Jackie McLean: One Step Beyond-1963 Blue Note New York USA On Label Mono 12" LP

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Used 1963 Blue Note "New York USA" on Label Mono Release of Bandleader/Composer/Alto Saxophonist Jackie McLean Entitled One Step Beyond, Produced by Alfred Lion, Recording by Rudy Van Gelder, Liner Notes by Jackie McLean - "Jackie McLean has long had his own sound, played slightly sharp and with great intensity; he is recognizable within two notes. McLean was one of the few bop-oriented players of the early '50s who explored free jazz in the '60s, widening his emotional range and drawing from the new music qualities that fit his musical personality. The son of guitarist John McLean (who played guitar with Tiny Bradshaw), Jackie started on alto when he was 15. As a teenager he was friends with such neighbors as Bud Powell, Thelonious Monk, and Sonny Rollins. He made his recording debut with Miles Davis in 1951 and the rest of the decade could be considered his apprenticeship. McLean worked with George Wallington, Charles Mingus, and Art Blakey's Jazz Messengers (1956-1958). He also participated on a string of jam session-flavored records for Prestige and New Jazz which, due to the abysmal pay and his developing style, he later disowned. Actually they are not bad but pale in comparison to McLean's classic series of 21 Blue Note albums (1959-1967). On sessions such as One Step Beyond and Destination Out, McLean really stretches and challenges himself; this music is quite original and intense yet logical. McLean also appeared as a sideman on some sessions for Blue Note (most notably with Tina Brooks, acted in the stage play The Connection (1959-1961), and led his own groups on a regular basis. By 1968, however, he was moving into the jazz education field and other than some SteepleChase records from 1972-1974 (including two meetings with his early idol Dexter Gordon) and an outing for RCA (1978-1979), McLean was less active as a player during the '70s. However in the '80s Jackie McLean returned to a more active playing schedule (sometimes with his son René McLean on tenor), recording for Triloka, Antilles, and most recently (with a renewed relationship) with Blue Note -- without losing the intensity and passion of his earlier days." - "In 1963, alto saxophonist Jackie McLean was well aware of John Coltrane and Ornette Coleman. He assembled a band with vibist Bobby Hutcherson, who had already played with Eric Dolphy, drummerTony Williams, bassist Eddie Khan, and trombonist/composer Grachan Moncur III. While still adhering to the hard bop principle, One Step Beyond's title is literal. The introduction of space as an element in the twin-horn front line is consistent with what would come later that year on Destination Out! McLeanis clearly hearing the Eastern modalism and intervallic invention in Coltrane's sound at this point, but still moves in his own direction, sticking very close to the blues and the hard, even relentless, swing provided by Williams on the kit. The true visionary compositions here are Moncur's "Frankenstein" and "Ghost Town." Their unconventional solo-horn melodic statements are followed by two horn choruses that use Hutcherson's vibes as a contrapuntal element as he spreads his chords so wide that he comes off like a pair of pianos playing complementary harmonic strategies, and it's revolutionary. Add to this Moncur's insistence on soloing inside the changes as McLean moves through the register and becomes increasingly dissonant, and you have a true doppelgänger effect -- but one that swings like mad. One Step Beyond may have been the first volley McLean fired in the direction of the new jazz, and played it safe enough to ride out the hard bop he helped to create, but he cannot be faulted as a bandleader, as this music still sounds fresh, vital, and full of grainy mystery." - Spectacular Personnel for the Quintet Features Legendary Composer Jackie McLean on Alto Sax, the Brilliant Grachan Moncur III on Trombone, the Great Bobby Hutcherson on Vibes, Eddie Khan on Bass & the Amazing Tony Williams on Drums! - Selections on Side 1 Are the Jackie McLean Penned Saturday and Sunday at 10 Minutes 31 Seconds & the Grachan Moncur III Song Frankenstein - Tracks for Side 2 Consist of Original Jackie McLean Composition Blue Rondo and the Grachan Moncur III Penned Ghost Town at 14 Minutes 39 Seconds - Used Copy, Cover Is Faded & Splotchy with a Medium Surface Ring & Seam Is Partially Split at Top, Side 1 Has Multiple Light Marks and a Couple Medium Scuffs on "Saturday & Sunday", Side 2 Has Multiple Light Marks and Two Medium Scratches - Mono Recording, Product Code BLP 4137 - California Residents Add 9.75% Sales Tax - International S & H Extra -