James P. Johnson, Father Of The Stride Piano, LP 1962 + Collector's Extras - NM
  $   27

 


$ 27 Sold For
May 15, 2021 Sold Date
Apr 28, 2020 Start Date
1 Number Of Bids
  USA Country Of Seller
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Description


(Visually Graded) Vinyl looks Near Mint and sleeve looks VG. See pics and info for details.

James P. Johnson
, Father Of The Stride Piano

Label:
 Columbia ?– CL 1780
Series:
 Thesaurus Of Classic Jazz –
Format:
 Vinyl, LP, Mono, 12", 33 RPM + Collector's Extras
Country:
 US
Released:
 1962

Genre:
 Jazz

Style:
 Traditional Jazz, Stride Piano, Ragtime


Tracklist

A1     If Dreams Come True     3:09
A2     Fascination     3:18
A3     Lonesome Reverie     3:16
A4     The Mule Walk     2:26
A5     Blueberry Rhyme     3:20
A6     Snowy Morning Blues     2:40
A7     All That I Had Is Gone     2:43
A8     How Could I Be Blue     3:27

B1     Swingin' At The Lido     2:19
B2     Havin' A Ball     2:53
B3     Hungry Blues     3:00
B4     Old-Fashioned Love     3:00
B5     Memories Of You     3:02
B6     Worried And Lonesome Blues     3:04
B7     Weeping Blues     3:07
B8     Carolina Shout     2:51

Credits

    Featuring – Anna Robinson, Gene Sedric, Red Allen, J.C. Higginbotham, Sid Catlett
    Liner Notes – Duke Ellington, Stanley Dance
    Photography By – Duncan Schiedt
    Piano – James P. Johnson
    Producer, Edited By – Frank Driggs

Notes

© Columbia Records 1962

Previously unissued in U.S. mix of band and solo work from 20s and 30s.

- BIO - James Price Johnson
Real Name:
James Price Johnson
Profile:
Jazz pianist born February 1, 1894, New Brunswick, New Jersey, died November 17, 1955, Jamaica New York

James P. Johnson was an important transitional figure between ragtime and jazz piano styles. His style became known as Stride. As a boy, Johnson studied Classical music and Ragtime. He started playing professionally in a sporting house, and then progressed to rent parties, bars and vaudeville.

 He eventually became known as the best piano player on the East Coast and was widely utilized as an accompanist on over 400 recordings and from 1916 on, produced hundreds of piano rolls under his own name. He backed up many of the Classic Blues singers of the 1920s, such as Ida Cox, Ethel Waters and Bessie Smith.

 Johnson's 1921 recording of Carolina Shout is considered to be the first recorded Jazz piano solo by some critics, although it sounds a lot like Ragtime to this listener's ears. He wrote several musical revues, including "Running Wild" and "Plantation Days" and his 1928 collaboration with his former piano student Fats Waller, "Keep Shufflin'". His song "Charleston" from "Running Wild" was one of the best known and most widely recorded songs of 1920s.

 Other hits included "Old Fashioned Love" and "If I Could Be With You (One Hour Tonight)". Johnson composed several symphonic works, which include "Yamecraw: A Negro Rhapsody" (1928), "Tone Poem" (1930), "Symphony Harlem " (1932), a symphonic version of W.C. Handy's "St. Louis Blues" (1937), and the one-act opera "De Organizer" (1940), with lyrics by Langston Hughes.

 None of his symphonic works were very popular and have seldom been performed. Johnson is generally considered the "Father of the Stride" piano, and was a major influence on some of Jazz's great pianists such as Duke Ellington, Fats Waller and Thelonious Monk. He was inducted into the Songwriters Hall of Fame in 1970.

- We really want you to be happy with your purchase. If the vinyl does not live up to our grading upon receipt, please email us through EBAY before leaving a Feedback or Rating so that we may correct it for you. We have a 30 day return policy.

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- General Standards For Record Grading -

NM-
(NEAR MINT)
The vinyl is almost flawless, bright and shiny. A very light minor, barely visible mark or two may be permitted. The disc should play with no audible noise. The label is bright, clean and unmarked. Sleeve looks almost Mint.
VG++/EX
(VERY GOOD ++/ Excellent)
Disc plays near perfectly, but may have minor, light scuffs that do not interfere with the sound quality. There can possibly be a light hairline scratch or two but nothing that is obvious or affects play. Vinyl is bright and shiny; label is clean and unmarked. Sleeve is Excellent.
VG+
(VERY GOOD PLUS)
Some visible surface wear, very minor scratches and scuffs, but minimal impact on the sound quality. Vinyl will still have good luster; labels may have minor imperfections (small labels or initials, etc.) but otherwise clean. Sleeve may have some shelf wear, or minor writing, no seem splits.


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