Jack Wilkins - Windows 1973 Mainstream lp OG 1st RARE Jazz Funk NM Shrink

$

710

Welcome to our Winter Holiday Special 2025 "Mega" Jazz auction! The main focus is jazz-funk, spiritual jazz, fusion, soul-jazz, rare groove lp's, largely from the late 1960's-1970's, all originals, no reissues! WE COMBINE SHIPPING! :)
Approximately 500+ lp's, all originals (no reissues!), many have soundclips, which are from the actual record!

This week features so many rare top shelf lp's, how to begin? The rare original Phil Ranelin "Vibes From The Tribe" 1976 lp, Nick Ingman's 1973 "Big Beat", Larry Von Nash's ultra-rare 1984 "On Time & In Tune", Sarah Webster Fabio, Andy Bey, giant portions of the CTI, Blue Note (late 60's-early to mid 70's), Impulse! (late 60's-early to mid 70's), Muse, Mainstream Red Lion, Tax Scam grails, Prestige / Fantasy / Milestone label (late 60's through 70's), Walt Barr's two rarest lp's (plus his very first when he directed a stage band in Arizona!), multiple Carlos Garnett, nearly every Eddie Henderson record, Les Demerle, Sonny Sharrock (both Black Woman on Vortex, and Paradise!), Steve Kuhn's 1971 s/t lp, Bernard Purdie, a small curated selection of rare School Band Jazz Funk lp's, and yes we start with about 36 samples of highlights, but by no means are they the only high-end items, as a collector whose lovingly maintained this for more than a decade, not to sound immodest, but this auction will be like seeing the want list of dreams come alive :), it's not easy to part with these gems, but the hope is they will go to loving homes to be enjoyed as much as we have, and more! :)

**Note on shipping: We have it set to 10 business days shipping & handling, we're a two person operation, that being said, we will doing everything humanly possible to get your package out as soon as possible, we'll be boxing from morning to night to get everything out as fast as possible, if you need your purchase as a holiday gift please message us so we can make that a priority (we hope that's fair to folks, given the timing!), also if you would like priority mail, please send us a message before purchasing so we can invoice that at lowest cost :). Typically any order over $120 in the US will automatically be given a free upgrade from media mail to priority mail at no extra cost :)  

* After this week's auction, we have in the pipeline auctions of rare traditional jazz of early 60's, late 50's ; ambient/electronic 60's/70's, modern soul/gospel boogie coming up! We'd be honored if you'd consider saving us as a favorite seller :)* 
All soundclips used are unedited directly from the item up for sale :). See below for detailed grading!
***Everything is 100% guaranteed! We've sold over 1,500+ records in the past year alone, with 100% positive feedback, bid with confidence :)

Feel free to message any questions!

*Note: Any Item that does not have a soundclip, feel free to message us, and we can make one for you :)

**Note: for items with multiple soundclips, the title of track is above each soundclip**
Soundclip info: B2 "Red Clay", A1 "Windows" -(Amazing Chick Corea cover...), a1 begins at 1:54 
Soundclip:  Update your internet browser to latest version in order to play audio clip.

Media Grade:  NM (a sealed deadstock original, I unsealed back in the day, played gently a handful of times, literally like new) 
Sleeve Grade:  NM (still in shrink, original "distributed by Roulette" sticker, as close to new without taking a time machine to 73!) 
Year / Label / Catalogue #:   1973  /  Mainstream Records  / MRL 396  
Brief Comments: Much rumored, legendary, impossible to find original 1st press of Jack Wilkins "Windows", yeah the ATCQ Red Clay source lp.... Along with Alice Walker, the rarest on the entire mainstream records "red lion" Bob Shad series (we have about 20 originals in this auction, not including Jack here!), his covers of Naima, Wayne Shorter's "Pinocchio", Chick Corea's "Windows" are sublime, Canzona and Song For The Last Act are incredible originals by bass player Mike Moore (along with Bill Goodwin on drums, making up the trio for this recording, like Ahmad Jamal, Jack Wilkins makes his jazz guitar playing so dynamic, it's shocking that it's just a trio, that incredible use of sound....). 
This was an old deadstock copy, I found from a gentleman who had a decent amount of 70's jazz/classical guitar albums, some like this were still sealed (he did have Joe Pass's "Better Days", but he had apparently seen him play back in the day, had fond memories, and understandably couldn't part with it). I unsealed it carefully, and I've played it very gently a few times in the years since. Basically it's like new, pristine, and because it's unsealed, play tested, none of the fears that come with sealed records (warps, pressing defects, etc.) are there, a guaranteed minty like new copy, of the original 1973 lp, I know, I know, I hope this goes to a loving home, someone who will love it, as much as I have :)
*P.S. You can't beat the fidelity of those Mainstream pressings, when major labels were going cheaper in vinyl quality cost-cutting, labels like Mainstream, Muse, CTI, other dedicated ones, were pressing extremely high quality presses :)


