs and regional BBC radio stations across the UK.

• Many records bear checkout stickers and barcodes with issued/returned fields, tracking circulation between studios.

3. Archiving Broadcast-Ready Media

• The BBC required high-quality and clean copies for broadcasting, so many library records were early or first pressings sourced directly from record labels or distributors.

• Labels often provided the BBC with promo or advanced copies, which were then filed and made broadcast-ready.

4. Editing, Marking, and Custom Labeling

• Library staff often marked faults or added stickers (e.g., “STEREO”, “DO NOT USE SIDE B”, “OBSCENE LYRICS”) based on BBC content standards.

• Some records have cue sheets or fade/duration notes handwritten on inner sleeves for radio DJs and engineers.

5. Preservation & Disposal

• When formats shifted (vinyl to CD, then digital), the BBC began deaccessioning large portions of the library.

• Many records were sold, gifted to staff, or disposed of — though some were retained for archival and legal purposes.

Collecting Significance

Records from the BBC Gramophone Library are now highly sought after due to:

• Direct association with British radio history

• Unique, institutional provenance (often impossible to fake convincingly)

• Early pressings used during the golden age of BBC radio (1950s–1980s)

• The possibility that famous BBC DJs (e.g., John Peel, Annie Nightingale) handled or played the exact copies

Legacy

The BBC Gramophone Library remains a legendary archive in British media history, now largely digitized or merged into newer holdings. Physical copies like yours are time capsules, often tied to decades of public service broadcasting, music history, and cultural memory.