Joe Henderson,Inner Urge ORIG. MONO '64 Blue Note ,, New York, USA Van Gelder

$

150

Joe Henderson
"Inner Urge "
Blue Note , #4189, 1964
This is the 1964 Recording , Original Mono,  , New York,USA address on label.
43 West 61St. New York address on jacket
"Van Gelder" etched in trail off wax, both sides

The test play was brilliant,  I would rate this as near mint in playback quality.
Vinyl has excellent luster showing very little wear, sound is bright and full with little if any surface noise.
The labels are bright and clean
The Jacket is Excellent, Tight seams, crisp corners, shows very little wear, except for one minor defect in bottom left at opening.
original Blue Note inner sleeve with 43 West 61st St. address
One of the cleanest copies I have seen in many years.
This early recording by Joe Henderson is not only one of the finest of all of his fine recordings, but is also a high point for 1960s jazz. At this point in his career, Henderson was a full-time member of Horace Silver's combo and did not yet have a steady band in his hire. He is joined on Inner Urge by veterans of other combos: McCoy Tyner and Elvin Jones from John Coltrane's unit and Sonny Rollins sideman Bob Cranshaw. The presence of these luminaries aside, Inner Urge is home to two of Henderson's best (and best-loved) compositions: "Inner Urge" and "Isotope." The leader's solo on the title track is a marvelous thing, full of melody as well as anarchic bursts of sound, which is in perfect keeping with the spirit of the song's probing, searching theme. The other musicians support Henderson nicely as well as turning in some strong solos of their own. Tyner especially sounds fantastic on this record. Although not the equal of the leader in terms of the quality of his lines or the overall sense of composition of his solos, his performance is at least the rival of Henderson's in terms of raw kinetic power. The other great song on "Inner Urge," the Monk-ish "Isotope," is another ideal showcase for Henderson's total command of his instrument. The remaining tracks on Inner Urge are also fantastic, especially the wailing cry of "El Barrio" and the Henderson-altered head to "Night and Day," but the first side, even if taken alone, is by itself enough to guarantee this album as perhaps the best Henderson recorded in his long and illustrious career, and stands easily alongside the best records of the era.








All pictures are the actual item.

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