*Tariffs aren't going to impact used vinyl records / music media, we wish they were never in place at all, so for international buyers, don't worry on that account!
For our record grading, we stand by the merits outlined in the scale below, anything VG or below will have a detailed explanation in brackets next to the grade.
For sleeves, we will mention anytime there is split, or defect not visible in the photos in brackets next to the grade, otherwise we refer to the photos for the merit of the grade. Of course any questions, concerns, are always welcome :) 
Our media grading scale is as follows: [*Quick note, our VPI is still in storage on the other side of the US, we do brush clean many  items carefully, but we have to prioritize, we won't leave anyone stranded with a filthy record, only "filthy" good! We don't factor dust particles into the grading]
NM = Essentially a pristine album, like new, rarely used.
EX = Under bright light if there is any scuffs or mark, which will be inaudible, most collectors and sellers would tend to consider it closer to NM, EX is also the grade others might call VG++ under the same level of conservative scrutiny.
VG+ = More then a small handful of scuffs, light marks, nothing feelable, will have high-gloss, a thoroughly enjoyable copy that may only have tiny moments of barely perceptible surface noise overpowered by the music. Our VG+ will satisfy the vast majority of collectors as a nice keeper copy, as collector's ourselves for nearly two decades, this grade is aimed to be a great keeper. Note if say the record has a light DNAP warp, but otherwise is NM, we will automatically put it to VG+ and detail that. Another scenario is if a copy plays at a solid EX, but visually is VG, the composite grade will be VG+, and detailed as such.
VG = More hairlines, more marks, maybe a few visible scratches, no more then two feelable scratches (which automatically lowers to VG-), there likely will be surface noise, but will play through, still being an enjoyable copy, the audio quality will satisfy most collector's (the golden rule: if it doesn't satisfy us, it won't be VG), if a record is otherwise EX, but has a slight momentary skip, where 99% of the record is EX, we will note that, and put it at VG. Usually will retain a nice gloss.
VG- = More Scratches than VG, surface noise will jump out more, it be overpowered for longer stretches, or compete with the music in places, it will likely play all the way through on most turntables, a copy that you can still get a decent play enjoyment from.
G+ = Lots of scratches, deeper ones, surface noise now mostly overpowers or competes with the music. It may skip in some places. We don't tend to sell G+ copies, unless the rarity is so great, and that will be precisely detailed.
Thrashed = Pretty much a "Theoretical Grade" for us, it be for all intents & purposes virtually unplayable, it would be for display purposes, or perhaps if you needed the cover but not the record. It's "theoretical" because so far we haven't sold or identified anything intended to sell at this bottom level.
Every item is guaranteed to YOUR satisfaction, no questions asked, 100% refund. We stand by our integrity, our goal is to make sure you are absolutely delighted with your purchase, to deliver a cherished album to your collection :). On the slightest chance of human error, if we make a mistake, we take accountability for that, we don't anyone to have a record they aren't happy with! Bid with confidence :)
If you have multiple items, please wait for us to combine shipping for you! We can combine up to 4 items for the standard shipping rate, and save you $ on additional items. We don't charge a single penny over what the shipping costs, so you are paying only the amount the postal service receives!
Default shipping is USPS media mail, USPS International mail. If you prefer a different carrier, or expedited shipping, please message us before payment, so we can set up the invoice for you :)
We have it set to 5 day shipping / handling time, as a just in case, typically about 98.7% of our orders are shipped out the day of payment (first day the post office is open), with the vast majority being the second day. We'll message on the extraordinary off-chance if doesn't go out on Tuesday (our auctions mostly ending on Saturdays, Sundays), with the reason and day it will go out, so far that's only happened once on a giant order, and all was well.
Thank you from EnfieldVinyl, a family business, and the auction venture of EnfieldRecords :)
Kindly,
-Alec :D
&
-Ellie :)