Jerry Lee Lewis ?– The Session Recorded In London With Great Guest Artists

$

20

Jerry Lee Lewis ?– The Session Recorded In London With Great Guest Artists
Label: Mercury ?– SRM 2-803 
Format:2 × Vinyl, LP, Album 
Country:
US Released:
1973 Genre:
Rock, Blues Style: Rock & Roll, Blues Rock

Tracklist
A1 Drinking Wine Spo-Dee O'Dee 3:37 A2 Music To The Man 4:40 A3 Baby What You Want Me To Do 3:58 A4 Bad Moon Rising 2:37 A5 Sea Cruise 3:53 B1 Jukebox 4:38 B2 No Headstone On My Grave 5:21 B3 Big Boss Man 3:42 B4 Pledging My Love 2:23 B5 Memphis 4:03 C1 Trouble In Mind 5:48 C2 Johnny B. Goode 3:30 C3 High School Confidential (Tribute To Jerry Lee - Instrumental) 3:27 C4 Early Morning Rain 4:21 D1 Whole Lot Of Shakin' Goin' On 4:00 D2 Sixty-Minute Man 3:36 D3 Movin' On Down The Line 3:28 D4 What'd I Say 4:58 Rock & Roll Medley (3:50) D5a Good Golly Miss Molly  D5b Long Tall Sally  D5c Jenny, Jenny  D5d Tutti Frutti  D5e Whole Lot Of Shakin' Goin' On
 
Credits: A&R – Robin McBride Acoustic Guitar – Drew Croon (tracks: C3), Gary Taylor (5) (tracks: A3, B3, D4), Kenneth Lovelace* (tracks: A1 to A4, B1, B3, B4, D3), Ray Smith* (tracks: A1, A2, A4 to B2, B4 to C2, C4, D1 to D3, D5) Art Direction – Jim Ladwig Backing Vocals – Casey Synge (tracks: D4), Dari Lallou* (tracks: D4), Karen Friedman (tracks: D4), Thunderthighs Bass – Chas Hodges (tracks: A2 to B2, B4, C1, C2, C4, D1, D2, D4), John Gustafson (tracks: C3), Klaus Voormann (tracks: A1, A3, B3, B5, D3, D5) Design – John Youssi Drums – Kenny Jones (tracks: A1 to A3, B3, B5, C2, D3 to D5), Mick Kellie (tracks: A1 to A3, B3, B5, C3, D3 to D5), Pete Gavin (tracks: A2, A4 to B2, B4, C1, C4, D1, D2) Electric Piano – Andy Bown (tracks: B1), Pete Robinson* (tracks: C3) Engineer – Martin Reshent* Executive-Producer – Charles Fach Guitar – Albert Lee, Alvin Lee (tracks: A1, B5, D3, D5), Chas Hodges (tracks: A3, B4), Joe Jammer (tracks: C3), Mickey Jones* (tracks: B5, D5), Peter Frampton (tracks: C2, D1), Rory Gallagher (tracks: D1) Guitar [Bottleneck] – Delaney Bramlett (tracks: D2, D4), Rory Gallagher (tracks: A2, B1, C2) Harmonica – Brian Parrish (tracks: A3) Mastered By – Gilbert Kong Organ – Andy Bown (tracks: A2, C2, D1), Gary Wright (tracks: A1, B5, D2, D3, D5), Matthew Fisher (tracks: B4, C1), Tony Ashton (tracks: A4 to B2) Percussion – Brian Parrish (tracks: A1, A3, B3, B5, D3, D5), Gary Taylor (5) (tracks: B5, D5), Jerry Lee Lewis, Jr. (tracks: B1, B3, B5, D3 to D5), Matthew Fisher (tracks: B2), Mick Kellie (tracks: C2, D1, D2), Pete Gavin (tracks: C2, D1), Ray Smith* (tracks: D4), Steve Rowland (tracks: A3, B3, D4), Tony Ashton (tracks: B4, C4), Tony Colton (tracks: A1, B1, D3) Photography By – Barrie Wentzell Piano – Chas Hodges (tracks: C3), Tony Ashton (tracks: C1) Producer – Steve Rowland Steel Guitar [Pedal] – B. J. Cole* (tracks: C3) Violin – Kenneth Lovelace* (tracks: C4) Vocals – Chas Hodges (tracks: A4) Vocals, Piano – Jerry Lee Lewis (tracks: A1 to C2, C4 to D5)

Notes: Full title on cover is "The Session Recorded In London With Great Guest Artists". On spine and label just "The Session". 

Here at Play Dome Nation customer satisfaction is our only commitment. We grade conservatively on all LP’s, Books, DVD’s and CD’s. All records are professionally cleaned before shipping. All LP’s are packed in sturdy LP Mailers with two padded inserts for extra protection. LP’s are removed from Sleeve to prevent seam splits during shipping. We offer a 100% GUARANTEE on all products.

ALL RECORDS & CD’s ARE VISUALLY GRADED USING GOLDMINE STANDARDS

GRADING

Albums are Visually Graded, Record, and then Cover, followed by any specific notes. If you have questions beyond the description given, please feel free to contact me.

Mint (M) All-around perfect, no signs of use.

NEAR MINT (NM OR M-) A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.)

NM covers are free of creases, ring wear and seam splits of any kind.

VERY GOOD PLUS (VG+) or EXCELLENT (E) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint. Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++ or E+). - VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience.

VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking

Very Good (VG) Many of the imperfections found on a VG+ record are more obvious on a VG record. For many listeners, a VG record or sleeve will be worth the money. VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise.

VG covers will have many signs of human handling. Ring wear in the middle or along the edges of the cover where the edge of a record would reside, is obvious, though not overwhelming. Some more creases might be visible. Seam splitting will be more obvious; it may appear on all three sides, though it won’t be obvious upon looking. Someone might have written or it or stamped a price tag on it, too

Good (G), Good Plus (G+) or Very Good Minus (VG–)The record still plays through without skipping, but it has significant surface noise and groove wear, and the label is worn, with significant ring wear, heavy writing, or obvious damage caused by someone trying to remove tape or stickers.

VG– cover has ring wear to the point of distraction, has seam splits obvious on sight and may have even heavier writing, such as, for example, huge radio station letters written across the front to deter theft.

POOR (P) and Fair (F) Poor (P) and Fair (F) records go for 0 to 5 percent of the Near Mint value, if they go at all. More likely, they end up going in the trash. Records are cracked, impossibly warped, or skip and/or repeat when an attempt is made to play them