Jimmy Smith The Sermon 1959 Deep Groove 1st Original Blue Note 4011 Stereo
$
48
$ 48
Sold For
Aug 13, 2014
Sold Date
Jul 16, 2014
Start Date
1
Number Of Bids
USA
Country Of Seller
eBay
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Description
Jimmy Smith ~ The Sermon!
- Made in the U.S.A.
- Blue Note Records 4011
- 1959 Deep Groove, 1st and Original Stereo pressing.
- Vinyl is VG+; side 1 is VG+ to VG++. mostly VG++. Side 1 plays VG+ to VG++, mostly VG++ (most of the VG+ is the first minute or two). Some mostly faint, and minor, mostly inaudible marks. Label on side 1 is VG++.
- Side 2 is VG+; plays VG+ on track 1 and VG+ to VG++ on track 2; various, mostly minor marks and shallow scratches that have ticks and clicks and crackles, mostly on track 1. Track 2 has mostly faint, inaudible or low-level audible marks and plays mostly VG++. Label on side 2 is VG+ to VG++.
- Cover is VG+ to VG++, mostly VG++; corner-bend and wear on top-right, and other corners have minor bends and wear; very minor cover-wear, writing in pen on the back, upper-left and open right-edge has some wear and indentations.
- Includes orignal inner-sleeve.
- Out of Print, Original album.
"When Jimmy Smith exploded onto the jazz scene in 1956, he changed everything about the way the organ was used and perceived in jazz. His first two years of recording were mind-bogglingly prolific, producing 13 albums. Three marathon jam sessions during this period produced some of his finest early work, including The Sermon! Smith displays both a youthful fire and a musical wisdom beyond his years throughout the album. Whether blazing through hard bop tunes like "Confirmation" and "Au Privave" (both Charlie Parker compositions) or gently caressing the ballad "Lover Man," Smith constantly proves himself the most inventive organist of the bop generation. In moving beyond the classic organ trio format, Smith takes the organ into new areas, and trading solos with the likes of Lee Morgan and Lou Donaldson, he makes it plain that his is an individual voice worthy of its eventual place in the jazz canon. A special treat here is the tenor work of the great, underrated Tina Brooks. "
-allmusic.com
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